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Film Study
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
Film, Form & Feeling
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Susan Sontag
Susan Sontag: An Annotated Bibliography catalogues the works of one of America's most prolific and important 20th century authors. Known for her philosophical writings on American culture, topics left untouched by Sontag's writings are few and far between. This volume is an exhaustive collection that includes her novels, essays, reviews, films and interviews. Each entry is accompanied by an annotated bibliography.
A Theatre Anthology
Designed for a course in "World Arts: Art, Theatre and Film", and will prove useful to programs at other colleges that have been designed along similar interdisciplinary lines. Contents: THE SPIRITUAL DIMENSION: Selections on Shamanism, Michael Kirby; Everyman, Anonymous; The Blind, Maurice Maeterlinck; THE PORTRAIT: "The Period of Study," Constantin Stanislavsky; Krapp's Last Tape, Samuel Beckett; LOVE FULLFILLED, LOVE THWARTED: A Raisin in the Sun, Lorraine Hansberry; Our Town, Thornton Wilder; ART IN THE SOCIAL CONTEXT: The Trojan Women, Euripides; Fabiola, Eduardo Machado; THE SENSE OF MOVEMENT: Lazzi; The Flying Doctor, Moliere; Futurist Plays; The Jet of Blood, Antonin Artaud; 18 Happenings in 6 Parts; VOCABULARY LISTS: Theatre; Film.
On Monosemy
In this book, the author argues that words should be presumed initially to be monosemic: having a single, highly abstract meaning. Semantic research should first seek a unitary meaning, resorting to polysemy, homonymy or idiomaticity only when an extended attempt fails. Utilizing a large data base, this book shows that some supposed "lexical" semantic meaning is actually pragmatic or extralinguistic. Included are extensive treatments of the verbs bear, hit, kick and slap, the phrase take off, and the noun ice. Ruhl studies linguistic research methods and theory, most directly relevant to the fields of semantics and pragmatics, and also to lexicography, cognitive science, and artificial intelligence. The hypothesis of monosemy implies significant changes of perspective and application for all fields which deal in lexical definition.
Media, Myth, and Society
Using a cultural approach to classical myths, this book examines how they affect psychoanalytic theory, historical experience, elite culture, popular culture, and everyday life. Berger explores diverse topics such as the Oedipus Myth, James Bond, Star Wars, and fairy tales.
The Cultural Theorist's Book of Quotations
Where did you see it—that perfect quotation from Foucault or Kristeva to use in your upcoming keynote address? Stop the search and pick up Arthur Berger’s handy book of over 300 concise quotations from the vast literature in cultural theory. This compilation will give you just the right snappy quote to help prepare that lecture, write that paper, fill that Power Point, or drop a few bon mots at a university reception. Organized by theoretical model (semiotic, Marxist, psychoanalytic, gender, postmodernist), Berger pulls together the most succinct, meaningful passages of the key theorists of our time for those wanting to distill cultural theory to its essence.
The Social, Psychological and Cultural Significance of Westerns
This book is about cowboy Western books and two important Western films, Shane and High Noon. Its focus is on the psychological, social, and cultural significance of Westerns, a narrative genre of major importance in American popular culture. What you will find, as you read this book, is that while the stories may have relatively simple plot lines, compared to classic novels, and are based on certain formulas, their psychological significance and cultural importance is a very complicated matter. Fans of Westerns read them to entertain themselves but, as will be shown—in considerable detail—there’s more to reading Westerns, or any novel, than meets the eye. This text presents the idea that people read Westerns because these stories provide certain psychological and social pleasures, payoffs, and benefits.
