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Conversations from the Print Studio
Over his thirty years as a master printer, Craig Zammiello has established himself as a foremost specialist of intaglio printmaking in the United States. Through lively discussions between Zammiello, Elisabeth Hodermarsky, and ten contemporary artists--Mel Bochner, Carroll Dunham, Ellen Gallagher, Jane Hammond, Suzanne McClelland, Chris Ofili, Elizabeth Peyton, Matthew Ritchie, Kiki Smith, and Terry Winters--Conversations from the Print Studio offers an intimate look at the relationship between printer and artist, as well as insight into the technical challenges of intaglio printmaking. The conversations follow ten unique projects from inception to completion, tracing each artist's initial vision, the artist's and printer's creative strategies, and reactions to the final product. By documenting the dual perspectives of artist and printer, the book reveals recent innovations in the field of printmaking as well as the collaborative nature of art-making itself. The result is a rare behind-the-scenes excursion into the workings of the contemporary print studio. Distributed for the Yale University Art Gallery
Seven Master Printmakers
Jim Dine - David Hockney - Jasper Johns - Roy Lichtenstein - Robert Rauschenberg - James Rosenquist - Frank Stella.
Contact: Art and the Pull of Print
A leading art historian presents a new grammar for understanding the meaning and significance of print In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today. The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptu...
Terry Winters
The American artist Terry Winters (b 1949), known for his sensuously abstract paintings and drawings, is also a distinguished printmaker. He has explored a wide range of printing methods and techniques, including intaglio, lithography, screenprinting, woodcut, and linoleum cut, and has worked at such notable print ateliers as Universal Limited Art Editions in West Islip, New York, and the Aldo Crommelynck studio in Paris. Winters's early works, sometimes described as organic abstraction, resonate with echoes of the natural world, while his more recent prints contain layered abstract fields that address how consciousness relates to visual form. This catalogue, accompanying a retrospective exhibition of Winters's prints, will consist of a short essay, a selected bibliography, and a checklist of approximately 90 works. The prints, all from the collection of the Metropolitan Museum, will be on display from 12th June to 30th September 2001.
Complete Printmaker
This revised and expanded edition takes the reader step by step through the history and techniques of over forty-five print-making methods. From the traditional etching, engraving, lithography, and relief print processes to today’s computer prints, Mylar lithography, copier prints, water-based screen printing, helio-reliefs, and monotypes, The Complete Printmaker covers various aspects of fine printmaking. The book also includes a survey of issues and contemporary concerns in the printmakers world.
Print/out
Catalog of an exhibition held at The Museum of Modern Art, New York, Feb. 19-May 14, 2012.
World War I and the Visual Arts
Published on the occasion of the centenary of World War I, this Bulletin, which accompanies the related exhibition “World War I and the Visual Arts,” on view at The Met until January 7, 2018, explores the myriad and often contradictory ways in which artists responded to the world’s first modern war. Drawn primarily from The Met’s collection of works on paper and supplemented with loans from private collections, both presentations move chronologically from the initial mobilization in early August 1914 to the tumultuous decade that followed the armistice of November 1918. Ranging from expressions of bellicose enthusiasm to sentiments of regret, grief, and anger, the selected works—from prints, photographs, and drawings to propaganda posters, postcards, and commemorative medals—powerfully evoke the conflicting emotions of this complex period. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Kiki Smith
This work is published to accompany an exhibition at MoMA QNS devoted to an under-acknowledged but crucial area of Kiki Smith's art, December 5th, 2003 - March 8th, 2004.
The Prints of Jasper Johns, 1960-1993
Catalogue raisonné.
Robert Motherwell: the Complete Prints 1940-1991
A study of the prints of Robert Motherwell, covering the years 1943 to 1991. This fourth edition is based on research and scholarship. In addition to cataloguing more than 500 prints in virtually every medium, it includes an essay on Motherwell's print-making, an illustrated chronology, concordance, bibliography and exhibition history. 500 colour & 100 b/w illustrations
