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Don't miss WATCH HIM DIE, the next edge-of-your-seat thriller from Sunday Times bestselling author, CRAIG ROBERTSON - perfect for fans of Thirteen by Steve Cavanagh. Available to order now. Glasgow is being terrorised by a serial killer the media have nicknamed The Cutter. The murders have left the police baffled. There seems to be neither rhyme nor reason behind the killings; no kind of pattern or motive; an entirely different method of murder each time, and nothing that connects the victims except for the fact that the little fingers of their right hands have been severed. If DS Rachel Narey could only work out the key to the seemingly random murders, how and why the killer selects his vic...
The history of how a deceptively ordinary piece of office furniture transformed our relationship with information The ubiquity of the filing cabinet in the twentieth-century office space, along with its noticeable absence of style, has obscured its transformative role in the histories of both information technology and work. In the first in-depth history of this neglected artifact, Craig Robertson explores how the filing cabinet profoundly shaped the way that information and data have been sorted, stored, retrieved, and used. Invented in the 1890s, the filing cabinet was a result of the nineteenth-century faith in efficiency. Previously, paper records were arranged haphazardly: bound into bo...
Don't miss WATCH HIM DIE, the latest edge-of-your-seat thriller that is 'truly difficult to put down' (Daily Mail) from Sunday Times bestselling author Craig Robertson - available to order now! A murder investigation frozen in time begins to melt . . . NOVEMBER 1993. Scotland is in the grip of an ice-cold winter and the Lake of Menteith is frozen over. A young man and woman walk across the ice to the historic island of Inchmahome which lies in the middle of the lake. Only the man returns. In the spring, as staff prepare the abbey ruins for summer visitors, they discover the body of a girl, her skull violently crushed. PRESENT DAY. Retired detective Alan Narey is still haunted by the unsolved...
You can run from your past but you can never hide from yourself… When John Callum arrives on the wild and desolate Faroe Islands, he vows to sever all ties with his previous life. He desperately wants to make a new start, and is surprised by how quickly he is welcomed into the close-knit community. But still, the terrifying, debilitating nightmares just won't stop. Then the solitude is shattered by an almost unheard of crime on the islands: murder. A specialist team of detectives arrives from Denmark to help the local police, who seem completely ill-equipped for an investigation of this scale. But as tensions rise, and the community closes rank to protect its own, John has to watch his back. But far more disquieting than that, John's nightmares have taken an even more disturbing turn, and he can't be certain about the one thing he needs to know above all else. Whether he is the killer…
It's Saturday morning in Glasgow when Strathclyde CID are called to photograph the body of a young woman. Her clothes in disarray, she has been laid out ritually. The following day, another girl is found. Retired detective Danny Neilson is convinced that the murders are linked to the Red Silk cases that he worked on in the 1960s.
*** LONGLISTED FOR THE THEAKSTONS OLD PECULIER CRIME NOVEL OF THE YEAR 2017 *** *** LONGLISTED FOR THE McILVANNEY PRIZE 2017 *** 'I can't recommend this book highly enough' MARTINA COLE The first commuter train of the morning slowly rumbles away from platform seven of Queen St station. And then, as the train emerges from a tunnel, the screaming starts. Hanging from the bridge ahead of them is a body. Placed neatly on the ground below him are the victim's clothes. Why? Detective Inspector Narey is assigned the case and then just as quickly taken off it again. Winter, now a journalist, must pursue the case for her. The line of questioning centres around the victim's clothes - why leave them in...
NOMINATED FOR THE McILVANNEY PRIZE 2020 FOR SCOTTISH CRIME BOOK OF THE YEAR 'Truly difficult to put down’ Daily Mail 'High-concept plot keeps the 'tecs and the reader on their toes’ Sunday Times Crime Club 'Robertson is a master storyteller . . . never less than gripping’ Scotsman 'Devilishly clever . . . This might be his best yet' SJI Holliday, author of Violet 'Perfect for fans of Thirteen by Steve Cavanagh' Reader review ONLY ONE PERSON CAN SAVE YOU. AND HE WANTS YOU DEAD. Police find a man dead at his home in Los Angeles. Nothing suggests foul-play but elements of the victim’s house show that something is deeply wrong. Meanwhile, in Glasgow, DI Rachel Narey is searching for a...
'Brilliantly and sensitively written' Steve Cavanagh, bestselling author of Thirteen 'Craig Robertson’s Narey and Winter series goes from strength to strength, and this latest instalment is the most compelling. Brace yourself to be horrified and hooked' Eva Dolan, acclaimed author of This is How it Ends The sergeant took some from each box and spread them around the floor so they could all see. Dozens upon dozens of them. DI Rachel Narey’s guess was that there were a few hundred in all. Photographs. Many of them were in crowd scenes, some just sitting on a park bench or walking a dog or waiting for a bus or working in shops. They seemed to have no idea they’d been photographed. A dawn ...
In today's world of constant identification checks, it's difficult to recall that there was ever a time when "proof of identity" was not a part of everyday life. And as anyone knows who has ever lost a passport, or let one expire on the eve of international travel, the passport has become an indispensable document. But how and why did this form of identification take on such a crucial role? In the first history of the passport in the United States, Craig Robertson offers an illuminating account of how this document, above all others, came to be considered a reliable answer to the question: who are you? Historically, the passport originated as an official letter of introduction addressed to f...
Just when you thought it was safe to go to hell. Jon was successful at forcibly resurrecting the most evil and treacherous Ancient God from hell, Jéfnoss tra-Fundly. Now, in possession of EJ's powerful android body, the former Cleinoid leader is freed to crush, kill, and destroy in his former kingdom. But, talk about grabbing the tiger by the tail. Can Jon resist, let alone control such an epic force of evil? The Cleinoids themselves were barely able to. Can the benefit possibly justify the risk? Vorc, the current, ineffective Cleinoid leader, fumbles to maintain a society spiraling out of control. If he were any more inept, he'd do himself and his people in, singlehandedly. It's like the A...