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The Crystal Palace
The Crystal Palace was built in Hyde Park to house the treasures of the world for the Great Exhibition of 1851. It became a microcosm of Victorian life, industry and leisure, reflecting every aspect of its age. Designed by Joseph Paxton as a temporary structure its success meant that when it closed it was moved to Sydenham and rebuilt. "... widely regarded as the most authoritative book written about the history of the famous glass Crystal Palace ... " Kentish Times
Crystal Palace
This volume covers one of the most influential buildings of the 19th century. Joseph Paxton's Crystal Palace was the first public building to omit references to the past. Amid the historicist debates and battle of the styles of mid-19th-century Britain, Paxton's design was rational and straightforward.
Delamotte's Crystal Palace
This book presents 47 photographs, which were all taken in 1859 by Philip Henry Delamotte and showed the interior of the Crystal Palace after it had been rebuilt in Sydenham, London and before it was destroyed for the first time by fire in 1866. These photographs are now housed in English Heritage's photographic archive, the National Monuments Record. All 47 photographs are beautifully reproduced in this book, as well as shots of the building in its original Hyde Park site where it was built for the great exhibition of 1851. Also included are views of the Crystal Palace when it was rebuilt after the 1866 fire and then when it was destroyed again by fire in 1936. The book also tells the story of this legendary Victorian pleasure dome and its many incarnations. Much of our previous knowledge of this important building and its contents came almost entirely from engravings. The reproduction of these high quality original photographs allows, for the first time, a much fuller appreciation of one of the most important architectural and cultural features of mid-Victorian England, which in its heyday was visited by many millions of people.
Palace of the People
This book traces the rise and fall of what became known as 'The People's Palace', the Crystal Palace at Sydenham in South London.
Palace at the Palace
At the height of the British Empire the Crystal Palace was the world's largest and most iconic building. in 1854 it was moved from its home in Hyde Park to Sydenham where it was substantially enlarged to become the world's first theme park. During the Victorian and Edwardian eras the Crystal Palace became a much-loved national institution. It was at the centre of innovation and invention and was the scene of many historic World and British 'firsts'; it also gave birth to one of the oldest and most historic football clubs.This is the first detailed history written about the Crystal Palace Company which owned and managed the Palace and its 200 acres of parkland and the momentous events which t...
Gregory's Album of London Views
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sculpture and the Vitrine
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. They separate objects from their contexts, group them with other objects, both similar and dissimilar, and often serve to reinforce their intrinsic or aesthetic values. The vitrine has much in common with the picture frame, the plinth and the gallery, but it has not yet received the kind of detailed art historical and theoretical discussion that has been brought to these other modes of formal display. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with s...
A History of Norbury
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