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States of Mind
Published in conjunction with the exhibition 'States of mind: Dan and Lia Perjovschi, ' Nasher Museum of Art at Duke University, Aug. 22, 2007-Jan. 7, 2008.
Solo for Dan Perjovschi: Daily Weekly Monthly
Dan Perjovschi's drawings made in black, waterproof felt-tip pen directly onto the walls of museums and art institutions recall caricatures, graffiti or cartoons, and make comments with biting humour on social-political events and on current world affairs.The end of the repressive Romanian regime offered the opportunity for committed activism. Dan Perjovschi is a member of the Group of Social Dialogue, a group of Romanian intellectuals who advocate critical dialogue and who have, since 1991, published the weekly newspaper Revista 22, for whom the artist still regularly works today as an illustrator and columnist.At the beginning of the1990s the newspaper was seen in Romania as the most prestigious journal on an intellectual level. As inspiration, Perjovschi draws on current news items, rumours, sightseeing, jokes, television items, etc.Perjovschi's works for Revista 22 have not been published together before. This catalogue provides an overview of highlights from the past 20 years – an era of contemporary history commented on with subtle irony!
Dan Perjovschi. The Prize Book
Everything has a place in Perjovschi's universe. But nothing is constant. Just as our thoughts remain alive and virulent through movement, his drawings only form for a moment. Then they are painted over, rubbed out and fade.In 2016 Dan Perjovschi received the first Rosa Schapire art prize from Freunde der Hamburger Kunsthalle. This publication is based on the artist's sketchbook, augmented by installation photos of his accompanying exhibition at the Hamburger Kunsthalle.English and German text.
Mad Cow, Bird Flu, Global Village
The Museum of Modern Art/Tate-exhibited artist Perjovschi presents a skeptical commentary on contemporary global conflicts and dilemmas, military and economic imperialism, and the complexities and contradictions of social and political life in a post-Cold War world.
Dan Perjovschi
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Walls and floor (without the ceiling)
Edited by Kluturkontakt Austria.
New Mobilities Regimes in Art and Social Sciences
New Mobilities Regimes analyses how global mobilities are changing the world of today and the role of political and economic power. Bringing together essays by leading scholars and social scientists, including Mimi Sheller and Bülent Diken with the work of well-known artists and art theorists such as Jordan Crandall, Ursula Bieman, Gülsün Karamustafa and Dan Perjovschi this book is a unique document of the cross-disciplinary mobility and power discourse. The specific design, integrating the text and art elements to create a singular dialogue makes for an exciting intellectual and aesthetic experience. Illustrated by a range of studies which examine the regulation and structure of mobility...
Who's Afraid of Conceptual Art?
What is conceptual art? Is it really a kind of art in its own right? Is it clever – or too clever? Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges the very basis of what we can know about art, as well as our received ideas of beauty; and why conceptual art requires us to rethink concepts fundamental to art and aesthetics, such as artistic interpretation and appreciation. Including helpful illustrations of the work of celebrated conceptual artists from Marcel Duchamp, Joseph Kosuth and Piero Manzoni to Dan Perjovschi and Martin Creed, Who’s Afraid of Conceptual Art? is a superb starting point for anyone intrigued but perplexed by conceptual art - and by art in general. It will be particularly helpful to students of philosophy, art and visual studies seeking an introduction not only to conceptual art but fundamental topics in art and aesthetics.
