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How Can I Keep from Singing? is the compelling story of how the son of a respectable Puritan family became a consummate performer and American rebel. Updated with new research and interviews, unpublished photographs, and thoughtful comments from Pete Seeger himself, this is an inside history of the man Carl Sandburg called “America’s Tuning Fork.” In the only biography on Seeger, David Dunaway parts the curtains on his life. Who is this rail-thin, eighty-eight-year-old with the five-string banjo, whose performances have touched millions of people for more than seven decades? Bob Dylan called him a saint. Joan Baez said, “We all owe our careers to him.” But Seeger’s considerable m...
Oral History: An Interdisciplinary Anthology is a collection of classic articles by some of the best known proponents of oral history, demonstrating the basics of oral history, while also acting as a guidebook for how to use it in research. Added to this new edition is insight into how oral history is practiced on an international scale, making this book an indispensable resource for scholars of history and social sciences, as well as those interested in oral history on the avocational level. This volume is a reprint of the 1984 edition, with the added bonus of a new introduction by David Dunaway and a new section on how oral history is practiced on an international scale. Selections from the original volume trace the origins of oral history in the United States, provide insights on methodology and interpretation, and review the various approaches to oral history used by folklorists, historians, anthropologists, and librarians, among others. Family and ethnic historians will find chapters addressing the applications of oral history in those fields.
Levensbeschrijving van de politiek geëngageerde Amerikaanse folk-zanger en banjospeler (geb. 1919).
Intimate, anecdotal, and spell-binding, Singing Out offers a fascinating oral history of the North American folk music revivals and folk music. Culled from more than 150 interviews recorded from 1976 to 2006, this captivating story spans seven decades and cuts across a wide swath of generations and perspectives, shedding light on the musical, political, and social aspects of this movement. The narrators highlight many of the major folk revival figures, including Pete Seeger, Bernice Reagon, Phil Ochs, Mary Travers, Don McLean, Judy Collins, Arlo Guthrie, Ry Cooder, and Holly Near. Together they tell the stories of such musical groups as the Composers' Collective, the Almanac Singers, People's Songs, the Weavers, the New Lost City Ramblers, and the Freedom Singers. Folklorists, musicians, musicologists, writers, activists, and aficionados reveal not only what happened during the folk revivals, but what it meant to those personally and passionately involved. For everyone who ever picked up a guitar, fiddle, or banjo, this will be a book to give and cherish. Extensive notes, bibliography, and discography, plus a photo section.
Who is this skinny, 78-year-old man with the five-string banjo, whose performances over five decades have touched millions of people? Entertainer? Composer? Communist? Bob Dylan once called him a "saint." Joan Baez has said, "We all owe our careers to him." But Pete Seeger's considerable musical achievements have been overshadowed by political controversy. He was investigated for sedition by the House Committee on Un-American activities, harassed by the FBI and CIA, blacklisted, picketed, and even stoned by conservative groups. How Can I Keep from Singing is an inside history of Pete Seeger, whose life has remained a closely guarded secret until now. In this ASCAP award-winning book, David Dunaway parts the curtain through interviews with Pete, his family, friends, and fellow musicians to present a rich, compelling portrait of one of the most remarkable performers, composers, and activists of this century.
His writing and life underwent many transformations, and many crucial unanswered questions remained about his sojourn: Were the writings of the American years as self-indulgent as critics claimed? What sort of screenwriter was he: did this nearly blind writer ever learn the craft of scriptwriting? How did the cinematic conventions influence his own art? How and why did he become involved with mysticism and vision-inducing drugs?
In From the Miners’ Doublehouse, archaeologist Karen Metheny uses an interpretive, contextual approach to examine the physical and cultural landscape of the now-abandoned coal-mining town of Helvetia in western Pennsylvania. The author weaves together documentary sources, oral history, and archaeological evidence to reveal the ways in which mine workers constructed a sense of community in this company town from the late nineteenth century to the mid-twentieth. As the first archaeological and historical study of a coal company town that focuses upon the strategies its residents used to manipulate landscape and material culture to achieve personal and social goals, From the Miners’ Doublehouse makes a significant contribution to historical and industrial archaeology. This book will be of interest to scholars in industrial and environmental history, geography, and industrial sociology. It will also appeal to general readers interested in coal’s history and the Appalachian coal-mining region.
The Oral History Reader, now in its third edition, is a comprehensive, international anthology combining major, ‘classic’ articles with cutting-edge pieces on the theory, method and use of oral history. Twenty-seven new chapters introduce the most significant developments in oral history in the last decade to bring this invaluable text up to date, with new pieces on emotions and the senses, on crisis oral history, current thinking around traumatic memory, the impact of digital mobile technologies, and how oral history is being used in public contexts, with more international examples to draw in work from North and South America, Britain and Europe, Australasia, Asia and Africa. Arranged ...
Billy Dunaway develops and defends a framework for realism about morality. He defends the idea that moral properties are privileged parts of reality which are the referents for our moral terms. He suggests how it is that we can know about morality, and what the limits to moral disagreement are.