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The Poetics of Commemoration is a study of commemorative skaldic verse from the Viking Age. It investigates how skaldic poets responded to the deaths of kings and the ways in which poetic commemoration functioned within the social and political communities of the early medieval court. Beginning with the early genealogical poem Ynglingatal, the book explores how the commemoration of a king's ancestors could be used to consolidate his political position and to provide a shared history for the community. It then examines the presentation of dead kings in the poems Eiriksmal and Hakonarmal, showing how poets could re-cast their kings as characters of myth and legend in the afterlife. This is fol...
Despite various poststructuralist rejections of the idea of a singular author-genius, the question of a textual archetype that can be assigned to a named author is still a common scholarly phantasm. The Romantic idea that an author created a text or even a work autonomously is transferred even to pre-modern literature today. This ignores the fact that the transmission of medieval and early modern literature creates variances that could not be justified by means of singular authorships. The present volume offers new theoretical approaches from English, German, and Scandinavian studies to provide a historically more adequate approach to the question of authorship in premodern literary cultures. Authorship is no longer equated with an extra-textual entity, but is instead considered a narratological, inner- and intertextual function that can be recognized in the retrospectively established beginnings of literature as well as in the medial transformation of texts during the early days of printing. The volume is aimed at interested scholars of all philologies, especially those dealing with the Middle Ages or Early Modern Period.
Ireland possesses an early and exceptionally rich medieval vernacular tradition in which memory plays a key role. What attitudes to remembering and forgetting are expressed in secular early Irish texts? How do the texts conceptualise the past and what does this conceptualisation tell us about the present and future? Who mediates and validates different versions of the past and how is future remembrance guaranteed? This study approaches such questions through close readings of individual texts. It centres on three major aspects of medieval Irish memory culture: places and landscapes, the provision of information about the past by miraculously old eye-witnesses, and the personal, social and cu...
In Iceland’s Relationship with Norway c.870 – c.1100: Memory, History and Identity, Ann-Marie Long reassesses the development of Icelandic society from the earliest settlements to the twelfth century. Through a series of thematic studies, the book discusses the place of Norway in Icelandic cultural memory and how Icelandic authors envisioned and reconstructed their past. It examines in particular how these authors instrumentalized Norway to explain the changing parameters of Icelandic autonomy. Over time this strategy evolved to meet the needs of thirteenth-century Icelandic politics as well as the demands posed by the transition from autonomous island to Norwegian dependency.
The cultural and literary legacy of medieval Iceland, with its roots in Norse heathen religion, heroic literature, and Viking Age history, is the focus of this volume. Its chapters examine the history and reception of a particular text or topic within this remarkable tradition. They treat a number of topics, including the legendary dragon-slayer Sigurd, the many personas of the mysterious god Odin, aspects of the ancient mythology of gods and giants, the early settlement of Iceland, the defiant Viking warriors known as the "Sworn Brothers", the entrepreneurial role of cloth production in medieval Scandinavia, the codicology and book history of key literary works, the many references to medieval Nordic lore in modern fiction and poetry, and the cultural position of islands such as Iceland in relation to the ebb and flow of religions, institutions and empires. Reconsidering these areas of Old Norse-Icelandic literary culture reveals the striking resilience and adaptability of its traditions, through a startling variety of transformations.
The medieval northern world consisted of a vast and culturally diverse region both geographically, from roughly Greenland to Novgorod and culturally, as one of the last areas of Europe to be converted to Christianity. Old Norse Folklore explores the complexities of thisfascinating world in case studies and theoretical essays that connect orality and performance theory to memory studies, and myths relating to pre-Christian Nordic religion to innovations within late medieval pilgrimage song culture. Old Norse Folklore provides critical new perspectives on the Old Norse world, some of which appear in this volume for the first time in English. Stephen A. Mitchell presents emerging methodologies by analyzing Old Norse materials to offer a better understandings ofunderstanding of Old Norse materials. He examines, interprets, and re-interprets the medieval data bequeathed to us by posterity—myths, legends, riddles, charms, court culture, conversion narratives, landscapes, and mindscapes—targeting largely overlooked, yet important sources of cultural insights.
Front cover -- Contents -- Illustrations -- Acknowledgements -- Abbreviations -- Introduction -- Chapter 1 The Icelandic Hemispherical World Maps -- Chapter 2 The Icelandic Zonal Map -- Chapter 3 The Two Maps from Viðey -- Chapter 4 Iceland in Europe -- Chapter 5 Forty Icelandic Priests and a Map of the World -- Conclusion -- Map Texts and Translations -- The Icelandic Hemispherical World Maps -- The Icelandic Zonal Map -- The Larger Viðey Map -- The Smaller Viðey Map -- Bibliography -- Index -- Studies in Old Norse Literature.
This study shows some of the ways in which medieval Scandinavians received and re-interpreted pre-Christian religion.
This volume offers the first comparative account from contemporary and historical perspectives of Irish and Icelandic memory cultures and addresses the broader dynamics of trans-cultural memory that are surfaced in such comparative approaches of geographically peripheral islands.
This work is concerned with time reckoning and perception in Old Norse culture. Based on an analysis of various prose and poetic works, the author reconstructs the native images of time, as well as their changes in relation to social development, namely the arrival of Christianity and feudalism to the North. The primary sources are divided into three groups. The first group comprises works that contain traces of the original domestic understanding of time, the „Poetic Edda“, „Snorri’s Edda“, legendary and family sagas. The second group includes different types of texts, all of which adopt foreign concepts of time that spread to Iceland especially through various learned treatises and the influence of the Church. Lastly, it is examined how foreign time reckoning and perception affected the temporal structure of kings’ and bishops’ sagas included in the third group of sources.