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Veteran Poetics
Illustrates how war veterans have been used in British literature since the 1790s to explore being, knowing and storytelling.
Opening the Gates
How the occupation of a watch factory became one of the iconic labor struggles after May 1968 In 1973, faced with massive layoffs, workers at the legendary Lip watch firm in Besançon, France, occupied their factory to demand that no one lose their job. They seized watches and watch parts, assembled and sold watches, and paid their own salaries. Their actions recaptured the ideals of May 1968, when 11 million workers had gone on strike to demand greater autonomy and to overturn the status quo. Educated by ’68, the men and women at the Besançon factory formed committees to control every aspect of what became a national struggle. Female employees developed a working-class feminism, combatin...
Mood of the Moment
An exploration of fashion designer Gaby Aghion's life, career, and legacy at the French fashion house Chloé As imagined by the company's founder, Gaby Aghion (1921-2014), the sophisticated, romantic, and glamorous designs of Chloé have captured the energy and aspirations of generations of women since Aghion designed her first collection in 1952. This sumptuously illustrated book centers Chloé and Aghion within the cultural arena and crystallizes a major transition in the postwar Parisian fashion industry, from haute couture to prêt-à-porter. Aghion defined Chloé as a brand of luxury ready-to-wear clothing combining high-end materials and savoir faire with light shapes for active women....
Colonialism and Beyond
In order to study the history of colonialism and its legacy from the perspective of the early 21st century, we have to think beyond old spatial and disciplinary boundaries. Starting from this insight, the essays in this volume explore the roles that race and migration played in the formation of (trans)national spaces and identities. They investigate topics such as citizenship, sovereignty, and racialized bodies, as well as transnational patterns of political activism and belonging, migration, the biopolitics of whiteness, and the history of humanitarian NGOs. As a result, this book makes an important contribution to ongoing debates about the current location of postcolonial studies. (Series: Periplus Studien - Vol. 17)
Soul Trains
Soul Trains shows how the interaction of social classes and ethnic communities, and the growth of a music industry, created new music in the United States and Britain. A central question addressed is how popular perceptions of " authentic" musical expression are influenced by attempts to control or modify musical taste. The dynamic of musical innovation in capitalist society emerges from a process conditioned by historical events, language, and cultural traditions acting variously as forces for rebellion, resistance or reaction. This book avoids abstract language or jargon. It shows how popular musical culture cannot be understood apart from economic change and the evolution of social relationships. An excellent initiation to the history of popular music, it is especially recommended to the general reader and for use as an introductory text in the study of cultural and social change. A " people's history, " Soul Trains combines major contributions to scholarship in a singleparnorama of musical evolution related to the struggles of ordinary people.
After the Deportation
Examines the change in memory regime in postwar France, from one centered on the concentration camps to one centered on the Holocaust.
May '68 and Its Afterlives
During May 1968, students and workers in France united in the biggest strike and the largest mass movement in French history. Protesting capitalism, American imperialism, and Gaullism, 9 million people from all walks of life, from shipbuilders to department store clerks, stopped working. The nation was paralyzed—no sector of the workplace was untouched. Yet, just thirty years later, the mainstream image of May '68 in France has become that of a mellow youth revolt, a cultural transformation stripped of its violence and profound sociopolitical implications. Kristin Ross shows how the current official memory of May '68 came to serve a political agenda antithetical to the movement's aspiratio...
The Ethnographic Optic
The Ethnographic Optic traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Moi, un Noir, La jetée, and Muriel, this is an essential book for readers interested in national identity and cinema.
On Leave
A long-lost French novel in which three soldiers return home from an unpopular, unspeakable war When On Leave was published in Paris in 1957, as France's engagement in Algeria became ever more bloody, it told people things they did not want to hear. It vividly described what it was like for soldiers to return home from an unpopular war in a faraway place. The book received a handful of reviews, it was never reprinted, it disappeared from view. With no outcome to the war in sight, its power to disturb was too much to bear. Through David Bellos's translation, this lost classic has been rediscovered. Spare, forceful, and moving, it describes a week in the lives of a sergeant, a corporal, and an infantryman, each home on leave in Paris. What these soldiers have to say can't be heard, can't even be spoken; they find themselves strangers in their own city, unmoored from their lives. Full of sympathy and feeling, informed by the many hours Daniel Anselme spent talking to conscripts in Paris, On Leave is a timeless evocation of what the history books can never record: the shame and the terror felt by men returning home from war.
Free Rein
Free Rein is a gathering of seminal essays by Andri Breton, the foremost figure among the French surrealists. Written between 1936 and 1952, they include addresses, manifestoes, prefaces, exhibition pamphlets, and theoretical, polemical, and lyrical essays. Together they display the full span of Breton's preoccupations, his abiding faith in the early principles of surrealism, and the changing orientations, in light of crucial events of those years, of the surrealist movement within which he remained the leading force. Having broken decisively with Marxism in the mid-1930s, Breton repeatedly addresses the horrors of the Stalinist regime (which denounced him during the Moscow trials of 1936). ...
