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The Dennis Day Show
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What America Watched
Although television critics have often differed with the public with respect to the artistic and cultural merits of television programming, over the last half-century television has indubitably influenced popular culture and vice versa. No matter what reasons are cited--the characters, the actors, the plots, the music--television shows that were beloved by audiences in their time remain fondly remembered. This study covers the classic period of popular television shows from the 1960s through the 1990s, focusing on how regular viewers interacted with television shows on a personal level. Bridging popular and scholarly approaches, this book discovers what America actually watched and why through documents, footage, visits to filming locations, newspapers, and magazine articles from the shows' eras. The book features extensive notes and bibliography.
Encyclopedia of Television Shows
This is a supplement to the author's Encyclopedia of Television Shows, 1925-2010. It covers 1,612 series broadcast between January 1, 2011, and December 31, 2016. Major networks--ABC, CBS, the CW, Fox and NBC--are covered along with many cable channels, such as AMC, Disney, Nickelodeon, Bravo, Lifetime, Discovery, TNT, Comedy Central and History Channel. Alphabetical entries provide storylines, casts, networks and running dates. A performer index is included.
Television Series and Specials Scripts, 1946-1992
In the early days of television, many of its actors, writers, producers and directors came from radio. This crossover endowed the American Radio Archives with a treasure trove of television documents. The collected scripts span more than 40 years of American television history, from live broadcasts of the 1940s to the late 1980s. They also cover the entire spectrum of television entertainment programming, including comedies, soap operas, dramas, westerns, and crime series. The archives cover nearly 1,200 programs represented by more than 6,000 individual scripts. Includes an index of personal names, program and episode titles and production companies, as well as a glossary of industry terms.
Encyclopedia of Television Shows, 1925 through 2010, 2d ed.
This fully updated and expanded edition covers over 10,200 programs, making it the most comprehensive documentation of television programs ever published. In addition to covering the standard network and cable entertainment genres, the book also covers programs generally not covered elsewhere in print (or even online), including Internet series, aired and unaired pilot films, erotic series, gay and lesbian series, risque cartoons and experimental programs from 1925 through 1945.
The A to Z of Old Time Radio
The A to Z of Old Time Radio provides essential facts and information on the "golden age of radio" through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on the radio networks, programs, directors, producers, writers, actors, radio series, and radio stations. Entries on popular shows--The Lone Ranger, The Shadow, Dragnet, and Suspense--and actors--Bob Hope, George Burns, Gracie Allen, and Edgar Bergen--will have you jumping from one entry to the next as you relive old favorites and discover hidden treasures.
George Burns Television Productions
An elementary school dropout, George Burns went on to become one of America's most beloved entertainers. This book covers a neglected part of his career--his work as a television producer. Burns was not only a behind-the-scenes producer, but also filled the role of producer in various comedies in which he starred. Though his forte was situation comedies, Burns' company, McCadden Productions, also produced dramatic anthology series and pilots, including a pilot considered to be a precursor to the popular TV series Mission: Impossible. This book focuses on Burns' wide variety of production efforts, and follows his involvement in television productions from his 1950 comedy series with his wife, Gracie Allen, through his participation in the fantasy sitcom Mister Ed, and finally to his last producer credit in 1981, I Love Her Anyway, a remake of The Burns and Allen Show.
Private Screenings
While much research into television has been historical, textual, or empirical, this volume approaches the topic from a sociocultural and feminist perspective, to address important questions from the viewpoint of the audience as well as from that of the industry. The contributors examine the ways in which the television industry seeks to deliver a female audience to its advertisers while inserting itself into women's lives, both at home and in the marketplace - hence the concept of a private screening in which the outside media world is brought into the personal space. The volume analyzes how television delivers "consumption" to its female audience by displaying commodities and lifestyles that attempt to engender an idealized sense of community and how audiences understand television programming and how these programs construct definitions of "femininity".
