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In June 2010, the editors of The New Yorker announced to widespread media coverage their selection of "20 Under 40"—the young fiction writers who are, or will be, central to their generation. The magazine published twenty stories by this stellar group of writers over the course of the summer. They are now collected for the first time in one volume. The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear eyed portraits...
She thought, brightly, This is the worst life decision I have ever made! And she marvelled at herself for a while, at the mystery of this person who’d just done this bizarre, inexplicable thing. Margot meets Robert. They exchange numbers. They text, flirt and eventually have sex – the type of sex you attempt to forget. How could one date go so wrong? Everything that takes place in Cat Person happens to countless people every day. But Cat Person is not an everyday story. In less than a week, Kristen Roupenian’s New Yorker debut became the most read and shared short story in their website’s history. This is the bad date that went viral. This is the conversation we’re all having. This gift edition contains photographs by celebrated photographer Elinor Carucci, who was commissioned by the New Yorker to capture the image that accompanied Kristen Roupenian’s Cat Person when it appeared in the magazine. You Know You Want This, Kristen Roupenian’s debut collection, will be published in February 2019.
***Pre-order Kate Folk's debut novel SKY DADDY now - coming April 2025*** 'Extraordinary . . . Folk is a dazzling talent' Karen Joy Fowler 'Wonderfully weird' Daily Mail A woman uses dating apps to find a partner, despite the threat posed by 'blots', artificial men more interested in stealing data than dating. A sculptor, trapped in a skyscraper restaurant when a violent coup erupts below, creates a perfect model of the town as it is destroyed. A curtain of void obliterates the world at a steady pace, leaving one woman to decide with whom she wants to spend eternity. Haunting and darkly inventive, the stories in Out There deftly combine science fiction and horror to uncover an unforgettable vision of the absurdity of life in the digital age. 'The literary love child of Kafka and Camus and Bradbury penning episodes of Black Mirror' Chang-Rae Lee, author of Native Speaker
Cinta. Rasa bersalah. Gairah. Kehilangan. Aib. Keterasingan. Perkara keseharian yang begitu dekat, tapi di tangan Munro, kehidupan paling sederhana sekalipun selalu berhasil diramu menjadi kisah yang memikat. Empat cerita penutup yang disebut Munro "terasa autobiografis" akan membawa kita menilik kilasan masa kecil Munro; sesuatu yang belum pernah diceritakan Munro sebelumnya. Dengan sentuhan khas Munro, cerita-cerita ini menarik kita masuk begitu dalam kekehidupan karakter-karakternya dan mengejutkan kita dengan perubahan yang tak terkira. Dipuji sebagai penulis dengan kejernihan visi dan kemampuan bercerita yang tak tertandingi, melaluiDear Life, Munro menunjukkan betapa sebuah kehidupan biasa bisa menjadi begitu aneh, berbahaya, dan tak terduga. [Mizan, Bentang Pustaka, Alice Munro, Nobel Sastra, Novel, Terjemahan, Indonesia]
NATIONAL BESTSELLER • From “one of the most acute and lasting writers of her generation” (The New York Times) comes a piercing novel of race, class, love, and war in America. Twenty-year-old Tassie Keltjin, the daughter of a gentleman farmer, has come to a university town as a student. When she takes a job as a part-time nanny for a mysterious and glamorous family, she finds herself drawn deeper into their world and forever changed. “An indelible portrait of a young woman coming of age in the Midwest in the year after 9/11…. Moore has written her most powerful book yet.” —The New York Times
Art Forum’s Best of the Year List A panoramic look at art in America in the second half of the twentieth century, through the eyes of the visionary curator who helped shape it. An innovative, iconoclastic curator of contemporary art, Walter Hopps founded his first gallery in L.A. at the age of twenty-one. At twenty-four, he opened the Ferus Gallery with then-unknown artist Edward Kienholz, where he turned the spotlight on a new generation of West Coast artists. Ferus was also the first gallery ever to show Andy Warhol’s Campbell’s Soup Cans and was shut down by the L.A. vice squad for a show of Wallace Berman’s edgy art. At the Pasadena Art Museum in the sixties, Hopps mounted the fi...
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‘The book I wish I’d written? Whatever Hari Kunzru is publishing next’ Aravind Adiga ‘Astonishing, absorbing, terrifying. Immensely good.’ Philip Pullman '‘Red Pill stands as a final blast of sanity against this new, deranged reality. It is a literary masterpiece for a barbaric new world rapidly running out of room for literary masterpieces.’ The Spectator '[A] deeply intelligent and artfully constructed novel.' Financial Times From the author of White Tears comes a breathtaking, state-of-the-world novel about one man’s struggle to defend his values and create a reality free from the shadows of the past. ‘From now on when you see something, you’re seeing it because I want...
From Johannes Lichtman comes a wisely comic debut novel about a teacher whose efforts to stay sober land him in Sweden, but the refugee crisis forces a very different kind of reckoning. You don’t have to be perfect to do good... Jonas Anderson wants a fresh start. He’s made plenty of bad decisions in his life, and at age twenty-eight he’s been fired from yet another teaching position after assigning homework like, Attend a stranger’s funeral and write about it. But, he’s sure a move to Sweden, the country of his mother’s birth, will be just the thing to kick-start a new and improved—and newly sober—Jonas. When he arrives in Malmo in 2015, the city is struggling with the influ...
'Close your eyes and slowly count backward from ten.' America, the near future. A young spy on a mission logs her observations. The result is an intense thriller, and a minute dissection of the experience of a woman whose beauty is also her camouflage, for whom control relies on submission: a woman whose success - whose life - depends on being seen and not seen. Originally published online via Twitter by @NYerFiction, Jennifer Egan's first new fiction since the phenomenal success of A Visit From the Goon Squad is a taut, compulsive work of unrelenting genius.