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Ways of Hearing
A writer-musician examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. Our voices carry farther than ever before, thanks to digital media. But how are they being heard? In this book, Damon Krukowski examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. In Ways of Hearing—modeled on Ways of Seeing, John Berger's influential 1972 book on visual culture—Krukowski offers readers a set of tools for critical listening in the digital age. Just as Ways of Seeing began as a BBC television series, Ways of Hearing is based on a six-part podcast produced for the grou...
The New Analog
An NPR Best Book of 2017 "This is not a book about why vinyl sounds better; it's way more interesting than that . . . it] is full of things I didn't know, like why people yell into cellphones . . . Ultimately, it's about how we consume sound as a society - which is, increasingly, on an individual basis." --NPR "If you're a devoted music fan who's dubious about both rosy nostalgia and futuristic utopianism, Damon Krukowski's The New Analog is for you." --The New York Times Book Review "A pointedly passionate look at what's been lost in the digital era." --Los Angeles Times What John Berger did to ways of seeing, well-known indie musician Damon Krukowski does to ways of listening in this livel...
The New Analog
A meditation on what was lost—and on what is worth preserving—in the movement away from analog music and culture. Although digital media have created new possibilities for music making and sharing, they have also given rise to new concerns. What do we lose in embracing the digital? Do streaming services discourage us from listening closely? In this book, musician Damon Krukowski uses the sound engineer's distinction between signal and noise to examine what we have lost as a technological culture, and to identify what is worth preserving. Krukowski examines experiences from the production and consumption of music that have changed since the analog era—the disorientation of headphones, f...
Temperature's Rising
Temperature's Rising: Galaxie 500 offers both an oral history of a celebrated band and a lush tour of their personal archives. It weaves together interviews with the band members (Naomi Yang, Dean Wareham, Damon Krukowski) and their music scene peers and many collaborators, accompanied by a stunning array of rare and never-before-seen photographs, artwork and ephemera.
Records Ruin the Landscape
John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP? In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.
Black Postcards
In this wickedly honest and unsparing account of a journey through the music world, "Black Postcards" captures what has happened, for good and ill, to the entire ecosystem of popular music from someone who's been there.
La Boutique Obscure
The beguiling, never-before-translated dream diary of Georges Perec In La Boutique Obscure Perec once again revolutionized literary form, creating the world’s first “nocturnal autobiography.” From 1968 until 1972—the period when he wrote his most well-known works—the beloved French stylist recorded his dreams. But as you might expect, his approach was far from orthodox. Avoiding the hazy psychoanalysis of most dream journals, he challenged himself to translate his visions and subconscious churnings directly into prose. In laying down the nonsensical leaps of the imagination, he finds new ways to express the texture and ambiguity of dreams—those qualities that prove so elusive. Beyond capturing a universal experience for the first time and being a fine document of literary invention, La Boutique Obscure contains the seeds of some of Perec’s most famous books. It is also an intimate portrait of one of the great innovators of modern literature.
Astral Weeks
A mind-expanding dive into a lost chapter of 1968, featuring the famous and forgotten: Van Morrison, folkie-turned-cult-leader Mel Lyman, Timothy Leary, James Brown, and many more Van Morrison's Astral Weeks is an iconic rock album shrouded in legend, a masterpiece that has touched generations of listeners and influenced everyone from Bruce Springsteen to Martin Scorsese. In his first book, acclaimed musician and journalist Ryan H. Walsh unearths the album's fascinating backstory--along with the untold secrets of the time and place that birthed it: Boston 1968. On the 50th anniversary of that tumultuous year, Walsh's book follows a criss-crossing cast of musicians and visionaries, artists an...
Enjoy the Experience
"Largest collection of American private press vinyl ever amassed and presented, featuring over one thousand cover reproductions. Ranging from Lesbian Folk to Psychedelic Disco, Awkward Teen Pop Combos to Pizza Parlor Organists, Religious Cult Leaders to Swank Sinatra Imitators, the sincerity and vulernability of the artists on display unifies them as a forceful American cultural experience standing in juxtaposition to mainstream."--(p.4) of cover.
Other Traditions
One of the greatest living poets in English here explores the work of six writers he often finds himself reading "in order to get started" when writing, poets he turns to as "a poetic jump-start for times when the batteries have run down." Among those whom John Ashbery reads at such times are John Clare, Thomas Lovell Beddoes, Raymond Roussel, John Wheelwright, Laura Riding, and David Schubert. Less familiar than some, under Ashbery's scrutiny these poets emerge as the powerful but private and somewhat wild voices whose eccentricity has kept them from the mainstream--and whose vision merits Ashbery's efforts, and our own, to read them well. Deeply interesting in themselves, Ashbery's reflect...
