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Summary of Bruce Wilkinson, David Kopp & Heather Kopp's The Dream Giver
Please note: This is a companion version & not the original book. Sample Book Insights: #1 One day, a Nobody named Ordinary woke up with a nagging feeling that something was missing from his life. He was made to be a somebody and destined to achieve great things, but he was never happy. He eventually realized that he would never be happy unless he could pursue his Big Dream. #2 One evening, Ordinary went to visit his parents. He told them about his big dream, and how he wanted to pursue it. His father told him that he didn’t have to stay a nobody, and could be a dreamer. #3 The author’s friend, Ordinary, had a Big Dream that he left Familiar to pursue. He was a Dreamer, and he had to make big changes to pursue his dream. But it will be worth it. #4 The next morning, Ordinary woke up at the usual time. But instead of reporting to his Usual Job, he packed his suitcase with the usual stuff. He added his journal and a bottle of permanent ink. Then he walked away from the center of Familiar.
The Language of Perjury Cases
The Language of Perjury Cases outlines the contributions that linguistics can make to both the gathering of evidence and the way that evidence is analyzed in perjury cases. Roger W. Shuy describes eleven representative lawsuits—involving bankruptcy, unions, hunting licenses, doctors, priests, and Senators—for which he served as a consultant. Shuy's linguistic analysis illustrates how grammatical referencing, speech acts, discourse structure, framing, conveyed meaning, intentionality, and malicious language affected the outcome of these cases.
Chromatic Transformations in Nineteenth-Century Music
David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann, and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory, and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony. The historical and theoretical argument is supplemented by many analytic examples.
Harmony in Schubert: Harmonic progression; 2. Line progression; 3. Common prolongations and successions; 4. Chords built on bII, on III, and from the parallel key; Part II. Masterpieces: 5. 'Ganymed' (D. 544 6. Quintet in A Major ('Trout', D. 667), movement 1; 7. Symphony in B Minor ('unfinished', D. 759), movement 1; 8. Piano Sonata in A Minor (D. 784), movement 2; 9. 'Die junge Nonne' (D. 828); 10. Four Impromptus (D. 899); 11. 'Auf dem Flusse' from Winterreise (D. 911, No. 7); 12. Piano Sonata in B flat Major (D. 960), movement 1; Epilogue; Bibliography
This book develops fresh ideas on harmony through analyzing the music of one of Western music's true innovators, Franz Schubert.
Economic Warfare
New insights for investors and business people looking to create wealth in the turbulent post-crisis world In a no holds barred expose of the 2008 financial meltdown from the inside, Ziad K. Abdelnour argues that the political and financial elites have done nothing to fix the structural problems and instead have worsened the situation. By creating more market bubbles, they are actually waging a war on the most productive members of society. For investors, business people, and entrepreneurs that need to navigate the troubled geopolitical waters of the post-crisis world, Abdelnour offers several solutions, including looking at the world anew and understanding that the federal government's prim...
The Oxford Handbook of Neo-Riemannian Music Theories
In recent years neo-Riemannian theory has established itself as the leading approach of our time, and has proven particularly adept at explaining features of chromatic music. The Oxford Handbook of Neo-Riemannian Music Theories assembles an international group of leading music theory scholars in an exploration of the music-analytical, theoretical, and historical aspects of this new field.
