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You Can Fly and Make Prints Too
A History of the Experimental Printmaking Institute, EPI, at Lafayette College under the founding director and master printmaker Curlee Raven Holton. Since its founding in 1996 EPI has passionately advocated for printmaking as an indispensable component of cultural and creative engagement.
Faith Ringgold
This is an important new book published to coincide with a major exhibition of Faith Tinggold's new work and Studio collection. While the book explores Faith's work in her studio and her personal artistic journey, it is also an encounter between one artist and another, between Faith and her collaborator Curlee Holton. The mix provides unique insights into the struggles and triumphs of a woman who is at once an activist and an artist and whose achievements are admired throughout the world.
William L. Hawkins
The first large-scale survey of the important self-taught artist_s work in 20 years, presenting approximately sixty of Hawkins_s lively paintings, drawings, and sculpture. Although he has long held a place in the forefront of twentieth-century self-taught artists, the Ohio painter William Lawrence Hawkins has recently received less than his fair share of attention. This monograph will introduce Hawkins_s exuberant paintings to a wider audience at a time when more and more general museums are recognizing the powerful appeal of America_s self-taught artists. While focusing on the artist_s most aesthetically successful, confident, and characteristic works, the book will bring special attention ...
American Landscapes
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Reflections
This book is, in essence, a unique and self-reflective journey. One that combines both art as well as poetry in an effort to find ones' truth.
Contemporary Art and Community Altruism in Oaxaca
This book relates the longitudinal participant observation and analysis of the behaviour of the Oaxacan art community, focusing on the cultural production, interaction and collective action of its members as an integrated sector of civil society. It presents a theoretical framework that succinctly defines and discusses postmodernism as a globalising force in the development and use of creative expression, the media and communications technology in a postcolonial context. The theoretical investigation is supported by ethnography that ascertains how hybrid political thought and community altruism characterise the behaviour and the aesthetic expression practised by a new generation of Oaxacan a...
Paul Keene
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