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David Claerbout
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David Claerbout
The works of David Claerbout are marked by an interrogation of time as an artistic medium. Inspired both by phenomenology and by Gilles Deleuze's writings on the image and cinema he has developed a kind of photography in movement, a still movement, into which he introduces narrative elements. Navigating between the still and the moving image, between photographic and digital techniques, Claerbout produces works that are not easy to consume. This title features works ranging from 1996 to 2007 and includes specially commissioned essays, as well as numerous reproductions and, for the first time, the preparatory drawings for his films and installations.
David Claerbout
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David Claerbout
Although trained as a painter and draughtsman, David Claerbout (1969) has been taking Belgium and the world by storm with his videos. He works, in his own words, hard but slowly, and he likes to test the endurance of his audience. His films may be as long as 13 hours, he undermines the classic cinema, and teaches us to look in a new way that he calls 'observing'. Claerbout composes his films in his own studio, where he turns thousands of stills and scans into slowly moving films. He expect his public not to be in a hurry and to be prepared to take the time to experience his images. In this first catalogue of his oeuvre, his film and video projects are subjected to serious analysis on the basis of production photos, design sketches and pictures of installations. This offers an exciting point of entry into the method, artistic programme and aesthetic development of the artist.
David Claerbout
Belgian artist David Claerbout (born 1969) is known for investigating the conceptual impact of the passage of time through his use of video and digital photography. His work skillfully interrogates both moving and still imagery to suggest an otherworldly level of existence, something that might refer to a specific place or event, but the timeline of which is not clear, oscillating between both past and present. His oeuvre is characterized by a meticulous attention to production details. With each of his projects Claerbout creates a small number of drawings, which help him to reflect upon and comprehend his concepts more thoroughly. Up to now, these works have not been afforded the attention they deserve. This publication addresses that oversight, presenting a comprehensive overview of Claerbout's drawings created over a period of two decades.
David Claerbout
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David Claerbout: the Silence of the Lehb
In a conversation with Jonathan Pouthier, curator of the cinema programme of the Musée National d?Art Moderne, Centre Pompidou (Paris, France), video artist David Claerbout reflects for the first time in depth on his work of the past decade in relation to current discussions about photography, film and the virtual. The Silence of the Lens offers a unique insight into the creative process behind such recent video works as The Close, Aircraft (F.A.L.), Wildfire (meditation on fire), The Confetti Piece and The Pure Necessity.00The publication coincides with the Venice Biennale 2022 and solo exhibitions in various cities including Munich, Berlin, Budapest and New York.
Visible Time
52 objects collected from the beaches at Brighton and Whitley Bay, scanned actual size.
David Claerbout
At first glance, David Claerbouts poetic video installations appear as static as slide projections. In time, however, one notices that the space inside the pictures is moving. This book focuses on the reliability of reality, and is a documentation and a catalogue raisonn of Claerbouts photography and video work.
David Claerbout
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