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Intermedialität
Der vorliegende Sammelband ist der dritte und letzte der Reihe „Lyrik des 20. Jahrhunderts in Ost-Mittel-Europa“. Er widmet sich dem Phänomen der Intermedialität und untersucht die Grenzüberschreitungen der Lyrik zu anderen Gattungen, Kunstsparten, Medien und performativen Praktiken. Die Beiträge stellen intermediale Inszenierungsformen zwischen den 1960er und 1980er Jahren vor, nehmen aber auch die folgenden Jahrzehnte in ihren Blick. Das Verhältnis der Kommunikationsmodi, der künstlerischen Materialien und technologischen Vermittlungsinstanzen unter- und zueinander bildet den Ausgangspunkt für die Frage, wie sich der Charakter der Lyrik verändert hat und welche Perspektiven damit einhergehend für ein anderes Verständnis von Lyrik eröffnet wurden.
The Hand at Work
Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from visual media, we still regard the avant-garde as heyday for modernism’s obsession with the eye. But what are the blind spots of this optocentrism? Focusing on the gestures of giving, touching, showing, and handcrafting, this study examines key scenes of tactile interaction between subject and artifact. Hand movements, manual maneuvers and manipulations challenge optics and expose the crises of a visually dominated perspective on the arts. The readings of this book call for a revision of an optically obscured aesthetics and poetics to include haptic experience as an often overlooked but pivotal part of the making, as well as the perception, of literature and the arts.
Life After Literature
This book offers innovative investigations of the concept of life in art and in theory. It features essays that explore biopoetics and look at how insights from the natural sciences shape research within the humanities. Since literature, works of art, and other cultural products decisively shape our ideas of what it means to be human, the contributors to this volume examine the question of what literature, literary and cultural criticism, and philosophy contribute to the distinctions (or non-distinctions) between human, animal, and vegetal existence. Coverage combines different methodological aspects and addresses a wide field of comparative literary studies. The essays consider the question...
Hungarian Perspectives on the Western Canon
In this collection, Hungarian literature is read together with canonical works of the Western literary tradition. The book studies the distinction between “major” and “minor” literatures, showing that such parallel readings may highlight previously unknown components of the literary tradition. The book does not hold traditional comparative methods, based on verifiable mediations or transactions between national philologies and national literary narratives, to be the exclusive standard of interpretation; readings can concentrate on common surfaces and textual events instead. This is what is meant by ‘post-comparative’ perspectives, a term to indicate that the conditions of a comparative reading never precede the reading itself. On this basis, the present volume points at several possibilities of how a common ground between texts can be created, especially because the chapters within it perform parallel readings in highly different ways.
Persistent Legacy
New essays by prominent scholars in German and Holocaust Studies exploring the boundaries and confluences between the fields and examining new transnational approaches to the Holocaust.
Agents of Liberation
The book explores representations of the Holocaust in contemporary art practices. Through carefully selected art projects, the author illuminates the specific historical, cultural, and political circumstances that influence the way we speak?or do not speak?about the Holocaust. The book?s international focus brings into view film projects made by key artists reflecting critically upon forms of Holocaust memory in a variety of geographical contexts. K‚kesi connects the ethical implications of the memory of the Holocaust with a critical analysis of contemporary societies, focusing upon artists who are deeply engaged in doing both of the above within three regions: Eastern Europe (especially Poland), Germany, and Israel. The case studies apply current methods of contemporary art theory, unfolding their implications in terms of memory politics and social critique.
Growing in the Shadow of Antifascism
Reined into the service of the Cold War confrontation, antifascist ideology overshadowed the narrative about the Holocaust in the communist states of Eastern Europe. This led to the Western notion that in the Soviet Bloc there was a systematic suppression of the memory of the mass murder of European Jews. Going beyond disputing the mistaken opposition between “communist falsification” of history and the “repressed authentic” interpretation of the Jewish catastrophe, this work presents and analyzes the ways as the Holocaust was conceptualized in the Soviet-ruled parts of Europe. The authors provide various interpretations of the relationship between antifascism and Holocaust memory in...
Lyric Orientations
In Lyric Orientations, Hannah Vandegrift Eldridge explores the power of lyric poetry to stir the social and emotional lives of human beings in the face of the ineffable nature of our mortality. She focuses on two German-speaking masters of lyric prose and poetry: Friedrich Hölderlin (1770–1843) and Rainer Maria Rilke (1875–1926). While Hölderlin and Rilke are stylistically very different, each believes in the power of poetic language to orient us as social beings in contexts that otherwise can be alienating. They likewise share the conviction that such alienation cannot be overcome once and for all in any universal event. Both argue that to deny the uncertainty created by the absence o...
A History of Poetics
Since the 1990s, following the end of postmodernism, literary theory has lost much of its dynamics. This book aims at revitalising literary theory exploring two of its historical bases: German poetics and aesthetics. Beginning in the 1770s and ending in the 1950s, the book examines nearly 200 years of this history, thereby providing the reader with a first history of poetics as well as with bibliographies of the subject. Particular attention is paid to the aesthetics and poetics of popular philosophy, of the Hegel-school, empirical and psychological tendencies in the field since the 1860s, the first steps towards a plurality of methods (1890-1930), theoretical confrontations during the Nazi-...
Poetry Translation through Reception and Cognition
The observation of poetry translation is an interdisciplinary field, comprising the translation-linguistic aspects of poetic language and one or more supplementary methods which enable critical assessment. This necessitates the involvement of supplementary disciplines, for example, reader response and its amalgamation with cognitive linguistics. Chapter One provides a short historical review of text research, translation theory and cognitive linguistics, highlighting the common points where possible. Chapter Two outlines the practical implementation of the research. Chapter Three outlines the common points of information processing (as assumed in mental conceptual units) and readers’ interpretations. Chapter Four provides an outline of poetry translation with the cognitive approach to it. Chapter Five discusses the results of reception as measured through conceptualisation on the global level of the whole poem. Chapter Six is devoted to the observation of data as gained by conceptualisation on local level. Chapter Seven contains the model of poetry translation criticism, which is based on 9 categories.
