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From diggers and weeders, to artists and colourists, writers and dreamers to trend-setters, plantswomen to landscape designers, women have contributed to the world of gardening and gardens. Here Deborah Kellaway, author of The Making of an English Country Garden and Favourite Flowers , has collected extracts from the 18th century to the present day, to create a book that is replete with anecdotes and good-humoured advice. Colette, Margery Fish, Germaine Greer, Eleanor Sinclair Rohde, Vita Sackville-West, Rosemary Verey, Edith Wharton and Dorothy Wordsworth are some of the writers represented in this book.
Tells the story of making a garden for an English cottage, and provides practical gardening plans and tips on borders, hedges, trees, and more
Deborah Kellaway's meticulously edited collection of garden writing is at once a literary delight, a visual pleasure and an inspiring and practical companion full of good-humoured advice. The expertise, toil and creativity of women gardeners throughout the last century is celebrated in this comprehensive anthology, featuring outstanding horticultural writing and illustrated throughout by colour photographs and paintings of the gardens and gardeners. From diggers and weeders to plantswomen and landscape designers, this delightful book is now available in a new paperback edition and is an invaluable reference for all gardeners - from the truly green-fingered to those of the armchair variety.
This text is a collection of paintings of flowers by Elizabeth Blackadder. Gardening writer Deborah Kellaway provides commentary on the artist's favourite flowers - irises (the flower for which she is best known), poppies, tulips, lilies and orchids - and she writes shorter essays on hellebores, anemones and wild flowers, as well as the more exotic strelizia and banksia. She also considers the history of each plant and its place in painting and in the garden, as well as supplying brief cultivation notes.
From diggers and weeders, to artists and colourists, writers and dreamers to trend-setters, plantswomen to landscape designers, women have contributed to the world of gardening and gardens. Here Deborah Kellaway, author of The Making of an English Country Garden and Favourite Flowers, has collected extracts from the 18th century to the present day, to create a book that is replete with anecdotes and good-humoured advice.
Hadden's stories of how a new gardener transforms her urban lawn into a private wild garden evoke the wonder, the drama, and the compelling nature of gardening.
Long before Rachel Carson?s fight against pesticides placed female environmental activists in the national spotlight, women were involved in American environmentalism. In Women and Nature: Saving the "Wild" West, Glenda Riley calls for a reappraisal of the roots of the American conservation movement. This thoroughly researched study of women conservationists provides a needed corrective to the male-dominated historiography of environmental studies. The early conservation movement gained much from women?s widespread involvement. Florence Merriam Bailey classified the birds of New Mexico and encouraged appreciation of nature and concern for environmental problems. Ornithologist Margaret Morse Nice published widely on Oklahoma birds. In 1902 Mary Knight Britton established the Wild Flower Preservation Society of America. Women also stimulated economic endeavors related to environmental concerns, including nature writing and photography, health spas and resorts, and outdoor clothing and equipment. From botanists, birders, and nature writers to club-women and travelers, untold numbers of women have contributed to the groundswell of support for environmentalism.
The essays collected in this volume include a selection of those presented at a conference in the Universitat Rovira i Virgili, Tarragona, Spain, in 2002. They highlight the existence of a European network of women's writing which became a valuable source of consciousness-raising, not only for European women writers, but also for their readers. The main theme running through the essays is love: women loving against the odds and transcending all kinds of obstacles. Does love speak a common language or is it inevitably linked to social mores and individual experience? Does desire work in the same way? Do love and desire have the power to subvert dichotomous thinking and motivate real change? The texts studied in this volume are both fictional and factual, from plays and novels to diaries, letters and drama performances. The countries the essays travel through, and the languages they encounter, all contribute to forming a magic web of connections, solidarities and ideas that truly cross boundaries.
Who said that the suburbs are boring? The suburban trick is to look ordinary and be extraordinary, as Lynne Hapgood's absorbing discussion of the suburbs in fiction from 1880-1925 reveals.