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Why We Fought
Looks at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath. This volume contrasts recognized history and historical fiction with the versions appearing on the big screen. It reveals how film depictions of the country's wars have shaped our values, politics, and culture.
Becoming a Nazi Town
Local cultural activities played a key role in altering Germany’s political landscape between the world wars
Divided Village: The Cold War in the German Borderlands
Cover -- Title -- Copyright -- Contents -- List of figures -- Acknowledgements -- List of abbreviations -- Introduction: Eerie -- 1 Calamity, 1945-1952 -- 2 Elimination, 1952 -- 3 Fighting mood, 1952-1960 -- 4 Admonition, 1960-1961 -- 5 Bleak, 1961-1989 -- 6 Ass of the world, 1961-1989 -- Epilogue: Dream -- Bibliography -- Index
The Gesamtkunstwerk in Design and Architecture
The history of modern design and architecture has seen many attempts to embrace and merge different art forms, and to bring art into the framing of everyday life and the organisation of modern society, in a process understood as total design or total architecture. These attempts were historically based on the romanticist idea of merging all art forms into a uniting and transgressing work of art, mostly associated with – but certainly not limited to – Richard Wagner’s theoretical writings and musical dramas. This utopian dream of the Gesamtkunstwerk, or Total Work of Art, was intended both to bring unity to the people and to bring art into the everyday life of their homes, as well as in...
Tradition, Community, and Nationhood in Richard Wagner’s Die Meistersinger von Nürnberg
Since its premiere in 1868, Wagner’s Die Meistersinger von Nürnberg has defied repeated upheavals in the cultural-political landscape of German statehood to retain its unofficial status as the German national opera. The work’s significance as a touchstone of national culture survived even such troubling episodes as its public endorsement in 1933 as ‘the most German of all German operas’ by Joseph Goebbels or the rendition in previous years by audiences at Bayreuth of both national and Nazi-party anthems at the work’s culmination. This chequered reception history and apparent propensity for reinterpretation or reclamation has long fuelled debates over the socio-political meanings o...
Staging and the Arts in Nineteenth-Century France
This book discusses the mechanisms and patterns of staging in nineteenth-century France. Often associated with theatre and performance, staging also applies to visual arts. It is thoroughly embedded in a more general cultural development comprising the dissemination of knowledge, political awareness and consumerism. The notion of staging applies to a process of appearing, revealing and disappearing that puts forward new ways for the individual to be seen and to make the self (and the other) visible. Staging determines and questions the process of appearing and disappearing by generating connections and interactions between multiple layers of reality (i.e., artistic, theatrical, literary, and visual) – but according to what criteria, through what mechanisms and with what materials? What are the repercussions of staging, and, even more important, what does staging not show? This book argues that the notion of staging goes beyond interdisciplinarity. Looking at the different ways staging was used and conceived introduces new approaches to understanding visual culture in nineteenth-century France.
Culture in the Third Reich
A ground-breaking study that gets us closer to solving the mystery of why so many Germans embraced the Nazi regime so enthusiastically and identified so closely with it.
Three-Way Street
Tracing Germany's significance as an essential crossroads and incubator for modern Jewish culture
The People's Own Landscape
An exploration of East German tourist practices of the 1970s and 1980s provides new insight into the country’s environmental politics
Beyond the Gymnasium
Beyond the Gymnasium is the first systematic effort to examine the history of the body in modern Germany. By looking into medical dietetics, walking, dancing, gymnastics, cholera, and classrooms, Heikki Lempa reconstructs the ways the middle-class body became a source of political and social autonomy and a medium of social interaction. During the first two decades of the nineteenth century, German physicians defined the middle class body as qualitatively different from the lower class body. This belief was supported by a contemporary science known as dietetics. Lempa provides a comprehensive history and analysis of this science. Beyond the Gymnasium also analyzes the social implications of c...
