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The Supercrit series revisits some of the most influential architectural projects of the recent past and examines their impact on the way we think and design today. Based on live studio debates between protagonists and critics, the books describe, explore and criticise these major projects. This second book in the unprecedented series examines Robert Venturi and Denise Scott Brown's infamous book which overturned the barriers separating high architecture from the commercial architecture of the Strip. In Robert Venturi and Denise Scott Brown: Learning from Las Vegas you can hear the couple's project description, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource for any architecture student.
This book addresses the ‘three moments’ in lesbian, gay, bisexual, transgender and intersex (LGBTI) asylum seekers’ and refugees’ efforts to secure protection: The reasons for their flight, the Refugee Status Determination process, and their integration into the host community once they are recognized refugee status.The first part discusses one of the most under-researched areas within the literature devoted to asylum claims based on sexual orientation and gender identity, namely the reasons behind LGBTI persons’ flight. It investigates the motives that drive LGBTI persons to leave their countries of origin and seek sanctuary elsewhere, the actors of persecution, and the status quo...
In the 1960s, American architect Robert Venturi made a case for the difficult whole, opposing mainstream modern architecture that ignores all the intricacies of life and produces pure space, or "easy unity". The architecture Venturi was aiming for embraces diversities, inevitable in any project. This new book, edited by Architecture Without Content, a research group at Ecole Polytechnique Federale de Lausanne's School of Architecture, offers a fresh analysis and a thorough re-evaluation of Venturi s idea of "the difficult whole" as both a looking glass and a possible tool for architecture today. Through a radical re-reading of found material from the Venturi Scott Brown archives, the editors...
Departing from a discussion on what it would be a mannerist attitude in the architecture of today, and theorizing around it, this book analyzes some works of contemporary European practices including Lutjens Padmanabhan, architekten de vylder vinck taillieu, TEd’A, Maio, 6a architects and AOffice KGDVS. Art critics between the seventeenth and nineteenth centuries imprinted a long-standing derogatory meaning to the word “mannerism”. Even though scholars such as John Shearman or Wolfgang Lotz rehabilitated the term to a certain degree during the twentieth century, it is still uncommon nowadays to find the expression “mannerist” used without certain pejorative connotations. This book provides a contemporary revision of the mannerist attitude for the present, creating a framework to analyze and shed light not only on the work that these practices are carrying out, but also on the less evident filiations and affinities, as well as on their deeper implications.
Seeking Sanctuary brings together life stories from LGBT migrants living in Johannesburg and their battle to reconcile faith with their sexual identity. The narratives reveal the complex interplay between homophobia and xenophobia; the fight for sexual and gender rights; and how faith-based organisations can direct social change.
"In 1968, American architects Robert Venturi, Denise Scott Brown, and Steven Izenour joined together with students from Yale University and took on Las Vegas as a subject of research. The group spent three weeks in libraries, four days in Los Angeles, and ten days in Las Vegas. The research led to the 1972 publication of the seminal architectural theory treatise Learning from Las Vegas. Photography and film were employed equally within as means of argumentation and representation. The original material has since been stored in the archives of Venturi, Scott Brown & Associates in Philadelphia. The firm has now opened up its archives and made the photographs available." --Book Jacket.
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The founder of the Acadia Summer Arts Program, Marion Boulton Stroud, asked Robert Venturi, Denise Scott Brown and Steven Izenour to design and construct houses and other structures for the camp. The architects took as inspiration Maine's indigenous architecture, such as shingle houses and lobster shacks.
"Learning from Las Vegas, originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Thirty-five years later, it remains a perennial bestseller and a definitive theoretical text. Its authorsاarchitects Robert Venturi, Denise Scott Brown, and Steven Izenourاfamously used the Las Vegas Strip to argue the virtues of the "ordinary and ugly" above the "heroic and original" qualities of architectural modernism. Learning from Las Vegas not only moved architecture to the center of cultural debates, it changed our ideas about what architecture was and could be. In this provocative rereading of an iconic text, Aron Vinegar argues ...