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Both men and women devote time and effort to removing natural body odour and replacing it with sexual attractant odours derived from plants and animals - we seem to need to smell of something other than people! Yet of all the apes, we are the most richly endowed with scent producing glands. This book examines the sense of smell in humans, comparing it with the known functions of the same sense in other animals. Odorous cues play a role in sexual physiology and behaviour in animals and there are claims that odour can play the same role in humans. The place of odours and scents in aesthetics and in psychoanalysis serves to illustrate the link between the emotional centres and the brain. The book presents arguments to explain the way in which our ancestral past has given rise to our modern day olfactory enigmas. The material is presented with as much explanation of the technical detail as possible to make the book accessible to a wide readership.
Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.
Describes how hearing, taste and smell connect us with other human beings and the rest of the world.
The life and times of the eight-time Stanley Cup winner When Boston coach Lynn Patrick was asked who heÍd pick between Rocket Richard or Gordie Howe he answered, ñNeither! IÍll take Red Kelly!î The only player to have won eight Stanley Cups without playing for Montreal, Red began his life in hockey on the cedar swamps near Port Dover, Ontario, and went on to win accolades and championships as a Detroit Red Wing and Toronto Maple Leaf. Go back in time with Red as he reminisces about his childhood: the time he nearly drowned; when he brought St. MichaelÍs College to three provincial championships; and his jump into a career with the NHL where sportsmanlike conduct won him multiple Lady Byng trophies. While playing with the Leafs, he served as member of parliament in Lester PearsonÍs government. After retiring in 1967 as a player, Red coached for a decade in the NHL with Los Angeles, Pittsburgh, and Toronto. This is a fascinating biography of a life well lived „ on and off the ice.
First multi-year cumulation covers six years: 1965-70.
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In Sentient, Jackie Higgins assembles a menagerie of zoological creatures – from land, air, sea and all four corners of the globe – to understand what it means to be human. 'Spellbinding . . . More than any other book, [Sentient] has made me think differently about the world this year.' – Financial Times Best Books of the Year The peacock mantis shrimp can throw a punch that can fracture aquarium walls. The great grey owl can hear many decibels lower than the human ear. The star-nosed mole’s miraculous nose allows it to catch worms in as little as 120 milliseconds. In Sentient we also meet the four-eyed spookfish and its dark vision, the vampire bat and its remarkable powers of touch, as well as the common octopus, the Goliath catfish and the duck-billed platypus. Each zoological marvel illustrates the surprising sensory powers that lie within us and enables us to engage with the world in ways we never knew possible. 'Lyrical and lucid . . . Higgins makes popular science accessible.' – Observer