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European Clocks in the J. Paul Getty Museum
Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.
Looking at European Ceramics
What is maiolica? What is the difference between hard-paste and soft-paste porcelain. What is a piatto da pompa? This book offers definitions of these and other terms related to the techniques, processes, and materials used in the making of ceramics in Europe from the Middle Ages throughout the beginning of the twentieth century. Concise and readable explanations of the technical terms most frequently encountered by the museum-goer, accompanied by numerous illustrations of works from the collections of the J. Paul Getty Museum and the British Museum, are presented in an easily portable volume. The fourth in a series of "Looking at" books co-published with the British Museum Press, this guide will be invaluable to all those wishing to increase their understanding and enjoyment of ceramics.
The City Record
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Maiolica in the Making
In the seventeenth and eighteenth centuries, potters from the Italian village of Castelli dAbruzzo created wares that constitute a final, supremely pictorial phase of the tin-glazed earthenware art know as maiolica. Here, Catharine Hess documents the Gentili/Barabei archive--a recently acquired collection of 276 documents relating to these celebrated ceramics--to show how it illuminates the production of maiolica.
Understanding Illuminated Manuscripts
What is a breviary? What is an antiphonal? What is an incipit? This superbly illustrated book - part of the popular Looking At series - offers definitions of the techniques, processes, and materials used in medieval illuminated manuscripts. Concise and readable explanations of the technical terms most frequently encountered by the museum-goer are presented in an easily portable format. With numerous illustrations drawn from the collections of the J. Paul Getty Museum and The British Library - many of them in color - this volume will be invaluable to all readers wishing to increase their enjoyment and understanding of illuminated manuscripts.
Hearings
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An Infinite History
An innovative history of deep social and economic changes in France, told through the story of a single extended family across five generations Marie Aymard was an illiterate widow who lived in the provincial town of Angoulême in southwestern France, a place where seemingly nothing ever happened. Yet, in 1764, she made her fleeting mark on the historical record through two documents: a power of attorney in connection with the property of her late husband, a carpenter on the island of Grenada, and a prenuptial contract for her daughter, signed by eighty-three people in Angoulême. Who was Marie Aymard? Who were all these people? And why were they together on a dark afternoon in December 1764...
A General History of Horology
The text provides a general history of horology, covering time-keeping worldwide and at all periods throughout history, from antiquity (Assyria and Egypt included) to the present day.
Art of the Royal Court
"In the royal and princely courts of Europe, artworks made of multicolored semiprecious stones were passionately coveted objects. Known as pietre dure, or hardstones, this type of artistic expression includes?paintings in stone,? which were composed of intricately cut separate pieces that were made into magnificent tabetops, cabinets, and wall decorations. Other works included vessels and ornaments carved with virtuosic skill from a single piece of rare and brilliant lapis lazuli, chalcedony, jasper, or similarly prized substance; exquisite objects such as boxes, clocks, and jewelry; and portraits of nobles sculpted in variously colored stones. Derived from ancient Roman decorative stonework...
