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Byzantine Materiality
This volume explores the power of matter and materials in the Eastern Roman Empire, also known as Byzantium. Recent attention to matter as dynamic and meaningful constitutes an emerging, interdisciplinary field of inquiry known as materiality, new materialism, or the material turn. Materials can be symbolic, but matter can also act on human subjects. This volume builds on these insights to consider the role of matter, materials, form, and embodied experiences in Byzantium. In many respects, Byzantine materiality represents a continuation of its Greco-Roman inheritance, which was also shared by neighboring peoples such as the Umayyads and Abbasids. But the Byzantines also developed their own,...
Art of the Hellenistic Kingdoms
This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeo...
Economic Circularity in the Roman and Early Medieval Worlds
Economic circularity is the ability of a society to reduce waste by recycling, reusing, and repairing raw materials and finished products. This concept has gained momentum in academia, in part due to contemporary environmental concerns. Although the blurry conceptual boundaries of this term are open to a wide array of interpretations, the scholarly community generally perceives circular economy as a convenient umbrella definition that encompasses a vast array of regenerative and preservative processes. Despite the recent surge of interest, economic circularity has not been fully addressed as a macrophenomenon by historical and archaeological studies. The limitations of data and the relativel...
She Brought the Art of Women
What would happen if the interpretation of Song of Solomon were to move beyond the layered traditions of rabbinic Judaism, the theological concerns of Christian communities, or even the Enlightenment ideals of a rigorously objective secular hermeneutic? This new reading by Janet Tyson provides a fascinating answer to that question. –Timothy Paul Erdel, Bethel University The Song of Solomon is an intimate, eyewitness account of the stormy marriage between the last King of Babylon, Nabonidus, and the Egyptian princess Nitocris II. It details the couple’s seven-year stay in Tayma, Arabia, during which time the king formulated his plan to reinstate a long-defunct female priesthood at Ur, in ...
Northern Emporium
This is the second and final volume presenting the results of the Northern Emporium research project and the high-definition excavations carried out within this programme in 2017-18 in Ribe. The 22 chapters survey the remarkable range of finds retrieved from this hub of the North Sea world in the eighth and ninth centuries AD: artefacts made from pottery, stone, shell, glass, metals, amber, leather, wood, textile, bone and antler. They offer detailed insights that highlight discoveries such as the assemblages from glass bead or comb-making workshops, and rare finds such as wooden furnishings and musical instruments. The focus of the book is on assembling Ribe’s early urban network. By analysing finds and their context, we develop a picture of social roles and interactions between residents and visitors in the emporium. And we follow the connections they created with other worlds as we trace the flows of glass vessels, pottery and wine barrels from Western Europe; iron, stone and animal products from North and Central Scandinavia and beads and coins that travelled from the Middle East and the Indian Ocean into northern Europe’s new maritime frontier.
Ancient Glass
This book is an interdisciplinary exploration of archaeological glass in which technological, historical, geological, chemical, and cultural aspects of the study of ancient glass are combined. The book examines why and how this unique material was invented some 4,500 years ago and considers the ritual, social, economic, and political contexts of its development. The book also provides an in-depth consideration of glass as a material, the raw materials used to make it, and its wide range of chemical compositions in both the East and the West from its invention to the seventeenth century AD. Julian Henderson focuses on three contrasting archaeological and scientific case studies: Late Bronze Age glass, late Hellenistic-early Roman glass, and Islamic glass in the Middle East. He considers in detail the provenances of ancient glass using scientific techniques and discusses a range of vessels and their uses in ancient societies.
Islamic Glass in the Making
New insights into the history of Islamic glassmaking The ancient glass industry changed dramatically towards the end of the first millennium. The Roman glassmaking tradition of mineral soda glass was increasingly supplanted by the use of plant ash as the main fluxing agent at the turn of the ninth century CE. Defining primary production groups of plant ash glass has been a challenge due to the high variability of raw materials and the smaller scale of production. Islamic Glass in the Making advocates a large-scale archaeometric approach to the history of Islamic glassmaking to trace the developments in the production, trade and consumption of vitreous materials between the eighth and twelfth...
Archaeological Investigations in a Northern Albanian Province: Results of the Projekti Arkeologjik I Shkodrës (PASH)
To date, very few northern Albanian archaeological sites have been surveyed and excavated. Situated beyond the reach, and allure, of the Classical Greek colonies of south-central Albania, the region has drawn less scholarly attention. But in various ways, northern Albania is just as important to the ongoing archaeological debates regarding the origins of inequality and the rise of social complexity. Some of the earliest and largest hill forts and tumuli (burial mounds) in Albania, dating to the Bronze and Iron Age, are located in Shkodër. Shkodër (Rozafa) Castle became the capital of the so-called Illyrian Kingdom, which was conquered by Rome in the early 3rd century BC. This research repo...
Seeing Color in Classical Art
The remains of ancient Mediterranean art and architecture that have survived over the centuries present the modern viewer with images of white, the color of the stone often used for sculpture. Antiquarian debates and recent scholarship, however, have challenged this aspect of ancient sculpture. There is now a consensus that sculpture produced in the ancient Mediterranean world, as well as art objects in other media, were, in fact, polychromatic. Color has consequently become one of the most important issues in the study of classical art. Jennifer Stager's landmark book makes a vital contribution to this discussion. Analyzing the dyes, pigments, stones, earth, and metals found in ancient art works, along with the language that writers in antiquity used to describe color, she examines the traces of color in a variety of media. Stager also discusses the significance of a reception history that has emphasized whiteness, revealing how ancient artistic practice and ancient philosophies of color significantly influenced one another.
