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Believe it or not, there are some drawbacks to being a 16-year old safecracker, daughter of spies, and member of an organization that fights corruption and wrongdoing around the world. For example: never getting to stay in one place long enough to have friends or a boyfriend, being the only spy ever to have a 10 p.m. curfew, and being sent on assignment to Russia. In the winter. For Maggie Silver, the compensation for the vast inconvenience of being a teenage spy has been avoiding high school and its accompanying cliques, bad lunches, and frustratingly simple security on the lockers. (If it's three digits or less, why even bother?) But when Maggie and her parents are sent to New York on a major assignment, all of that changes. She'll need to attend a private school, avoid the temptation to hack the school's security system, and befriend the aggravatingly cute Jesse Oliver to gain the information she needs to crack the case, all while trying not to blow her cover. The first in a new series from Robin Benway, Also Known As, is the perfect read for fans of The Gallagher Girls.
Abolitionista! is an innovative educational tool that responsibly educates young people about human trafficking and empowers them to protect themselves. The FBI estimates that as many as 300,000 young people are trafficked every year, and their average age is 12. The goal of this comic book is to reach children before they can be victimized, with prevention strategies that they will be able to use for the rest of their lives. Experts say that an educated child is the most practical and immediate deterrent to child sex trafficking. This comic book was carefully designed with the help of FBI victims specialists and other experts to teach children to: (1) identify recruitment conversations, (2) effectively deal with predators, and (3) know who they can go to for help.
Under the red sky of Mars lives an enigmatic man named Ken. Not a single person alive knows who he is, why he’s on Mars, or why he looks just like Miss Ken Minakami. In a whirlwind of gunfights, horseback chases, and utter lawlessness, Captain Ken sparks a time of change. The townspeople seek to rid themselves of the corrupt Mayor Deven (who doesn't give a whit about anyone else), and the Martians wish to reclaim the cities that were once their homes. Stranded in a prison full of enslaved Martians, Ken must get himself out, or all is lost. From the creator of Astro Boy and Blackjack comes an epic sci-fi western on Mars starring Captain Ken and his trusty steed, Arrow. Captain Ken is an enigma. Not a single person alive knows who he is, why he's on Mars, or why he looks just like Miss Kenn Minakami. His presence sparks a revolution—while the Martians seek to reclaim the lands stolen from them, human townsfolk aim to rid themselves of the corrupt Mayor Deven. Amidst the whirlwind gunfights and horseback chases, Captain Ken must go on his greatest adventure yet to save a woman of great importance in the middle of a Martian revolution.
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Zusammenfassung: This handbook fills a substantial gap in the international academic literature on animation at large, on music studies, and on the aural dimensions of Japanese animation more specifically. It offers a unique contribution at the intersection between music and popular culture studies on the one hand, and research on Japanese animated productions (often called 'anime') as popular art forms and formats of entertainment, on the other. The book is designed as a reference work consisting of an organic sequence of theory-grounded essays on the development of music, sounds, and voices in Japanese animation for cinema and television since the 1930s. Each chapter deals with a phase of this history, focusing on composers and performers, films, series, and genres used in the soundtracks for animations made in Japan. The chapters also offer valuable interviews with prominent figures of music in Japanese animation, as well as chapter boxes clarifying specific aspects
Critical Approaches to Comics offers students a deeper understanding of the artistic and cultural significance of comic books and graphic novels by introducing key theories and critical methods for analyzing comics. Each chapter explains and then demonstrates a critical method or approach, which students can then apply to interrogate and critique the meanings and forms of comic books, graphic novels, and other sequential art. The authors introduce a wide range of critical perspectives on comics, including fandom, genre, intertextuality, adaptation, gender, narrative, formalism, visual culture, and much more. As the first comprehensive introduction to critical methods for studying comics, Critical Approaches to Comics is the ideal textbook for a variety of courses in comics studies. Contributors: Henry Jenkins, David Berona, Joseph Witek, Randy Duncan, Marc Singer, Pascal Lefevre, Andrei Molotiu, Jeff McLaughlin, Amy Kiste Nyberg, Christopher Murray, Mark Rogers, Ian Gordon, Stanford Carpenter, Matthew J. Smith, Brad J. Ricca, Peter Coogan, Leonard Rifas, Jennifer K. Stuller, Ana Merino, Mel Gibson, Jeffrey A. Brown, Brian Swafford
In this thrilling continuation, the revolution Captain Ken sparked has reached a fever pitch. On the brink of war with the Martians, the human settlers of Mars begin a mass exodus from the planet. In Hedes, however, some townspeople have decided to stand their ground. Unable to stand by and watch his friends be murdered, Captain Ken finds himself in a battle of wits against the Martians. Can Captain Ken diffuse this tense situation? Who are these Martians looting passenger transport ships? Can Captain Ken bring down the most powerful man on Mars, the criminal mastermind Napoleon? Will Captain Ken go down in a blaze of glory, or is he merely a flash in the pan? Regardless, the ending is sure to be explosive!
In the spring 2003, kids, parents, teachers, librarians—whole communities—discovered and fell in love with Jeanne DuPrau's story about a doomed city, and the two children who found a way out. Nearly 10 years later, that story, The City of Ember, is a bona fide classic, with over 1.7 million copies sold. Now experience Jeanne DuPrau's vision anew as artist Niklas Asker faithfully brings to life the glare of the lamps, the dinginess of the streets, and the brilliance of the first sunrise.
Editorial Advisory Board: Sarah Park Dahlen, Associate Professor, School of Information Sciences, University of Illinois Urbana-Champaign; Marianne Martens, Associate Professor, School of Information, Kent State University; Amy Pattee, Associate Professor and Co-coordinator of Dual-Degree MS LIS/MA Children’s Literature, School of Library and Information Science, Children’s Literature, Simmons University “Comprehensive and substantial ... a highly recommended resource," raved VOYA about the third edition. Now, to keep pace with changes in the field of publishing and realign itself to the newest generation of young adults, Cart returns with a sweeping update of his classic text. Relied ...
In recent years, there have been significant shifts in arts marketing, both as a practice and an academic discipline. The relationship between art and the market is increasingly complex and dynamic, requiring a transformation in the way the arts are marketed. Marketing the Arts argues that arts marketing is not about the simple application of mainstream managerial marketing to the arts. With contributions from international scholars of marketing and consumer studies, this book engages directly with a range of contemporary themes, including: The importance of arts consumption and its social dimensions The importance of the aesthetic experience itself, and how to research it Arts policy development The art versus commerce debate The role of the arts marketer as market-maker The artist as brand or entrepreneur This exciting new book covers topics as diverse as Damien Hirst’s 'For the Love of God', Liverpool’s brand makeover, Manga scanlation, Gob Squad, Surrealism, Bluegrass music, Miles Davis and Andy Warhol, and is sure to enthuse students and enlighten practitioners.