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The Site of Petrarchism
Drawing upon poststructuralist theories of nationalism and national identity developed by such writers as Etienne Balibar, Emmanuel Levinas, Julia Kristeva, Antonio Negri, and Slavoj Zizek, noted Renaissance scholar William J. Kennedy argues that the Petrarchan sonnet serves as a site for early modern expressions of national sentiment in Italy, France, England, Spain, and Germany. Kennedy pursues this argument through historical research into Renaissance commentaries on Petrarch's poetry and critical studies of such poets as Lorenzo de' Medici, Joachim du Bellay and the Pléiade brigade, Philip and Mary Sidney, and Mary Wroth. Kennedy begins with a survey of Petrarch's poetry and its citatio...
Pathologies of Love
Pathologies of Love examines the role of medicine in the debate on women, known as the querelle des femmes, in early modern France. Questions concerning women's physical makeup and its psychological and moral consequences played an integral role in the querelle. This debate on the status of women and their role in society began in the fifteenth century and continued through the sixteenth and, as many critics would say, well beyond. In querelle works early modern medicine, women's sexual difference, literary reception, and gendered language often merge. Literary authors perpetuated medical ideas such as the notion of allegedly fatal lovesickness, and physicians published works that included d...
Pure Filth
As Noah D. Guynn observes, early French farce has been summarily dismissed as filth for centuries. Renaissance humanists, classical moralists, and Enlightenment philosophes belittled it as an embarrassing reminder of the vulgarity of medieval popular culture. Modern literary critics and theater historians often view it as comedy's poor relation—trite, smutty pap that served to divert the masses and to inure them to lives of subservience. Yet, as Guynn demonstrates in his reexamination of the genre, the superficial crudeness and predictability of farce belie the complexities of its signifying and performance practices and the dynamic, contested nature of its field of reception. Pure Filth f...
The Lily and the Thistle
In The Lily and the Thistle, William Calin argues for a reconsideration of the French impact on medieval and renaissance Scottish literature. Calin proposes that much of traditional, medieval, and early modern Scottish culture, thought to be native to Scotland or primarily from England, is in fact strikingly international and European. By situating Scottish works in a broad intertextual context, Calin reveals which French genres and modes were most popular in Scotland and why. The Lily and the Thistle provides appraisals of medieval narrative texts in the high courtly mode (equivalent to the French dits amoureux); comic, didactic, and satirical texts; and Scots romance. Special attention is accorded to texts composed originally in French such as the Arthurian Roman de Fergus, as well as to the lyrics of Mary Queen of Scots and little known writers from the French and Scottish canons. By considering both medieval and renaissance works, Calin is able to observe shifts in taste and French influence over the centuries.
A Savage Mirror
A Savage Mirror is about the New World, royal ritual, and the sensibilities that defined a new class of elites. It takes as its starting point the royal entry of Henri II into Rouen in 1550. By all accounts, this ritual was among the most spectacular ever staged. It included an "exact" replica of a Brazilian village, with fifty "savages" kidnapped from the New World. The book aims to understand what the French made of these Brazilian cannibals, and the significance of putting them in a festival honoring the king. The resulting analysis provides an investigation of France's changing social structure, its religious beliefs, its humanist culture, and its complicated commercial and symbolic relations with the New World. The book will appeal not only to scholars of early modern history, but to those interested in cross-cultural contact, cultural studies, civic ritual, museography, and history of literature, science, religion, art, and anthropology.
St. Anne in Renaissance Music
Michael Alan Anderson explores the political implications of music devoted to St Anne in the fifteenth and early sixteenth centuries.
English Aristocratic Women, 1450-1550
Portraits of aristocratic women from the Yorkist and Tudor periods reveal elaborately clothed and bejeweled nobility, exemplars of their families' wealth. Unlike their male counterparts, their sitters have not been judged for their professional accomplishments. In this groundbreaking study, Barbara J. Harris argues that the roles of aristocratic wives, mothers, and widows constituted careers for women that had as much public and political significance and were as crucial for the survival and prosperity of their families and class as their husband's careers. Women, Harris demonstrates, were trained from an early age to manage their families' property and households; arrange the marriages and ...
Laughing Matters
Bawdy satirical plays—many starring law clerks and seminarians—savaged corrupt officials and royal policies in fifteenth- and sixteenth-century France. The Church and the royal court tolerated—and even commissioned—such performances, the audiences for which included men and women from every social class. From the mid-sixteenth century, however, local authorities began to temper and in some cases ban such performances. Sara Beam, in revealing how theater and politics were intimately intertwined, shows how the topics we joke about in public reflect and shape larger religious and political developments. For Beam, the eclipse of the vital tradition of satirical farce in late medieval and...
Va Lettre Va
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Vernacular Law
A new understanding of the transformative effect of vernacular writing on customary law in medieval France.
