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'The fighting has been and is very stern and hard here, but New Zealand's lads and men have proven themselves the equal of the best soldiers of the world.' - Colonel William Malone, commander of the Wellington Battalion, Quinn's Post, Gallipoli, 15 July 1915 The first of its kind for New Zealand - a lavish, landmark production - New Zealand and the First World War dynamically illustrates 50 key episodes of our wartime life. Featuring over 500 images, many previously unpublished, the book comes with a host of memorabilia: fold-out maps posters booklets letters postcards The complete story of New Zealand's war is brought to life in dramatic detail - our front-line experiences overseas as well ...
An entertaining short history of the Anzacs, charting their exploits during World War I and beyond.
The Young Gunner describes the history of the Royal Field Artillery in France and Flanders in the Great War, including the Battle of the Somme in 1916. The book is based on the letters and journals of Second Lieutenant Colin Hutchison who joined the army aged 19 just before the war started. He found himself in command of a single gun in battle in 1914, a section of guns in 1915, a battery of six guns in 1916, and a brigade of 24 guns by the end of the war. He tells the story of front line action in thirteen battles on the Western Front, including Mons 1914, Ypres 1915, The Somme 1916, Passchendaele 1917 and Ypres 1918. His personal stories are inspiring, but more importantly his letters and ...
i) Details of my book include its introduction, followed by the early history of the McLeod family, their emigration in 1889 and establishment on a Southland farm. Some early New Zealand history follows up to WW1, the NZ army volunteers, their recruitment, training, and the voyage to England and then France. ii) It leads to my great uncle's postcards and letters sent back to his family in New Zealand. He also kept a diary that provided further insight at the front. iii) A fictional account of the “Battle of Messines” follows with historical accounts of the aftermath of this disastrous war. Some brief analysis of its commanders and the countries involved, and further history on the McLeod family and the impact on New Zealand after the war. iv) The story then advances to the 100 year commemoration of the “Battle of Messines” in 2017 and tour of the cemeteries and monuments in Belgium. v) Finally, my own journey to this a commemoration that included a walk on “The Camino” in Spain as a mark of respect to honour my great uncle and our fallen soldiers.
Seventeen-year-old Riki is worried about school and the future, but mostly about his girlfriend, Gemma, who has suddenly stopped seeing or texting him. But on his way to see her, he’s hit by a bus and his life radically changes. Riki wakes up one hundred years earlier in Egypt, in 1915, and finds he’s living through his great-great-grandfather’s experiences in the Māori Contingent. At the same time that Riki tries to make sense of what’s happening and find a way home, we go back in time and read transcripts of interviews Riki’s great-great-grandfather gave in 1975 about his experiences in this war and its impact on their family. Gradually we realise the fates of Riki and his great-great-grandfather are intertwined.
This book documents the experiences of the Central Powers, specifically Austria-Hungary, Germany and the Ottoman Empire during 1917, as they fought on land, at sea and in the air. Drawing on hundreds of contemporary photographs, many of them never previously published, this book examines the experiences of these three nations, spotlighting not only the events that occurred throughout the year, but the lives of those individuals fighting and dying to defend their homelands, families and friends. Each chapter includes a succinct overview of a single front or theatre of operation, complimenting the hundreds of professional and amateur photographs contained within. Though many of the images are ...
Interdisciplinary collection of essays on fine art painting as it relates to the First World War and commemoration of the conflict Although photography and moving pictures achieved ubiquity during the First World War as technological means of recording history, the far more traditional medium of painting played a vital role in the visual culture of combatant nations. The public’s appetite for the kind of up-close frontline action that snapshots and film footage could not yet provide resulted in a robust market for drawn or painted battle scenes. Painting also figured significantly in the formation of collective war memory after the armistice. Paintings became sites of memory in two ways: f...
The years 1921–57 marked a period of immense upheaval for Australia as the nation navigated economic crises, the threat of aggressive Japanese expansion and shifting power distributions with the world transitioning from British leadership to that of the US. This book offers a reassessment of Australia’s foreign policy origins and maturation during these tumultuous years. Successive Australian governments carefully observed these global and regional forces. The policy that developed in response was an integrated one—that is, one that sought to balance Australia’s particular geopolitical circumstances with great power relationships and, in assessing the value of these relationships, en...
This study investigates the contribution made by outsiders in accumulating knowledge from the days of the East India Company until the early twentieth century, when photography became an important tool for recording information. It focuses on heterogeneous voices on the periphery, who interacted with the indigenous population to produce knowledge in original or unexpected ways that extended beyond the limits prescribed by the term ‘colonial.’ Largely unrecognized today, their endeavors to satisfy their own intellectual curiosity, or improve their material circumstances, produced a perspective on colonial life that stripped away conventions; where their ordinary everyday experiences sometimes became extraordinary, as they forged new networks throughout the subcontinent and beyond its frontiers. Their journeys and experiences offer a discursive historical construct as significant as official reports, censuses, and surveys, and contribute towards our understanding of the diverse creative processes through which intellectual histories of the colonial state were constructed.
“An excellent, vividly written” (The Washington Post) account of leadership in wartime that explores how four great democratic statesmen—Abraham Lincoln, Georges Clemenceau, Winston Churchill, and David Ben-Gurion—worked with the military leaders who served them during warfare. The relationship between military leaders and political leaders has always been a complicated one, especially in times of war. When the chips are down, who should run the show—the politicians or the generals? In Supreme Command, Eliot A. Cohen expertly argues that great statesmen do not turn their wars over to their generals, and then stay out of their way. Great statesmen make better generals of their gener...