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Seeing Color in Classical Art
The remains of ancient Mediterranean art and architecture that have survived over the centuries present the modern viewer with images of white, the color of the stone often used for sculpture. Antiquarian debates and recent scholarship, however, have challenged this aspect of ancient sculpture. There is now a consensus that sculpture produced in the ancient Mediterranean world, as well as art objects in other media, were, in fact, polychromatic. Color has consequently become one of the most important issues in the study of classical art. Jennifer Stager's landmark book makes a vital contribution to this discussion. Analyzing the dyes, pigments, stones, earth, and metals found in ancient art works, along with the language that writers in antiquity used to describe color, she examines the traces of color in a variety of media. Stager also discusses the significance of a reception history that has emphasized whiteness, revealing how ancient artistic practice and ancient philosophies of color significantly influenced one another.
The Arch of Titus
The Arch of Titus: From Jerusalem to Rome—and Back explores the shifting meanings and significance of the Arch of Titus from the Jewish War of 66–74 CE to the present—for Romans, Christians and especially for Jews. Built by triumphant Romans, this triumphal monument was preserved by medieval Christians, lauded by modern visitors and dictators and imitated around the world. The Arch of Titus has special significance for the once-defeated Jews. Its menorah is now the national symbol of modern Israel. The Arch of Titus: From Jerusalem to Rome—and Back assembles an international array of scholars to explore the Arch in all of its complexity. This volume celebrates an exhibition mounted at Yeshiva University Museum and is the final statement of the Yeshiva University Arch of Titus Project.
Song of Songs
There is no other book in the Bible like the Song of Songs. It is a highly literate collection of love poems, at times intense with erotic desire and at times playful or flirtatious. This commentary draws out the tone of each poem, along with its language and literary qualities, including its metaphors, allusions, and clever use of words. While there are correspondences between the Song and the literatures of Egypt and Mesopotamia, and they are cited in the commentary, the greatest foreign influence on the book comes from Greece. The commentary approaches the Song as a Jewish-Hellenistic work, in the full sense of that hyphenated term. It notes Greek ideas and tropes that appear throughout the book and shows how they have been adjusted and incorporated into Jewish thought and literary forms. The book's Grecisms are dressed in "biblical" idioms and imagery. Going beyond previous studies, this volume emphasizes that the Song's blending together of the Jewish and the Greek is part of its literary virtuosity.
In Search of the Phoenicians
Who were the ancient Phoenicians—and did they actually exist? The Phoenicians traveled the Mediterranean long before the Greeks and Romans, trading, establishing settlements, and refining the art of navigation. But who these legendary sailors really were has long remained a mystery. In Search of the Phoenicians makes the startling claim that the "Phoenicians" never actually existed as such. Taking readers from the ancient world to today, this book argues that the notion of these sailors as a coherent people with a shared identity, history, and culture is a product of modern nationalist ideologies—and a notion very much at odds with the ancient sources.
Image, Text, Stone
This edited volume explores the intermediality of image and text in Graeco-Roman sculpture. Through its choice of authors, disciplinary backgrounds are deliberately merged in order to bridge the traditional gap between archaeologists, epigraphists and philologists, who for a long time studied statues, material inscriptions and literary epigrams within the closely confined borders of their individual disciplines. Through its choice of objects, privileging works of which there are significant material remains, through its inclusion of all kinds of figural-cum-inscriptional designs, ranging from grand sculpture to reliefs and ‘decorative’ marble-objects, and through its methodological empha...
Ancient Sculpture and Twentieth-Century American Womanhood
This book examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the “fit” American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus – most frequently, the Venus de Milo – as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the “American race” by reviving the rob...
A Companion to Greeks Across the Ancient World
An innovative, up-to-date treatment of ancient Greek mobility and migration from 1000 BCE to 30 BCE A Companion to Greeks Across the Ancient World explores the mobility and migration of Greeks who left their homelands in the ten centuries between the Early Iron Age and the Hellenistic period. While most academic literature centers on the Greeks of the Aegean basin area, this unique volume provides a systematic examination of the history of the other half of the ancient Greek world. Contributions from leading scholars and historians discuss where migrants settled, their new communities, and their connections and interactions with both Aegean Greeks and non-Greeks. Divided into three parts, th...
Complicating the History of Western Translation
As long as there has been a need for language, there has been a need for translation; yet there is remarkably little scholarship available on pre-modern translation and translators. This exciting and innovative volume opens a window onto the complex world of translation in the multilingual and multicultural milieu of the ancient Mediterranean. From the biographies of emperors to Hittites scribes in the second millennium BCE to a Greek speaking Syrian slyly resisting translation under the Roman empire, the papers in this volume – fresh and innovative contributions by new and established scholars from a variety of disciplines including Classics, Near Eastern Studies, Biblical Studies, and Eg...
What's in a Divine Name?
Divine Names are a key component in the communication between humans and gods in Antiquity. Their complexity derives not only from the impressive number of onomastic elements available to describe and target specific divine powers, but also from their capacity to be combined within distinctive configurations of gods. The volume collects 36 essays pertaining to many different contexts - Egypt, Anatolia, Levant, Mesopotamia, Greece, Rome - which address the multiple functions and wide scope of divine onomastics. Scrutinized in a diachronic and comparative perspective, divine names shed light on how polytheisms and monotheisms work as complex systems of divine and human agents embedded in an hi...
