You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
None
Library Journal Best Books 2011: Historical Fiction selection Finalist for the Commonwealth Writers’ Prize Finalist for the Canadian Authors Association Fiction Award Finalist for the Amazon.ca First Novel Award Finalist for the Ethel Wilson Fiction Prize 1851. London, England. Once a well-known prize-fighter with a terrifying right fist (known as “The Hammer of Heaven”), Daniel O’Thunder has seen the light, and now the protection of the poor and the weak is his life’s work. He runs an establishment for those in need of food, shelter and counsel—a place where virtue and vice rub shoulders uneasily. But an ancient evil is stalking the streets, preying on the vulnerable souls it finds there. It is an evil that takes different forms and hides behind many faces, threatening everything Daniel loves most. Driven to desperation, Daniel responds by issuing a breathtaking challenge…to the Devil himself. Rich in humor and memorable characters, Daniel O’Thunder is a rollicking literary thriller set in the teeming slums of Dickensian London. Fast-paced and gripping, comic and tragic by turns, it is a spectacular fiction debut.
Made in Scotland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, politics, culture, and musicology of twentieth- and twenty-first-century popular music in Scotland. The volume consists of essays by local experts and leading scholars in Scottish music and culture, and covers the major figures, styles, and social contexts of popular music in Scotland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book includes a general introduction to Scottish popular music, followed by essays organized into three thematic sections: Histories, Politics and Policies, and Futures a...
The essays in this volume revalue the work of the Romantic-era Scottish writer John Galt, connecting his methods and goals with Scottish Enlightenment "conjectural" historiography and with later social theorizing. Emphasizing the construction, representation and use of social knowledge, the essays find new meaning in Galt's perceptions of the Atlantic and Mediterranean worlds in which he traveled, his attitudes toward community building and progress, and his innovations in fiction, drama, journalism and biography.
None