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It's time to go back to the barrío with the HOMIES! The surprise hit of the 90's is back in a brand-new comic book series co-plotted by original HOMIES creator David Gonzales and "Adventures of Grumpy Cat" writer Elliott Serrano, featuring all-new stories and never-before-seen characters. With art and covers by Andrew Huerta, HOMIES #1 features the long-awaited wedding of Hollywood and Gata. It's been a day that she has imagined for her entire life, but now Gata has to deal with everyone trying to ruin it! What will she do when she hears the whispers about Hollywood and his womanizing ways? Will the wedding still take place when everything that can go wrong actually does? Is Hollywood desti...
"Created by David Gonzalez, the Homies first appeared as an underground comic strip that debuted in Lowrider magazine in 1978, a reflection of his friends and lifestyle. At first a group of tightly knit Chicano buddies from East Los Angeles, the Homies expanded their crew to over 300 characters from all different cultures, genres, and even species. In an inner-city world plagued by poverty and oppression, they formed a strong, binding cultural support system that enabled them to overcome negativity and turn to laughter and good times as an antidote for reality"--Page 4 of cover.
For the Love of Money is based on the true story of an aging spinster and her infirm, mentally-challenged brother who become involved with a mother-son duo seeking to acquire the assets of the wealthy pair. It is a complicated story with tension, intrigue, and surprising twists. A conscientious but nave trustee, Peter Spencer, tries to protect his two elderly clients, who have become unsuspecting pawns in a game of greed, control, and mental abuse. Committed to standing on principle, the trustee is confronted with dangerous and difficult choices. He steps into a hornets nest and puts his own life in chaos and jeopardy. Truth and justice are not always the worlds bottom line, and Peter unearths disturbing insights into the legal world. Three separate legal cases ensue, one of which becomes precedent-setting.
On a camping trip to Camp Waka Molay, the Mijos are looking forward to an overnight hike to the top of Rattlesnake Mountain, but Spooky's encounter with a ghostly horseman threatens to spoil the trip.
This volume examines how the field of Chicana/o studies has developed to become an area of interest to scholars far beyond the United States and Spain. For this reason, the volume includes contributions by a range of international scholars and takes the concept of place as a unifying paradigm. As a way of overcoming borders that are both physical and metaphorical, it seeks to reflect the diversity and range of current scholarship in Chicana/o studies while simultaneously highlighting the diverse and constantly evolving nature of Chicana/o identities and cultures. Various critical and theoretical approaches are evident, from eco-criticism and autoethnography in the first section, to the role of fiction and visual art in exposing injustice in section two, to the discussion of transnational and transcultural exchange with reference to issues as diverse as the teaching of Chicana/o studies in Russia and the relevance of Anzaldúa’s writings to post 9/11 U.S. society.
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