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How the classical and medieval conceptions of Fortune shifted to the modern notion of chanceIs chance nothing more than a projection of human desire on to the world? In this fascinating new study, John Lyons argues that the idea of chance assumed new vigour in the late Renaissance, when converging philosophical and literary currents demystified the powerful concept of Fortune, sensitizing writers to the relationship between human desire and the world's apparent randomness. Up to now, the story of chance has been written by historians of mathematical thought and has focused on calculation, probability and gambling. Lyons, by contrast, highlights the ethical, aesthetic and even erotic aspects of chance. He offers detailed readings of the works of major French authors - Montaigne, Corneille, Lafayette, Scudery, Pascal, Racine, Bossuet, and La Bruyere.
This study identifies and analyzes a compelling theory and practice of persuasion that integrates the complexity of human desire. It demonstrates how the philosophical component in Pascal's description of the will makes a seamless integration into a vehicle of persuasion and poetics, providing a privileged viewpoint for understanding the author's complete works, arguing that the notion of will is of fundamental importance in Pascal's anthropology as well as in his rhetoric. This avenue of interpretation is both fruitful and difficult, because the word "volonte" means very different things in Pascal and in modern French. Beginning by contextualizing the notion of 'volonte' and explaining its expanded use in the seventeenth-century lexicon, the author then endeavors to show that Pascal borrows an essentially Augustinian paradigm of desire to create a depiction of the will divided against itself, surreptitiously yearning for what its bearer does not want.
Blaise Pascal (1623 1662) occupies a position of pivotal importance in many domains: philosophy, mathematics, physics, religious polemics and apologetics. In this volume a team of leading scholars presents the full range of Pascal's achievement and surveys the intellectual background of his thought and the reception of his work. New readers and nonspecialists will find this the most convenient and accessible guide to Pascal currently available. Advanced students and specialists will find a conspectus of recent developments in the interpretation of Pascal.
'le christianisme est étrange' - Pascal, Pensées Pascal's assertion that 'Christianity is strange', provides the theme for Richard Parish's exploration of Catholic particularity, as it was expressed in the writing of the French seventeenth century. This was a period of quite exceptional fertility in a range of genres: apologetics, sermons, devotional manuals, catechisms, martyr tragedies, lyric poetry, polemic and spiritual autobiography. Parish examines a broad cross-section of this corpus with reference to the topics of apologetics, physicality, language, discernment, polemics and salvation; and draws evidence both from canonical figures (Pascal, Bossuet, Fénelon, St François de Sales,...
The Chinese Impact upon English Renaissance Literature examines how English writers responded to the cultural shock caused by the first substantial encounter between China and Western Europe. Author Mingjun Lu explores how Donne and Milton came to be aware of England’s participation in ’the race for the Far East’ launched by Spain and Portugal, and how this new global awareness shaped their conceptions of cultural pluralism. Drawing on globalization theory, a framework that proves useful to help us rethink the literary world of Renaissance England in terms of global maritime networks, Lu proposes the concept of ’liberal cosmopolitanism’ to study early modern English engagement with...
Over the centuries, Quakers have read non-Quakers regarded as mystics. This study explores the reception of mystical texts among the Religious Society of Friends, focusing in particular on Robert Barclay and John Cassian, Sarah Lynes Grubb and Jeanne Guyon, Caroline Stephen and Johannes Tauler, Rufus Jones and Jacob Boehme, and Teresina Havens and Buddhist texts selected by her. Points of connection include the nature of apophatic prayer, suffering and annihilation of self, mysticisms of knowing and of loving, liberal Protestant attitudes toward theosophical systems, and interfaith encounter.
In two of his most famous plays, Britannicus and Bérénice, Racine depicts the tragedies of characters trapped by the ideals, desires, and cruelties of ancient Rome. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts. For Racine, Rome is more than a location, it is a set of values and traditions, a space of opportunity and oppression. The contributors to this volume examine Racine’s stagecraft, his exploration of time and space, sound and silence, and the ways in which he develops his own distinctive understanding of tragedy. The reception of his plays by contemporaries and subsequent generations also features. In Racine’s hands, Rome becomes a state of mind, haunted by both past and future. This book's dedicatee, Richard Parish, passed away on January 1st 2022, just before publication. We would like to dedicate this collection of essays to his memory.
This essential companion to Volume I traces the entirety of women's lives. What does it mean to be a woman? What viewpoints, perceptions, and insights are unique to women? Contributors from a wide range of back grounds offer their understanding of life through the eyes of women, looking at diverse and topical issues such as competition among women, children in battered women's shelters, HIV, grandmothering, therapy, and self-discovery. An indispensable resource for women and men seeking a greater understanding of human experience.