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Organised Crime in Northern Ireland
Organised crime in Northern Ireland : Third report of session 2005-06, Vol. 2: Oral and written Evidence
When The Hills Ask For Your Blood: A Personal Story of Genocide and Rwanda
'Tremendous. A moving and haunting tribute to the human spirit' WILLIAM BOYD Into the heart of a genocide that left a million people dead 6 April 1994: In the skies above Rwanda the president’s plane is shot down in flames. Near Kigali, Jean-Pierre holds his family close, fearing for their lives as the violence escalates. In the chapel of a hillside village, missionary priest Vjeko Curic prepares to save thousands of lives The mass slaughter that follows – friends against friends, neighbours against neighbours - is one of the bloodiest chapters in history Twenty years on, BBC Newsnight producer David Belton, one of the first journalists into Rwanda, tells of the horrors he experienced at first-hand. Now following the threads of Jean-Pierre and Vjeko Curic’s stories, he revisits a country still marked with blood, in search of those who survived and the legacy of those who did not. This is David Belton's quest for the limits of bravery and forgiveness.
Changing Names
In any family tree are names that mean something or nothing to the present-day members of that family. For the Ellison family, there are names that have been the center of tales of family lore and some that mean nothing at all to them. One member of Mark Ellison's family decides to research the roots of the family and finds that the family name has changed time and again. From Scotland to the New World, from the beautiful valley in West Virginia to the family farm in Ohio, a family history is viewed through the eyes of those who lived it. This is the story of only one branch of the family tree. Love and loss, pain and joy, the tales of the Ellison family and their antecedents are told as they lived faithful in their love of God. Although this is a work of fiction, it is based on events that could have occurred. At least in the mind of the author.
The Rwandan Genocide on Film
The Rwandan genocide was one of the most shameful events of the 20th century. Many Westerners' understanding of it is based upon the Oscar-winning film Hotel Rwanda and the critically acclaimed Shooting Dogs. Yet how accurately do these films depict events in Rwanda in 1994? Drawing on new scholarship, this collection of essays explores a variety of feature films and documentaries about the genocide to understand its expression in both Western and Rwandan cinema. Interviews with filmmakers are featured, including journalist Steve Bradshaw (BBC's Panorama), director Nick Hughes (100 Days), director Lee Isaac Chung (Munyurangabo) and Rwandan filmmakers Eric Kabera and Kivu Ruhorahoza.
Sensational Devotion
In Sensational Devotion, Jill Stevenson examines a range of evangelical performances, including contemporary Passion plays, biblical theme parks, Holy Land re-creations, creationist museums, and megachurches, to understand how they serve their evangelical audiences while shaping larger cultural and national dialogues. Such performative media support specific theologies and core beliefs by creating sensual, live experiences for believers, but the accessible, familiar forms they take and the pop culture motifs they employ also attract nonbelievers willing to “try out” these genres, even if only for curiosity’s sake. This familiarity not only helps these performances achieve their goals, ...
Framing Africa
The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military odds (Zulu, 1964; Khartoum, 1966) and nature (Mogambo, 1953; Hatari!,1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption (The Constant Gardener, 2005), genocide (Hotel Rwanda, 2004; Shooting Dogs, 2006), ‘failed states’ (Black Hawk Down, 2001), illicit transnational commerce (Blood Diamond, 2006) and the unfulfilled prom...
