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What will prove to be the lasting impact of New Media on film and television? What kinds of transformations of moving image media are really already under way? The term 'new media' has become an effective catch word both as a description of the digital delivery of media via the Internet, DVD, and digital television and as a reference to the "newness" such technologies have brought to media more generally. And yet the nature of this transformation has been over-hyped and too little understood. The New Media Book provides an accessible, critical intervention into the field of moving image studies and features 20 newly commissioned and thought-provoking essays in a format designed to be of wide...
“Incredibly prescient . . . the revised edition updates its account to reflect an age when Hulu, Netflix, and Amazon are now competing for Emmy and Peabody Awards.” —Henry Jenkins, coauthor of Spreadable Media: Creating Meaning and Value in a Networked Culture Many proclaimed the “end of television” in the early years of the twenty-first century, as capabilities and features of the boxes that occupied a central space in American living rooms for the preceding fifty years were radically remade. In this revised second edition of her definitive book, Amanda D. Lotz proves that rumors of the death of television were greatly exaggerated and explores how new distribution and viewing tech...
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Comedy is one of the most popular forms in film. But what exactly is film comedy and what might be the basis of its widespread appeal? This book takes a multi-perspective approach to answering these questions.
#1 New York Times Bestseller and winner of the 2014 Living Now Book Award for Inspirational Memoir. 'An enormously smart, clear-eyed, brave-hearted, and quite a personal look at the benefits of meditation' - Elizabeth Gilbert, author of Eat, Pray, Love 'Dan Harris skilfully demystifies meditation, reminding us all that a healthy and happy mind is not only essential for our own sanity, but also for those around us. More importantly, he provides a compelling invitation to move beyond words, from the idea to the experience. A wonderful book and excellent advice.' - Andy Puddicombe, founder of Headspace 10% Happier is a spiritual book written for - and by - someone who would otherwise never read...
Genre and Television proposes a new understanding of television genres as cultural categories, offering a set of in-depth historical and critical examinations to explore five key aspects of television genre: history, industry, audience, text, and genre mixing. Drawing on well-known television programs from Dragnet to TheSimpsons, this book provides a new model of genre historiography and illustrates how genres are at work within nearly every facet of television-from policy decisions to production techniques to audience practices. Ultimately, the book argues that through analyzing how television genre operates as a cultural practice, we can better comprehend how television actively shapes our social world.
Film Parody is the first major book on one of the most prolific and profitable - though under-discussed - modes of contemporary filmmaking. This book provides a lucid introduction to the films and a rigorous theoretical account of how parody itself operates on textual, pragmatic, and socio-cultural levels. Harries provocatively asserts that film parody is now so routinized by the major studios that it must be considered, in its own right, as a major mode of contemporary filmmaking. Tracing a history of parodic cinema from early Laurel and Hardy spoofs to recent box-office hits such as "Austin Powers: International Man of Mystery," this book defines parody in relation to other related, though different, modes of discourse such as irony and pastiche. Drawing from this history, and close analyses of films including "Blazing Saddles, Airplane!, Young Frankenstein, Hot Shots!, Naked Gun 33 1/3," and "Zelig, Film Parody "lays out the formal characteristics and examines the various strategies spectators bring to bear when watching parodies.
This book explores digital artists’ articulations of globalization. Digital artworks from around the world are examined in terms of how they both express and simulate globalization’s impacts through immersive, participatory and interactive technologies. The author highlights some of the problems with macro and categorical approaches to the study of globalization and presents new ways of seeing the phenomenon as a series of processes and flows that are individually experienced and expressed. Instead of providing a macro analysis of large-scale political and economic processes, the book offers imaginative new ways of knowing and understanding globalization as a series of micro affects. Dig...
“Meghalayan Age”: Scientists added a new chapter in Earth’s history and we are in it. It is one of the most notable achievements identified from a stalagmite (rock structure) from Mawmluh Cave, Meghalaya, which captured the abrupt climate-event at ~ 4200 years ago. Some caves identified from Meghalaya have already been in top chart positions on World’s cave Map. Besides it, various other findings that emerged from the Indian caves are globally recognized. Notwithstanding these advances, cave science is not yet in the mainstream of our education system. This book is an attempt to accommodate all such notable findings which came out from the Indian caves and are internationally recognized. The book includes the 8 chapters which are on- Indian Caves, Paleoclimatology, Biospeleology, Chiroptelology, Geomicrobiology, Hydrogeology, Paleoanthropology and Cave Conservancy. This comprehensive reference book will not only enlighten the path for studying Cave Science but also serve as a proper key to open various doors of Cave Research and their protection in India in a proper way.
Television and New Media introduces students to the ways that new media technologies have transformed contemporary television production, distribution, and reception practices. Drawing upon recent examples including Lost, 24, and Heroes, this book closely examines the ways that television programming has changed with the influx of new media—transforming nearly every TV series into a franchise, whose on-air, online, and on-mobile elements are created simultaneously and held together through transmedia storytelling. This book is essential for understanding how creative and industrial forces have worked together in the new media age to transform the way we watch TV.