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The Forest and the EcoGothic
This book offers the first full length study on the pervasive archetype of The Gothic Forest in Western culture. The idea of the forest as deep, dark, and dangerous has an extensive history and continues to resonate throughout contemporary popular culture. The Forest and the EcoGothic examines both why we fear the forest and how exactly these fears manifest in our stories. It draws on and furthers the nascent field of the ecoGothic, which seeks to explore the intersections between ecocriticism and Gothic studies. In the age of the Anthropocene, this work importantly interrogates our relationship to and understandings of the more-than-human world. This work introduces the trope of the Gothic ...
Werewolves, Wolves and the Gothic
Wolves lope across Gothic imagination. Signs of a pure animality opposed to humanity, in the figure of the werewolf they become liminal creatures that move between the human and the animal. Werewolves function as a site for exploring complex anxieties of difference – of gender, class, race, space, nation or sexuality – but the imaginative and ideological uses of wolves also reflect back on the lives of material animals, long persecuted in their declining habitats across the world. Werewolves therefore raise unsettling questions about the intersection of the real and the imaginary, the instability of human identities and the worldliness and political weight of the Gothic. This is the firs...
Haunted Nature
This volume is a study of human entanglements with Nature as seen through the mode of haunting. As an interruption of the present by the past, haunting can express contemporary anxieties concerning our involvement in the transformation of natural environments and their ecosystems, and our complicity in their collapse. It can also express a much-needed sense of continuity and relationality. The complexity of the question—who and what gets to be called human with respect to the nonhuman—is reflected in these collected chapters, which, in their analysis of cinematic and literary representations of sentient Nature within the traditional gothic trope of haunting, bring together history, race, postcolonialism, and feminism with ecocriticism and media studies. Given the growing demand for narratives expressing our troubled relationship with Nature, it is imperative to analyze this contested ground. “Chapter 6” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Nordic Utopias and Dystopias
The Nordic countries have long been subject to certain idealised, even utopian imaginaries, particularly with regard to images of pristine nature and the societal ideals of democracy, equality and education. On the other hand, such projections inevitably invite dissent, irony and intimations of the utopia’s dark underside. Things may yet take, or may have already taken, a dystopic course. The present volume offers twelve contributions on utopias and dystopias in Nordic literature and culture. Geographically, the articles cover the Nordic countries of Denmark, Finland, Norway, and Sweden, as well as the autonomous area of Greenland. Through the articles’ varied subjects — ranging from a...
Monsters in the Italian Literary Imagination
A culture defines monsters against what is essentially thought of as human. Creatures such as the harpy, the siren, the witch, and the half-human all threaten to destroy our sense of power and intelligence and usurp our human consciousness. In this way, monster myths actually work to define a culture's definition of what is human. In Monsters in the Italian Literary Imagination, a broad range of scholars examine the monster in Italian culture and its evolution from the medieval period to the twentieth century. Editor Keala Jewell explores how Italian culture juxtaposes the powers of the monster against the human. The essays in this volume engage a wide variety of philological, feminist, and psychoanalytical approaches and examine monstrous figures from the medieval to postmodern periods. They each share a critical interest in how monsters reflect a culture's dominant ideologies.
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War Gothic in Literature and Culture
In the context of the current explosion of interest in Gothic literature and popular culture, this interdisciplinary collection of essays explores for the first time the rich and long-standing relationship between war and the Gothic. Critics have described the global Seven Year’s War as the "crucible" from which the Gothic genre emerged in the eighteenth century. Since then, the Gothic has been a privileged mode for representing violence and extreme emotions and situations. Covering the period from the American Civil War to the War on Terror, this collection examines how the Gothic has provided writers an indispensable toolbox for narrating, critiquing, and representing real and fictional ...
The Positive Image of the Jew in the 'comedia'
Argues, contrary to most scholarly opinion, that while on the explicit level they are anti-Jewish, in a covert manner the dramatic works of the Spanish Golden Age present a positive image of the Jews. Works by Rojas, Cervantes, and, especially, Lope de Vega are shown to have used coded writing and techniques of dissimulation to subvert the dominant anti-Jewish ideology of the day, embodied in the actions of the Inquisition and in the "limpieza de sangre" statutes. A reason for the indirect approach was that the writers, who were influenced by Christian Humanism rather than by any putative Converso origin, themselves sought to escape interrogation by the Inquisition. One technique used was to replace the Converso by the figure of a persecuted woman or by a biblical, legendary, or foreign Jew. Defending the Jews was an aspect of espousal of justice for all.
Delphi Complete Works of Dante Alighieri (Illustrated)
The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This volume presents the works of world poet Dante Alighieri, with beautiful illustrations, the original Italian texts and bonus material. (12MB Version 1) * Beautifully illustrated with images relating to Dante's life and works * Concise introductions to the poetry * Excellent formatting of the poems * Both verse and prose translations of THE DIVINE COMEDY, with glossed footnotes – ideal for students * Also includes Gustave Doré’s celebrated illustrations of THE DIVINE COMEDY – over a hundred stunning images * Easily locate the cantos you want to read with detailed contents tables * Includes Dante’s complete works in Italian – ideal for students exploring the original texts * Features a bonus biography - discover Dante's literary life * Scholarly ordering of texts into chronological order and literary genres CONTENTS: The Poetry Collections THE NEW LIFE THE DIVINE COMEDY (VERSE) THE DIVINE COMEDY (PROSE) The Italian Texts LIST OF WORKS The Biography DANTE: HIS TIMES AND HIS WORK BY ARTHUR JOHN BUTLER
