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The Ottoman Empire has long been depicted as the Islamic-Asian antithesis of the Christian-European West. But the reality was starkly different: the Ottomans' multiethnic, multilingual, and multireligious domain reached deep into Europe's heart. In their breadth and versatility, the Ottoman rulers saw themselves as the new Romans. Recounting the Ottomans' remarkable rise from a frontier principality to a world empire, Marc David Baer traces their debts to their Turkish, Mongolian, Islamic and Byzantine heritage; how they used both religious toleration and conversion to integrate conquered peoples; and how, in the nineteenth century, they embraced exclusivity, leading to ethnic cleansing, genocide, and the dynasty's demise after the First World War. Upending Western concepts of the Renaissance, the Age of Exploration, the Reformation, this account challenges our understandings of sexuality, orientalism and genocide. Radically retelling their remarkable story, The Ottomans is a magisterial portrait of a dynastic power, and the first to truly capture its cross-fertilisation between East and West.
What compels Jews in the Ottoman Empire, Turkey, and abroad to promote a positive image of Ottomans and Turks while they deny the Armenian genocide and the existence of antisemitism in Turkey? Based on historical narrative, the Jews expelled from Spain in 1492 were embraced by the Ottoman Empire and then, later, protected from the Nazis during WWII. If we believe that Turks and Jews have lived in harmony for so long, then how can we believe that the Turks could have committed genocide against the Armenians? Marc David Baer confronts these convictions and circumstances to reflect on what moral responsibility the descendants of the victims of one genocide have to the descendants of victims of ...
Hugo Marcus (1880–1966) was a man of many names and many identities. Born a German Jew, he converted to Islam and took the name Hamid, becoming one of the most prominent Muslims in Germany prior to World War II. He was renamed Israel by the Nazis and sent to the Sachsenhausen concentration camp before escaping to Switzerland. He was a gay man who never called himself gay but fought for homosexual rights and wrote queer fiction under the pen name Hans Alienus during his decades of exile. In German, Jew, Muslim, Gay, Marc David Baer uses Marcus’s life and work to shed new light on a striking range of subjects, including German Jewish history and anti-Semitism, Islam in Europe, Muslim-Jewis...
This is the first study of the modern history, experience, and ethno-religious identity of the Dönme, the descendants of seventeenth-century Jewish converts to Islam, in Ottoman and Greek Salonica and in Turkish Istanbul.
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Fat Brother, Skinny Brother is a story about eight-year-old twin brothers. One brother is really overweight, and the other brother is skinny! They are complete opposites even with their daily chores. The skinny brother likes to keep his room neat, and the fat brother doesn't. The overweight brother loves food, and the skinny brother doesn't. Even though the brothers are complete opposites, they accept their differences and stay close! It is a rhyming tale. The brothers like to make fun of each other in a friendly way. But their brotherly bond always stays strong! I hope you like reading Fat Brother, Skinny Brother!
What does a religious community do when confronted by a political regime determined to eliminate a religion? Under communism, Hungary’s persecuted Lutheran Church tried desperately to find a strategy for survival while remaining faithful to its Christian beliefs. Appealing to the Lutheran Confessions, many argued that the church can do whatever is necessary to survive provided it does not compromise on its essential ministry, while others appealing to the witness of the confessor Bishop Lajos Ordass, argued that the church must uncompromisingly witness to the truth even if that means ecclesiological extinction. In The Struggle of Hungarian Lutherans under Communism, H. David Baer draws upo...
In Recovering Christian Realism, H. David Baer interprets just war theory as political ethic concerned with the moral administration of power. He argues that contemporary just war theorists, by debating the finer points of individual criteria, have lost sight of the theory of politics that gives rise to just war thinking in the first place. Baer attempts to relocate just war theory within the tradition of Christian realism in order to develop an ethic capable of addressing the uses of power. He argues the just war criteria unfold from a description of the political act, one which harnesses power to peace and points the way toward an ethic of armed force and international relations.
Mixing fictional and historical characters this haunting story is about Max Baer's life in and out of the boxing ring.
Boxing might not have survived the 1930s if not for Max Baer. A contender for every heavyweight championship 1932-1941, California's "Glamour Boy" brought back the "million-dollar gate" not seen since the 1920s. His radio voice sold millions of Gillette razor blades; his leading-man appeal made him a heartthrob in The Prizefighter and the Lady (1933). The film was banned in Nazi Germany--Baer had worn a Star of David on his trunks when he TKOed German former champ Max Schmeling. Baer defeated 275-pound Primo Carnera in 1934 for the championship, losing it to Jim Braddock the next year. Contrary to Cinderella Man, (2005), Baer--favored 10 to 1--was not a villain and the fight was more controversial than the film suggested. His battle with Joe Louis three months later drew the highest gate of the decade. This first comprehensive biography covers Baer's complete ring record, his early life, his career on radio, film, stage and television, and his World War II army service.