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Hailed as a landmark in its field since its first publication in 1984, Denis E. Cosgrove's Social Formation and Symbolic Landscape has been influential well beyond geography. It has continued to spark lively debate among historians, geographers, art historians, social theorists, landscape architects, and others interested in the social and cultural politics of landscape.
This book explores what mapping meant in the psat and how its meanings have altered. The authors investigate mappings of terrestrial space on a large scale; mapping and localism; personal mappings on and of the human body; cosmographic or imaginary mappings beyond the scale of direct earthly experience.
Mappings explores what mapping has meant in the past and how its meanings have altered. How have maps and mapping served to order and represent physical, social and imaginative worlds? How has the practice of mapping shaped modern seeing and knowing? In what ways do contemporary changes in our experience of the world alter the meanings and practice of mapping, and vice versa? In their diverse expressions, maps and the representational processes of mapping have constructed the spaces of modernity since the early Renaissance. The map's spatial fixity, its capacity to frame, control and communicate knowledge through combining image and text, and cartography's increasing claims to scientific authority, make mapping at once an instrument and a metaphor for rational understanding of the world. Among the topics the authors investigate are projective and imaginative mappings; mappings of terraqueous spaces; mapping and localism at the 'chorographic' scale; and mapping as personal exploration. With essays by Jerry Brotton, Paul Carter, Michael Charlesworth, James Corner, Wystan Curnow, Christian Jacob, Luciana de Lima Martins, David Matless, Armand Mattelart, Lucia Nuti and Alessandro Scafi
"Cosgrove's analysis traces a pattern of associations between global images and the formation of Western identities, paying tribute to the richly complex cosmographic tradition out of which today's geographical imagination has emerged."--BOOK JACKET.
This book, first published in 1988, draws together fourteen scholars from diverse disciplines to explicate the status of landscape as a cultural image.
Geographical imagination and the authority of images collects three papers and an interview on the themes presented and discussed during the 2005 Hettner lectures. Cosgrove examines the roles that vision and imagination have played in shaping material and represented landscapes at scales ranging from the local and regional to the global and cosmic. The book presents substantive studies of cosmographic and global mapping, the picturesque tradition and suburban Los Angeles, and the use of aeTranspennine' England as a geographical art gallery. Embedded in these are theoretical and ethical reflections on the ways that we come to know the world, ourselves and each other through geographical engag...
Leading geographer Denis Cosgrove provides a series of personal reflections on the complex connections between seeing, imagining and representing the world geographically. In a series of eloquent essays he draws upon pictorial images - including maps, sketches, cartoons, paintings, and photographs - to explore and elaborate upon the many and varied ways in which the vast and varied earth, and at times the heavens beyond, have been both imagined and represented as a place of human habitation. The essays include reflections upon geographical discovery; urban cartography and utopian visions; ideas of landscape and the shaping of America; wilderness and masculinity; conceptions of the Pacific; and the imaginative grip of the Equator. Extensively illustrated, this engaging work reveals the richness of the geographical imagination as expressed over the past five centuries.
Used for everything from geographic evaluation to secret spy missions, aerial photography has a rich and storied history, ably recounted here in Photography and Flight. Aerial photography is marked by its dependency on technological developments in both photography and aerospace, and the authors chart the history of this photography as it tracked the evolution of these technologies. Beginning with early images taken from hot-air balloons, fixed platforms, and subsequent handheld camera technology, Denis Cosgrove and William Fox then explain how military reconnaissance and governmental projects were instrumental in catalyzing these and other innovations in the field. They examine pivotal hist...
Photographs and essays express "the way the American landscape has been forged by various cultures in the past and what the possibilities are for its future design."--Jacket.
While the themes, sources, and materials of The Palladian Landscape span a range of disciplinary interests from art and architectural studies, economic, social, and environmental history, to philosophy and Renaissance humanism, Denis Cosgrove seeks to provide a geographical interpretation of a region of northern Italy in the specific period of the late Renaissance. However, he goes much further, using the thoughts, designs, and commissions of the architect Palladio as the central thread to weave a picture of a place, Venice, that is in a period of crisis as it seeks to survive a transition from a maritime power hinterland to a new land-based terraferma. As a cultural geographer, he seeks to ...