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Lost from view and largely unperformed for over half a century, the thirty-two extant works of chamber music by Leo Zeitlin (1884-1930) are published here, most of them for the first time. All but two are Jewish in content. A superbly talented composer and arranger, Zeitlin¿s career as a violinist, violist, conductor, and impresario began in St. Petersburg. There he became active in the Society for Jewish Folk Music, the catalyst for a brief but golden age of art music composed on Jewish themes. He subsequently taught and conducted in Ekaterinoslav and Vilna before emigrating in 1923 to New York, where he was a violist and arranger for the Capitol Theatre. The works date from all these periods of Zeitlin¿s career and are writtten for various combinations, instrumental and vocal. This edition describes Zeitllin and his milieu and includes historical and analytic discussions of each of the works. http://www.areditions.com/rr/rrn/n051.html
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Narrating the history of Michigan's forest industry, Karamanski provides a dynamic study of an important part of the Upper Peninsula's economy.
Sisters in the Brotherhoods is an oral-history-based study of women who have, against considerable odds, broken the gender barrier to blue-collar employment in various trades in New York City beginning in the 1970s. It is a story of the fight against deeply ingrained cultural assumptions about what constitutes women's work, the middle-class bias of feminism, the daily grinding sexism of male co-workers, and the institutionalised discrimination of employers and unions. It is also the story of some gutsy women who, seeking the material rewards and personal satisfactions of skilled manual labour, have struggled to make a place for themselves among New York City's construction workers, stationary engineers, firefighters, electronic technicians, plumbers, and transit workers. Each story contributes to an important unifying theme: the way women confronted the enormous sexism embedded in union culture and developed new organisational forms to support their struggles, including and especially the United Tradeswomen.
Arguing that the sweatshop is as American as apple pie, Laura Hapke surveys over a century and a half of the language, verbal and pictorial, in which the sweatshop has been imagined and its stories told. Not seeking a formal definition of the sort that policymakers are concerned with, nor intending to provide a strict historical chronology, this unique book shows, rather, how the “real” sweatshop has become intertwined with the “invented” sweatshop of our national imagination, and how this mixture of rhetoric and myth has endowed American sweatshops with rich and complex cultural meaning. Hapke uncovers a wide variety of tales and images that writers, artists, social scientists, refo...
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"In 1952, he put together an ensemble of engaging young singers and instrumentalists, who gave lively, expressive interpretations of medieval, Renaissance, and Baroque works. Their presentation of the liturgical drama The Play of Daniel won them international fame. Under Greenberg's leadership, they recorded extensively and toured Europe, the Soviet Union, and Latin America. At the height of his and Pro Musica's success, Noah Greenberg died at the age of 47. In Pied Piper, James Gollin not only relates Greenberg's tragically short, but highly colorful life story, but he sets the man in the rich context of America's rise to postwar political and cultural prominence."--Jacket.
Through research, historical narratives, and storytelling, historian and author Joseph Amato demonstrates how Americans with mixed ancestry and common origins might produce truly extraordinary family histories.