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A comprehensive guide to a crucial aspect of Old Norse literature.
Front cover -- Contents -- Illustrations -- Acknowledgements -- Abbreviations -- Introduction -- Chapter 1 The Icelandic Hemispherical World Maps -- Chapter 2 The Icelandic Zonal Map -- Chapter 3 The Two Maps from Viðey -- Chapter 4 Iceland in Europe -- Chapter 5 Forty Icelandic Priests and a Map of the World -- Conclusion -- Map Texts and Translations -- The Icelandic Hemispherical World Maps -- The Icelandic Zonal Map -- The Larger Viðey Map -- The Smaller Viðey Map -- Bibliography -- Index -- Studies in Old Norse Literature.
With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image – or rather the imagination – of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Jerusalem is conceived as a code to Christian cultures in Scandinavia. The first volume is dealing with the different notions of Jerusalem in the Middle Ages. Tracing the Jerusalem Code in three volumes Volume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100–1536) Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536–ca. 1750) Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750–ca. 1920)
Chris Callow’s Landscape, Tradition and Power critically examines the evidence for socio-political developments in medieval Iceland during the so-called Commonwealth period. The book compares regions in the west and north-east of Iceland because these regions had differing human and physical geographies, and contrasting levels of surviving written evidence. Callow sets out the likely economies and institutional frameworks in which political action took place. He then examines different forms of evidence – the Contemporary sagas, Landnámabók (The Book of Settlements), and Sagas of Icelanders – considering how each describes different periods of the Commonwealth present political power. Among its conclusions the book emphasises stasis over change and the need to appreciate the nuances and purposes of Iceland’s historicising sagas. See inside the book.
This book brings together Old Norse-Icelandic literature and critical strategies of memory, and argues that some of the particularities of this vernacular textual tradition are explained by the fact that this literature derives from, represents, and incorporates into its designs mnemonic devices of different kinds. Even if Old Norse-Icelandic manuscript culture is relatively silent about the mnemonic context of the literature, the texts themselves exhibit multiple reminiscences of memory. By showing that this literature reveals glimpses of mnemonic technologies at the same time as it testifies to a cultural memory, this study demonstrates how ‘the past’, and narrative traditions about th...
A trip to the furthest edgelands of the Viking world via the drama of the Old Norse sagas -- from the Arctic Circle to Constantinople, North America to Kievan Rus.
Argues for new models of reading the complexity and subversiveness of fourteen "post-classical" sagas. The late Sagas of Icelanders, thought to be written in the fourteenth and fifteenth centuries, have hitherto received little scholarly attention. Previous generations of critics have unfavourably compared them to "classical" Íslendingasögur and fornaldarsögur, leading modern audiences to project their expectations onto narratives that do not adhere to simple taxonomies and preconceived notions of genre. As "rogues" within the canon, they challenge the established notions of what makes an Íslendingasaga. Based on a critical appraisal of conceptualisations of canon and genre in saga liter...
A study of the prophetic tradition in medieval England brings out its influence on contemporary politics and the contemporary elite.
Challenges the concept that the notorious horse penis is key to understanding the Tale of Vǫlsi, via the concept of the "paganesque". A family of Norwegian pagans, stubbornly resisting the new Christian religion, worship a diabolically animated preserved horse penis, intoning verses as they pass it from hand to hand until King Olaf the Saint intervenes. This is the matter of the medieval Tale of Vǫlsi. Traditionally, it has been read as evidence of a pre-Christian fertility cult - or simply dismissed as an obscene trifle. This book takes a new approach by developing the concept of the "paganesque" - the air of a religious culture older than and inimical to Christianity. It shows how the Ta...