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"A celebration of the acclaimed television and radio news program Democracy Now! and the extraordinary movements and heroes who have moved our democracy forward. In 1996 Amy Goodman began hosting a show on Pacifica Radio called Democracy Now! to focus on the issues and movements that are too often ignored by the corporate media. Today Democracy Now! is the largest public media collaboration in the US, broadcasting on over 1,400 public television and radio stations around the world, with millions accessing it online at DemocracyNow.org. Now Amy, along with her journalist brother, David, and co-author Denis Moynihan, share stories of the heroes -- the whistleblowers, the organizers, the protes...
A collection of newspaper and magazine articles where Goodman and Moynihan take an anti-establishment stance and get to the heart of today's critical news stories and political events
This is the first far-reaching historical analysis of how press critics have kept American journalism honest and working on behalf of a free and democratic society. Merging history, biography, and forthright critique, Shame the Devil chronicles press commentary from the bitter aftermath of World War I to the paradoxes of the post-truth era.
A comprehensive survey of New York City's vibrant neighborhood art
Jamie Moynihan had the unique distinction of being officer commanding the group of Volunteers who carried out the FIRST armed attack on crown forces in Ireland during the War of Independence, at the Mouth of the Glen, in Muskerry, on 7 July 1918, and also of the volunteers who carried out the LAST armed attack of that war, at Céim Carraige, Carriganima, at 3pm on the day of the Truce, 11 July 1921. This is a gripping and detailed account of the War of Independence in Muskerry and in the Mid-Cork area that will capture the imagination of the reader. It covers many events not detailed elsewhere, including the hijacking of 'Sliabh na mBan' – the armoured car in which Michael Collins was late...
George Washington Prize Finalist Winner of the Society of the Cincinnati Prize “Fascinating... Hinderaker’s meticulous research shows that the Boston Massacre was contested from the beginning... [Its] meanings have plenty to tell us about America’s identity, past and present.” —Wall Street Journal On the night of March 5, 1770, British soldiers fired into a crowd gathered in front of Boston’s Custom House, killing five people. Denounced as an act of unprovoked violence and villainy, the event that came to be known as the Boston Massacre is one of the most famous and least understood incidents in American history. Eric Hinderaker revisits this dramatic confrontation, examining in ...
Theologies on the Move: Religion, Migration, and Pilgrimage in the World of Neoliberal Capital speaks to the reality that many religions have developed in motion, with people exploring new boundaries, migrating, and being displaced. Consequently, major religious traditions form as they come into contact with other religions and cultures, typically in situations of struggle and pressure. Due to neoliberal capitalism, more people are on the move today than ever before. Most are driven by necessity (migration due to violence, poverty, and perceived poverty); others, by religious quests that are often fueled by experiences of tension (pilgrimage). The chapters in this volume explore the complexity of these situations, examining in detail how theology and religion shape up in various contexts “on the move” and investigating specific problems and tensions in order to suggest solutions, alternatives, and new possibilities.
In the midst of Trump's attacks on the media, comes this look at the rigorous, independent reporting of the year's most underreported news stories. While the country's president displays a brazen disregard for the First Amendment and routinely demonizes the press as "the enemy of the people," Censored 2020 looks beyond Donald Trump's dizzying contempt for the truth to clarify the corporate media's complicity in misinforming the American public--while also providing a clear vision of a better future, based on rigorous, trustworthy independent reporting that presents a fuller picture of truth. With a discerning eye, Censored 2020 focuses the public's attention on the most important but underre...
The contemporary Christian church is in critical decline, both in membership and finances. All attempts at reversal are failing, primarily because of the consuming socioeconomic-secular dynamic in which society is immersed in its self-destructive course. Consequently, Christian imagery is losing its conceivability and credibility, and past motivations that once encouraged belief have lost their appeal. Without these as points of contact, the demise of the institutional church will be relentless, despite all efforts to halt it. Yet, as at other crisis points in history, the divine promise has been to raise a “faithful remnant” with sufficient promise to outlast whatever the societal demise. After carefully analyzing the ingredients of our societal crisis, the author develops the contours of a “Remnant Church” to be set in place now within the present institutional churches. This necessitates distilling a vital spirituality and discerning the heart of a preservable tradition, sufficient to claim both personal and communal commitment. Thereby prepared for the long haul, the Remnant Church can emerge as a prophetic alternative.
Francois Nouvion is well known collector and author of operatic subjects. He was born in Zurich and is a US citizen. He studied at the Swiss Federal Institute of Technology in Zurich and at Stanford University in Palo Alto. He worked mostly in the semiconductor testing equipment fi eld and sold US Equipment from Russia to Tokyo. Early on he became very interested in Opera and developed his knowledge in singing from the reissues by Guy Dumazert. He currently maintains a comprehensive website on tenors (historicaltenors.com) and a YouTube channel on Historical tenors. Although his interest on Irish-French tenor John O`Sullivan dates from his early days, he fi nally started researching the tenor`s career in the early 90s after meeting O’Sullivan’s children: Jacques, Colette and Raymonde. After much work contacting the different libraries all over the world, with the Paris and Marseilles libraries being the most diffi cult to work with, he fi nally started writing the O`Sullivan biography in 2007. It is now published. He only regrets that Jacques O’Sullivan, the tenor`s son, did not live to witness the publication.