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Mystery and Suspense in Creative Writing presents a systematic analysis of a very important aspect of writing by integrating it with journalistic, media, and communication studies. The book examines the specific rules for creating intrigue and suspense, and confronts their universal features with selected literary texts. The individual texts emphasize the importance of understanding the emotions through transformation of various archetypes. The rules postulated by creative writing for building drama and tension in such texts often deal with this profound issue. They are thus not an end in themselves, but actually lead to more mature writing. Therefore, they essentially contribute to developing one's creative talent and communication skills. The paradigm of creative writing serves to shape the creativity of students of various disciplines, including not only literary studies and journalism, but also such diverse areas as medicine and information technology. (Series: International Studies in Hermeneutics and Phenomenology - Vol. 7)
The Global Future of English Studiespresents a succinct, carefully documented assessment of the current state and future trajectory of English studies around the world. Compiles data on student enrollments, faculty hiring, and financing in English studies around the world including China, home to more English majors than the U.S. and U.K. combined Rejects prevailing narratives of contraction and decline that dominate histories of the discipline Stresses English studies' expansion within a rapidly expanding global academic apparatus, and the new challenges and opportunities such sudden and dispersive growth presents Essential reading for anyone interested in studying or teaching English in higher education
Over the last decades, scholars and practitioners have studied creativity as the production of original and effective ideas capable of being applied to different fields of existence. More recently, it has been recognized as one of the most important skills for the 21st century, as a differential for professionals, and as a basis for innovation. Even with this acknowledgement, creativity is being challenged by advances in Artificial Intelligence, especially generative intelligence, which is seen as capable of performing creative activities and, eventually, replacing human creativity. Besides that, more and more is said about the role of schools in preparing for this new world by developing creativity to enhance opportunities for work and careers. The book goes beyond by introducing the relationship between creativity and mental health, defying the standard view which associates creativity with madness and taking creativity as a tool for therapeutic processes.
The Nazis’ persecution of the Jews during the Holocaust included the creation of prisoner hierarchies that forced victims to cooperate with their persecutors. Many in the camps and ghettos came to hold so-called “privileged” positions, and their behavior has often been judged as self-serving and harmful to fellow inmates. Such controversial figures constitute an intrinsically important, frequently misunderstood, and often taboo aspect of the Holocaust. Drawing on Primo Levi’s concept of the “grey zone,” this study analyzes the passing of moral judgment on “privileged” Jews as represented by writers, such as Raul Hilberg, and in films, including Claude Lanzmann’s Shoah and Steven Spielberg’s Schindler’s List. Negotiating the problems and potentialities of “representing the unrepresentable,” this book engages with issues that are fundamental to present-day attempts to understand the Holocaust and deeply relevant to reflections on human nature.
The internet has recently grown from a fringe cultural phenomenon to a significant site of cultural production and transformation. Internet Culture maps this new domain of language, politics and identity, locating it within the histories of communication and the public sphere. Internet Culture offers a critical interrogation of the sustaining myths of the virtual world and of the implications of the current mass migration onto the electronic frontier. Among the topics discussed in Internet Culture are the virtual spaces and places created by the citizens of the Net and their claims to the hotly contested notion of "virtual community"; the virtual bodies that occupy such spaces; and the desires that animate these bodies. The contributors also examine the communication medium behind theworlds of the Net, analyzing the rhetorical conventions governing online discussion, literary antecedents,and potential pedagogical applications.
The book represents a selection of papers presented at an international symposium in Singapore on the role of theory and practice in the mutually interactive and mutating relations between institutions and cultures. In effect, the papers turn about a single theme: the ways in which power is expressed through those institutions by means of which cultures mediate their requirements. The symposium brought together scholars and academics from a variety of disciplines, including literature, philosophy, cultural studies, sociology, comparative literature and comparative religions. In terms of the geography of cultures and the history of institutions, the range of reference to this book of the symp...
"In 2023, Birkbeck, University of London celebrates 200 years of educating working people in central London. It was founded in 1923 as the London Mechanics' Institution and, from its inception, was a pioneering and radical institution. This history is animated by the conviction that Birkbeck is its people. Their thoughts and ambitions, hopes and dreams, labour and laughter are what this book describes, celebrates, and occasionally laments. It explores the history of education as well as the history of place, politics, radicalism, class, race, gender, disciplinarity, theatre, food, leisure, war, and everyday encounters. Most of all, this book is about ideas. What does it mean to be educated? How have these meanings changed over time? What makes Birkbeck students unique? What does it mean to be fully human, exploiting our faculties in order to become better people?"--
How many times have you heard that creative writing programmes are factories that produce the same kind of writers, isolated from real life? Only by escaping academia can writers be completely free. Universities are profoundly conservative places, designed to favour a certain way of writing-preferably informed by literary theory. Those who reject the creative/ critical discourse of academia are the true rebels, condemned to live (or survive) in a tough literary marketplace. Conformity is on the side of academia, the story goes, and rebellion is on the other side. This book argues against the notion that creative writing programmes are driven by conformity. Instead, it shows that these progra...