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Sidney J. Furie
Front cover -- Copyright -- Contents -- Foreword -- Prologue -- 1 The Boy in His Own Company -- 2 Colonizing a Wilderness -- 3 Making a Name in London -- 4 Man's Favorite Sport -- 5 Through a Glass Refracted -- 6 Professional Winners and Professional Losers -- 7 Idol Worship in Jazz -- PHOTOGRAPHS -- 8 Sid & Carole & Clark & Sheila -- 9 Cast Iron Jacket -- 10 Cool Sounds from Hell -- 11 Matinee Buster -- 12 Housemaster -- Epilogue -- Acknowledgments -- Appendix A -- Appendix B -- Filmography -- Notes -- Bibliography -- Index.
De primo ambone
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The Woman Who Dared
In the early days of motion pictures—before superstars, before studio conglomerates, before even the advent of sound—there was a woman named Pearl White (1889–1938). A quintessential beauty of the time, with her perfectly tousled bob and come-hither stare, White's rise to stardom was swift; her assumption of the title of queen of American motion picture serials equally deserved. Born the youngest of five children in a small, rural Missouri farm town, White first began performing in high school. She would eventually make the decision to cut her education short, dropping out to go on the Trousdale Stock Company. A bit player in the early years of her career, she was eventually spotted by...
Gay Families and the Courts
"Susan Gluck Mezey's newest book, Gay Families and the Courts, is a compelling examination of the role of state and federal courts in gaining equal rights for members of the LGBT community. Unlike Mezey's earlier book, Queers in Court, this book evaluates the effect of litigation on achieving this goal for gay families - families in which at least one member is gay - as they seek to expand their opportunities and battle discrimination. Mezey shows how the courts address gay and lesbian rights and sexual orientation in schools and social organizations, such as the Boy Scouts, along with family-oriented problems such as marriage and parenthood. In doing so, Mezey emphasizes the complexity of the issues involved in the cases and assesses how the outcome of the litigation is affected by the type of case, the type of court, and the judge's perception of his or her role as a policymaker. It is a valuable reference for scholars interested in judicial, legislative, and executive policymaking at the federal and state level as well as anyone interested in LGBT politics." --Book Jacket.
The Limits of Auteurism
The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production.
Catalog
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Time & Matter
Time and matter are the most fundamental concepts in physics and in any science-based description of the world around us. Quantum theory has, however, revealed many novel insights into these concepts in non-relativistic, relativistic and cosmological contexts. The implications of these novel perspectives have been realized and, in particular, probed experimentally only recently. In the papers in this proceedings, these issues are discussed in a truly interdisciplinary fashion from philosophical and historical perspectives. The leading contributors, including Nobel laureates T W H'nsch and G t' Hooft, address both experimental and theoretical issues.
Strictly Dynamite
Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez—one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934), and her ...
At the Edge of Existence
Few scary stories begin with a disclaimer that they are fictional. Instead, they claim to be true even when they are not. Such stories blur the line between fiction and reality, pushing audiences to consider where fiction ends and reality begins. These kinds of horror stories comprise the understudied subgenre of liminal horror. As the first book on this subject, this volume surveys a variety of liminal horror films. It discusses the different variations within liminal horror's sub-genres and considers why horror films are obsessed with the natures of, and borders between, fiction and reality. After first laying out the basic traits of the horror genre in the context of liminality, this book then dives into film more specifically and how the medium is uniquely situated to explore the movement between the fictional and the real. Through lenses such as dreaming, memory, and perception, the following chapters explore the role liminal horror plays in the the human psyche's subconscious/unconscious, and the various functions of the human mind in perceiving, or misperceiving, reality.
