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Ornament and Decoration in Islamic Architecture
Surface decoration has always played a fundamental role in Islamic architecture. As human representation is forbidden in Islamic religious monuments, designers employed mosaics, stucco, brickwork and ceramics, and the vigorous use of brilliant colour to reach unparalleled heights of expression. It is this ornamental dimension of Islamic architecture that is explored in this magnificent volume. Rather than limiting itself to an exclusively historical or chronological perspective, Ornament and Decoration in Islamic Architecture presents four successive approaches to its subject. The first part offers an overview of Islamic architecture, discussing the great diversity it contains. Dealing exclu...
The Topkapi Scroll
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representat...
Splendors of Islam
Since human representation is forbidden in Islamic religious monuments, design & ornamentation reach unparalleled heights in Islamic tiles, mosaics, stucco, brickwork, & ceramics, enhanced by brilliant color. The author is a distinguished scholar of Islamic art & a professor at the University of Toulouse.
Islamic Ornament
The first comprehensive study of the history, function and significance of ornament in Islamic art. Heavily illustrated with magnificent examples of Islamic ornament, it surveys how motifs developed and became integrated into patterns. This volume covers the period 700-1600 AD and an area stretching from Syria and Asia Minor in the west, to Afghanistan and India in the east.
Islamic Geometric Design
Combines wide-ranging research with the author's artistic skills to reveal the techniques used to create the patterns adorning buildings in the Islamic world
The Production of Meaning in Islamic Architecture and Ornament
This volume collects Yasser Tabbaa's investigative and interpretive articles on medieval Islamic architecture, ornament and gardens in Syria and Iraq, with comparisons to Anatolia, Egypt, North Africa and Spain, within the context of the political divisions and theological ruptures of the Islamic world between the 11th and 13th centuries.
Mudejarismo and Moorish Revival in Europe
Mudejarismo and Moorish Revival in Europe examines key aspects related to the reception of Ibero-Islamic architecture in medieval Iberia and 19th-century Europe. It challenges prevalent readings of architecture and interiors whose creation was the result of cultural encounters. As Mudéjar and neo-Moorish architecture are closely connected to the Islamic world, concepts of identity, nationalism, religious and ethnic belonging, as well as Orientalism and Islamoscepticism significantly shaped the way in which they have been perceived over time. This volume offers art historical and socio-cultural analysis of selected case studies from Spain to Russia and opens the door to a better understanding of interconnected cultural and artistic phenomena. Contributors are (in order of appearance) Francine Giese, Ariane Varela Braga, Michael A. Conrad, Katrin Kaufmann, Sarah Keller, Elena Paulino Montero, Luis Araus Ballesteros, Ekaterina Savinova, Christian Schweizer, Alejandro Jiménez Hernández and Laura Álvarez Acosta.
Decorative Textiles from Arab & Islamic Cultures
"The exceptional collection published here ranges widely in region, material and technique. There are textiles and garments from North Africa, Syria, Arabia, Iran, Turkey and the Indian subcontinent linked by a shared vocabulary of ornament - evidence of the international nature of Islamic design. Materials represented are silk - the most prestigious of fibres, requiring highly respected weavers - wool, cotton and linen. Decoration is based on variations of weave and colour and embellishment through embroidery, printing and appliqué and illustrates the work of both professional and domestic workers. The strengths of the collection are concentrated in the textile production of the nineteenth...
