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The Methods of Breaking Bad
Vince Gilligan's Breaking Bad is a central work in the recent renaissance in television-making. The visionary scope and complexity of the series demand rigorous critical analysis. This collection of new essays focuses on a variety of themes. Walter White is discussed as father, psychopath and scientist and as an example of masculinity. The essayists examine the series in terms of gender, neo-liberal politics and health care reform, as well as the more traditional aesthetic categories of narrative construction, experimentation, allusion and genre. With television the dominant artistic medium of early 21st century America, Breaking Bad should be viewed as a superbly designed work reflecting widespread cultural concerns.
Dialogism and Lyric Self-fashioning
"Using Mikhail Bakhtin as a kind of theoretical starting point, this volume of essays investigates the manifestation of such competing "voices" within the tradition of lyric poetry. The lyric subject's understanding of himself/herself - through the very act of speaking/writing - is irrevocably connected, on multiple levels, to the heard and unheard voices of others. No matter how private the voice of the lyric speaker appears to be, nearly every utterance is formed from and then positioned between what others have said or will say. Included here are essays on the classical, medieval, early modern, and modern lyric. Some of the essays in this volume engage Bakhtin "head-on"; others, by focusing explicitly on the construction of the subject through multiple discursive dialogues implicitly bring Bakhtin to bear. These essays engage multiple elements of dialogism, including the convergence of masculine and feminine voices, public and private discourses, intertextuality and the "voices of the past," the dialogue between literature and art, and the always present dialogue between speaker(s) and reader(s)."--BOOK JACKET.
A Cultural Theology of Salvation
Clive Marsh offers a contemporary Christian understanding of salvation. He shows how salvation is understood and articulated now, when 'redemption' language is widely used outside of Christianity, and when redemptive experiences are reported in response to the arts, popular culture, media, and through counselling.
Exploring Empathy
Popular interest in empathy has surged in the past two decades. Research on its origins, uses and development is on the rise, and empathy is increasingly referenced across a wide range of sectors – from business to education. While there is widespread consensus about the value of empathy, however, its supposed stable nature and offerings remain insufficiently examined. By critically exploring different perspectives and aspects of empathy in distinct contexts, Exploring Empathy aims to generate deeper reflection about what is at stake in discussions and practices of empathy in the 21st century. Ten contributors representing seven disciplines and five world regions contribute to this dialogical volume about empathy, its offerings, limitations and potentialities for society. By deepening our understanding of empathy in all its complexity, this volume broadens the debate about both the role of empathy in society, and effective ways to invoke it for the benefit of all.
Catastrophe and Higher Education
This book asks what it means to live in a higher educational world continuously tempered by catastrophe. Many of the resources for response and resistance to catastrophe have long been identified by thinkers ranging from Ralph Waldo Emerson and William James to H. G. Wells and Emanuel Haldeman-Julius. Di Leo posits that hope and resistance are possible if we are willing to resist a form of pessimism that already appears to be drawing us into its arms. Catastrophe and Higher Education argues that the future of the humanities is tied to the fate of theory as a form of resistance to neoliberalism in higher education. It also offers that the fate of the academy may very well be in the hands of humanities scholars who are tasked with either rejecting theory and philosophy in times of catastrophe—or embracing it.
Higher Education under Late Capitalism
This book explores questions concerning personal identity and individual conduct within neoliberal academe. The author suggests that neoliberal academe is normal academe in the new millennium though well aware of its contested nature and destructive capacities. Examining higher education through a number of ideals, such as austerity and transparency, brings readers on a journey into its present as well as its past. If some of these ideals can be identified and critiqued, there is a chance that the foundations of neoliberal academe can be weakened. This book actively pursues pathways out of the neoliberal abyss--and offers that demanding a role for pleasure in higher education may be one of them.
Variation in Folklore and Language
Variation is a universal phenomenon permeating language, culture, and entire worldviews. This book analyses issues related to both specific and common variations in folklore and language as signifiers of culture and worldview. The articles here are dedicated to different genres and forms, including spoken and written language, dancing and singing, and festivities, and involve different aspects of variation. Variation is conceptualised here as the main basis of folklore dynamics and a major issue of typology. A significant part of the volume is dedicated to variations of myths and motifs, creativity, intertextuality, and transmediality.
The Princeton Handbook of Poetic Terms
An essential handbook for literary studies The Princeton Handbook of Poetic Terms—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides an authoritative guide to the most important terms in the study of poetry and literature. Featuring 226 fully revised and updated entries, including 100 that are new to this edition, the book offers clear and insightful definitions and discussions of critical concepts, genres, forms, movements, and poetic elements, followed by invaluable, up-to-date bibliographies that guide users to further reading and research. Because the entries are carefully selected and adapted from the Princeton Encyclopedia, the Hand...
The Stuff of Spectatorship
Film and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind—all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s—including video marketing, branded merchandise, drugs and alcohol, and even gun violence—and shows how objects considered peripheral to film and television culture are in fact central to its past and future.
Edward I and Wales, 1254–1307
The late 13th century witnessed the conquest of Wales after two hundred years of conflict between Welsh princes and the English crown. In 1282 Llywelyn ap Gruffudd, the only native Prince of Wales to be formally acknowledged by a King of England, was slain by English forces. His brother Dafydd continued the fight, but was eventually captured and executed. Further revolts followed under Rhys ap Maredudd, a former crown ally, and Madog ap Llywelyn, a kinsman of the defeated lords of Gwynedd. The Welsh wars were a massive undertaking for the crown, and required the mobilization of all resources. Edward’s willingness to direct the combined power of the English state and church against the Prin...
