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"This book explores the importance of textiles in Andean societies, past and present, as vital indicators of regional ideas about technique and technology, and the ways these interact with power relations, including gender and class relations. The focus is on Andean textiles from a weaver's point of view, as living things which express a complex three-dimensional worldview through their structures, techniques and iconography. These ontological conceptions are traced through the various tasks and processes in the productive chain of textile making, and the manifold ways in which the ideas about a finished textile product refer back continually to these shared experiences in Andean societies. Different thematic approaches examine how the material existence of textiles served, and still serves, as a record of technological knowledge, at the heart of human-centred efforts to integrate and coordinate diverse populations into socio-cultural and productive endeavours in common."--Page 4 of cover.
Provides a comprehensive ethnography of writing in the Andes, and details the relationship between Andean peoples' struggle to preserve their indigenous textual forms in the face of Western cirricula, with their struggle for land and power.
A view from the weaver's fingertips: the technical and creative come together in a pioneering study of Andean weaving
Addresses the importance of the human head in political, ritual and symbolic contexts in the ancient and modern Andes.
This edited volume analyzes the belief in supernatural gamekeepers and/or animal masters of wildlife from a cross-cultural perspective. It documents the antiquity and widespread occurrence of the belief in supernatural gamekeepers at the global level. This interdisciplinary volume documents both the antiquity and the widespread geographical distribution of this belief along with surveying the various manifestations of this cosmology by way of studies from Europe, Asia, Africa, and North and South America. Some chapters explore the manifestations of this belief as they appear in petroglyphs/pictographs and other forms of material culture. Others focus on the environmental impacts of these bel...
Addressing the infrastructural, social and legal complexities of a global commodity chain, this book uses an ethnographic analysis of the encounter between multinational corporations and popular traders in the Bolivian Andes. It offers a situated account of the everyday work of chain (un)making, and practices of translation, accommodation and contention. It highlights traders’ collective action, understanding of economic concepts and regulatory principles, and traces the circulation of goods and money beyond market exchange. All in all, it aims to comprehend the reproduction of the native trading system amid global connections, and to humanize our understanding of the economy by grounding it in everyday life, bottom-up socio-material infrastructures and morality.
When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music.
•It analyses culture during the Argentinian crisis from an interdisciplinary angle (literature, cinema, art and music). •Wide-ranging material: ‘highbrow’ art (Leonel Luna), popular culture (cumbia villera), cultural products that challenge these distinctions (César Aira, Martín Rejtman), and political art (Grupo de Arte Callejero). •The only book in English to focus comprehensively on race and nation in contemporary Argentina from a cultural studies perspective. •A broad understanding of the crisis (late 1990s to mid-2000s), which implies a more comprehensive account of this event. •Due to its analysis of white middle-class identity in Argentina, the book is also a contribution to the emerging field of whiteness studies in Latin America. •The book looks at a trend that would eventually affect the US and Europe in the aftermath of the 2008 financial crisis: how disaffection caused by neoliberalism triggered in people a concern with national identity which, in many cases, led to a rise of nativism and racism (e.g. Brexit, Trump’s election).
An Open Secret traces the history of women's experiences with unwanted pregnancy and abortion in La Paz and El Alto, Bolivia between the early 1950s and 2010. It finds that women's personal reproductive experiences contributed to shaping policies and services in reproductive health care.
The expansion of married women's property rights was a main achievement of the first wave of feminism in Latin America. As Carmen Diana Deeere and Magdalena Leon reveal, however, the disjuncture between rights and actual ownership remains vast. This is particularly true in rural areas, where the distribution of land between men and women is highly unequal. In their pioneering, twelve-country comparative study, the authors argue that property ownership is directly related to womenÆs bargaining power within the household and community, point out changes resulting from recent gender-progressive legislation, and identify additional areas for future reform, including inheritance rights of wives.