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Glossolalia
  • Language: en
  • Pages: 665

Glossolalia

Andrei Bely was one of the most prolific poets, novelists, and theoreticians among the Russian Symbolists. Engaged throughout his life with the essence of language, his thoughts and findings emerge repeatedly in his essays and novels. None of his writings on the subject, however, are as remarkable and multi-faceted as this Poem about Sound. Glossolalia is a complex examination of philology, philosophy, esoterica, and poetry, all in search of the relationship between sound and sense. It reverberates with sound associations and transcends all boundaries of language, discipline, and tradition. It is simultaneously a treatise on the origins of language and the world's creation through the movements of sounds. Bely reenacts, through the mouth, the cosmology of Rudolf Steiner. Bely's work, in its bold attempt to invoke the "living word," remains one of the most far-reaching poetic experiments of the twentieth Century, and this edition offers his fascinating text for the first time in both an English and a German translation, along with the original Russian version and an in-depth commentary by Thomas R. Beyer. Illustrated.

Andrey Bely
  • Language: en
  • Pages: 383

Andrey Bely

No figure in turn-of-the-century Russia, John Malmstad asserts, better epitomizes the paradoxes of that era than Andrey Bely (1880–1934). Eulogized by Boris Pasternak as "the most remarkable writer of our age" and now widely regarded as the seminal figure in Russian modernism and as one of the major writers of this century, Bely subjected the received standards of truth and value in literature to a penetrating and radical critique. After a long period of suppression under the Stalinist regime, Bely has become the object of growing critical attention in both East and West. Originating in a symposium held in 1984 under the auspices of the Harriman Institute at Columbia University on the fiftieth anniversary of Bely's death, this volume includes ten essays by established scholars of modern Russian literature, including leading Western specialists on Bely. The essays survey Bely's major works in all genres, summarize present research on Bely, reassess critical approaches, and offer fresh interpretations. Analytic summaries of primary works make the essays fully accessible to non-Slavist readers.

Andrey Bely
  • Language: en
  • Pages: 299

Andrey Bely

Andrey Bely, novelist, essayist, theoretician, critic, and poet, was a central figure in the Russian Symbolist movement of the 1920s, the most important literary movement in Russia in this century. Bely articulated a Symbolist aesthetic and originated a new approach to the study of Russian metrics and versification, giving rise to a new scholarly discipline that still thrives in the West. Although regarded by some critics, including Vladimir Nabokov, as the author of the greatest Russian novel of this century, Bely has been nearly forgotten in his native country for ideological reasons. In the West he remains little known and generally under-valued. But with recent English translations of Kotik Letaev and his masterpiece, Petersburg, interest in Bely is increasing. Janecek's book brings together some of the best modern scholarship on Bely and the Russian Symbolist movement of the 1920s.

A Reader's Guide to Andrei Bely's
  • Language: en
  • Pages: 281

A Reader's Guide to Andrei Bely's "Petersburg"

Andrei Bely's 1913 masterwork Petersburg is widely regarded as the most important Russian novel of the twentieth century. Vladimir Nabokov ranked it with James Joyce's Ulysses, Franz Kafka's Metamorphosis, and Marcel Proust's In Search of Lost Time. Few artistic works created before the First World War encapsulate and articulate the sensibility, ideas, phobias, and aspirations of Russian and transnational modernism as comprehensively. Bely expected his audience to participate in unraveling the work's many meanings, narrative strains, and patterns of details. In their essays, the contributors clarify these complexities, summarize the intellectual and artistic contexts that informed Petersburg's creation and reception, and review the interpretive possibilities contained in the novel. This volume will aid a broad audience of Anglophone readers in understanding and appreciating Petersburg.

Andrei Bely
  • Language: en
  • Pages: 240

Andrei Bely

  • Type: Book
  • -
  • Published: 1977
  • -
  • Publisher: Unknown

None

Andrei Bely
  • Language: en
  • Pages: 240

Andrei Bely

  • Type: Book
  • -
  • Published: 1977
  • -
  • Publisher: Unknown

None

Andrei Bely, the Major Symbolist Fiction
  • Language: en
  • Pages: 248

Andrei Bely, the Major Symbolist Fiction

A leading Russian Symbolist poet, essayist, and mentor to an entire generation of writers, Andrei Bely (1880-1934) achieved greatest renown for three brilliant novels: Petersburg--which has been ranked with the masterpieces of Joyce, Kafka, and Proust--The Silver Dove, and Kotik Letaev.

Petersburg/Petersburg
  • Language: en
  • Pages: 365

Petersburg/Petersburg

Since its founding three hundred years ago, the city of Saint Petersburg has captured the imaginations of the most celebrated Russian writers, whose characters map the city by navigating its streets from the aristocratic center to the gritty outskirts. While Tsar Peter the Great planned the streetscapes of Russia’s northern capital as a contrast to the muddy and crooked streets of Moscow, Andrei Bely’s novel Petersburg (1916), a cornerstone of Russian modernism and the culmination of the “Petersburg myth” in Russian culture, takes issue with the city’s premeditated and supposedly rational character in the early twentieth century. “Petersburg”/Petersburg studies the book and the...

Audrey Bely
  • Language: en
  • Pages: 274

Audrey Bely

This book traces the development of Audrey Bely's technique as a novelist from the early experimental Symphonies, to the last novel, Masks.

A History of Russian Symbolism
  • Language: en
  • Pages: 504

A History of Russian Symbolism

This book is the first detailed history of the Russian Symbolist movement, from its initial hostile reception as a symptom of European decadence to its absorption into the mainstream of Russian literature, and eventual disintegration. It focuses on the two generations of writers whose work served as the seedbed of Existentialism in thought and of Modernism in prose and the performing arts, and reassesses their achievements in the light of modern research. At the centre of the study are the texts themselves, with prose quoted in English translation and poetry given in the original Russian with prose translations. There is a valuable bibliography of primary sources and an extensive chronological appendix. This book will fill a long-felt gap, and will be invaluable to students and teachers of Russian and comparative literature, Symbolism, modernism, and pre-revolutionary Russian culture.