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Constitutional Identity and Constitutionalism in Africa
In its modern history, Africa has experienced different waves of constitutional ordering. The latest democratisation wave, which began in the 1990s, has set the stage over the past decade for what is now a hotly debated issue: do recent, new, or fundamentally revised constitutions truly reflect an African constitutional identity? Thoughtfully navigating a contested field, this volume brings to the fore a number of foundational questions about African constitutionalism. Constitutional Identity and Constitutionalism in Africa asks whether the concept of constitutional identity clarifies our understanding of constitutional change in Africa, including an exploration of the relationship between c...
Egyptian Hip-Hop: Expressions from the Underground
This ethnographic study of the Egyptian underground hip-hop scene examines the artists who collectively molded the scene and analyzes their practices and explores how these artists have interacted with and responded to political and social upheaval and change. It reveals how rappers approached and reformulated the genre in times of revolution and stasis to reveal how rap acts as a multi-layered form of expression. More specifically, it examines the location of the art form within the broader history of oppositional cultural expression in Egypt, outlining the artists' oppositions to various hegemonic structures and critically deconstructing them to reveal that they often reflect dominant ideology.
Exploring Saudi Women through a Sociocultural Lens
Exploring Saudi Women through a Sociocultural Lens: Echoes of Change embarks on a thematic exploration of Saudi women's novels over the past three decades, guided by the genetic structuralist approach pioneered by Lucien Goldmann in the 1960s This book reveals a compelling link between the themes and shared worldviews of literature and the social status and concerns of Saudi women from various strata of society. Against the backdrop of socio-economic, socio-political, and socio-religious factors, these novels serve as profound expressions of the lived experiences and aspirations of Saudi women. In unveiling these literary treasures, Ibrahem K. Almarhaby invites readers on a transformative journey through the rich tapestry of Saudi women's narratives, shedding light on the intersection of individual stories with broader societal transformations.
The Ethics of Representation in Literature, Art, and Journalism
This transnational collection of essays, interviews, and creative pieces on the 1982 Siege of Beirut explores literary representations of the siege by a diverse set of writers alongside journalism and other media including film and art. The book investigates and promotes an awareness of an ethics of representation on questions of extreme emotional investment, comparing representations of the siege to representations of other traumatic events, visiting responses from those of different cultural backgrounds to the same event and considering implications with respect to comparative approaches. Chapters explore how literature, journalism and art contribute to overcoming the dangers of forgetting...
Voices from Nubia
The Nubians, the largest ethnic community in Egypt, saw their ancestral homelands disappear beneath the waters of the Nile from the dawn of the 20th century through to 1964. The massive displacement of this population has been the subject of numerous literary works by Nubian writers who seek to save their heritage from oblivion and to preserve their Nubian collective memory. Despite the renewal of socio-political interest in Nubia in post-2011 Egypt, the authors of Voices from Nubia, all non-Nubian Egyptians, claim that art in general and literature in particular remain the domain in which the problematics of what has been called the Nubian Question can be primarily vocalized. Only through a...
Counterterrorism and Colonialism
This book uses feminist and postcolonial approaches to archival research and interviews to interrogate the persistence of colonial logics in contemporary counterterrorism practice, exposing how forms of state violence are normalised and legitimised. The book investigates the historical development of preventive tools through the discursive imagery of vulnerability, morality and extremism that characterise contemporary counterterrorism and counter-violent extremism in Britain and Egypt. In so doing the book argues that counterterror tools are based upon a colonial hierarchy of humanity that legitimises more violent treatment for racialised, classed and gendered subjects. This volume will appeal to scholars and students of critical terrorism studies, socio-legal studies and criminology. It will also fit within sociology and critical theory courses on postcolonialism and gender studies as well as courses on colonialism, feminist histories and critical legal history, international politics, international relations, and Middle Eastern politics.
Border Lives: An Ethnography of a Lebanese Town in Changing Times
Border Lives offers an in-depth account of how people in Arsal, a northeastern town on the border of Lebanon with Syria, experienced postwar sociality, and how they grappled with living in the margins of the Lebanese state in the period following the 1975-1990 war. In a rich ethnography of ‘changing times,’ Michelle Obeid shows how restrictions in cross-border mobility, transformations in physical and social spaces, burgeoning new industries and shifting political alliances produced divergent ideologies about domesticity and the family, morality and personhood. Attending to metaphors of modernity in a rural border context, Border Lives broadens the sites in which modernity and social change can be investigated.
Identity, Marginalisation, Activism, and Victimhood in Egypt
This book, first ethnographic attempt, examines negated spaces, practices, and relationships that have been intentionally or unintentionally dismissed from academic and non-academic studies, articles, reports, and policy papers that investigate and debate the experiences of Coptic Orthodox Christians in Egypt. By taking the Coptic identity and faith to bars, liquor stores, coffeehouses, weed gatherings, prisons, casinos, night clubs, brothels, dating applications, and porn sites, this book argues that airing out this “dirty laundry” points to the limits of victimhood and activist narratives that shape the representation of Coptic grievances and interests on both national and internationa...
Surviving Images
Surviving Images explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national-independence struggle, and the postcolonial. Beginning with a study of British colonial cinema on the Sudan, then exploring anti-colonial cinema in Algeria, Egypt and Tunisia, followed by case studies of films emerging from postcolonial contexts in Palestine, Iran, Lebanon, and Israel, this work aims to fill a gap in the critical literature on both Middle Eastern cinemas, and to contribute more broadly to scholarship on social trauma and cultural memory...
The Female Suffering Body
Although there is a history of rich, complex, and variegated representations of female illness in Western literature over the last two centuries, the sick female body has traditionally remained outside the Arab literary imagination. Hamdar takes on this historical absence in The Female Suffering Body by exploring how both literary and cultural perspectives on female physical illness and disability in the Arab world have transformed in the modern period. In doing so, she examines a range of both canonical and hitherto marginalized Arab writers, including Mahmoud Taymur, Yusuf al-Sibai, Ghassan Kanafani, Naguib Mahfouz, Ziyad Qassim, Colette Khoury, Hanan al-Shaykh, Alia Mamdouh, Salwa Bakr, Hassan Daoud, and Betool Khedair. Hamdar finds that, over the course of sixty years, female physical illness and disability has moved from the margins of Arabic literature—where it was largely the subject of shame, disgust, or revulsion—to the center, as a new wave of female writers have sought to give voice to the “female suffering body.”
