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The Mother of the Sri Aurobindo Ashram
The Mother of the Sri Aurobindo Ashram: Co-Creator of the Integral Yoga analyzes the contributions of the Mother (née Mirra Alfassa, 1878-1973) to the Integral Yoga that she and Sri Aurobindo (né Aurobindo Ghose, 1872-1950) co-created for his ashram. Scholars have ignored Mirra for Aurobindo, which prevents a full understanding of their spiritual practice. Scholars have also avoided examining work Aurobindo produced after they began their partnership in 1920 until his death in 1950, and privileged the written output in his journal Arya from 1914 to 1921. In this initial fertile period, he put forth his innovative teaching about what he called the “Supermind,” an emergent human faculty that he said would manifest a new humanity and a new earth through Mirra’s body. Mirra claimed that after his death in 1956 this manifestation happened as he foretold. Mirra’s work in the ashram from his death until hers in 1973 reveals important ways that she both fulfilled and changed Aurobindo’s initial vision. These developments are chiefly based on her experiences of mental dissolution while her body gained a new supramental form and consciousness.
Swami Vivekananda
With historical-critical analysis and dialogical even-handedness, the essays of this book re-assess the life and legacy of Swami Vivekananda, forged at a time of colonial suppression, from the vantage point of socially-engaged religion at a time of global dislocations and international inequities. Due to the complexity of Vivekananda as a historical figure on the cusp of late modernity with its vast transformations, few works offer a contemporary, multi-vocal, nuanced, academic examination of his liberative vision and legacy in the way that this volume does. It brings together North American, European, British, and Indian scholars associated with a broad array of humanistic disciplines towards critical-constructive, contextually-sensitive reflections on one of the most important thinkers and theologians of the modern era.
Puja and Piety
Accompanies the exhibition presented at the Santa Barbara Museum of Art, Santa Barbara, California, April 17-July 31, 2016.
The Unhappy Consciousness
This study argues that the Bengali novelist Bankimchandra Chattopadhyay produced some of the most searching critical reflections on modernity in colonial India. It rejects assumptions that Bankim was a conservative, claiming that his art must be seen in a different, historical context.
Philosophical Posthumanism
Posthumanism is the philosophy of our time, a necessary perspective in the reflection about planet Earth and the future of humanity. The term 'posthuman' redefines the notion of 'the human' in tune with the scientific and bio-technological developments, and the socio-cultural, ethical and environmental imperatives of our age. The philosophical landscape, which has since developed, includes several movements and schools of thought, such as Posthumanism, Transhumanism, Anti-humanism and New Materialism. This book explains the similarities and differences between these various currents and offers an original contribution to Philosophical Posthumanism, uncovering its historical, theoretical, ontological and epistemological horizons. Philosophical Posthumanism is a philosophy of mediation which deconstructs any strict hierarchy by embracing an interdisciplinary approach, which merges critical thinking, evolutionary biology, quantum physics and the practice of awareness, among other related fields. Its impact goes beyond academia to encompass society as a whole, emerging in the global paradigm shifts towards coexistence.
Greek Buddha
Presents a history of early Buddhism based solely on dateable artefacts and archaeology rather than received tradition, much of which data is provided by studying Pyrrho's history
Mapping the Posthuman
This book works to delineate some of the major routes by which science and art intersect. Structured according to the origin myths of the posthuman that continue to shape the idea of the human in our technological modernity, this volume gives space to narratives of alter-modernity that resonate with Ursula K. Le Guin’s call for a new kind of story which exposes the violence and exploitation driven by a sustained belief in human exceptionalism, anthropocentrism, and cultural superiority. In this context, the posthuman myths of multispecies flourishing given in this collection, which are situated across a range of historical times and locations, and media and modalities, are to be thought of as kernels of possible futures that can only be realized through collective endeavour.
