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Depicting Canada’s Children
Depicting Canada’s Children is a critical analysis of the visual representation of Canadian children from the seventeenth century to the present. Recognizing the importance of methodological diversity, these essays discuss understandings of children and childhood derived from depictions across a wide range of media and contexts. But rather than simply examine images in formal settings, the authors take into account the components of the images and the role of image-making in everyday life. The contributors provide a close study of the evolution of the figure of the child and shed light on the defining role children have played in the history of Canada and our assumptions about them. Rather than offer comprehensive historical coverage, this collection is a catalyst for further study through case studies that endorse innovative scholarship. This book will be of interest to scholars in art history, Canadian history, visual culture, Canadian studies, and the history of children.
The Making of the Nations and Cultures of the New World
The Making of the Nations and Cultures of the New World explores the question of how a culture - a collective consciousness - is born. Gérard Bouchard compares the histories of New World collectivities, which were driven by a dream of freedom and sovereignty, and finds both major differences and striking commonalities in their formation and evolution. He also considers the myths and discursive strategies devised by elites in their efforts to unite and mobilize diversified populations.
Done with Slavery
A study of the black experience in Montreal.
Canadian Reference Sources
In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR
In Good Hands
In 1905 two Montreal women, Alice Peck and May Phillips, founded the Canadian Handicrafts Guild. Inspired by British and American women in the arts and crafts movement, and spurred by their thirty-year rivalry with Mary Dignam of the Toronto-based Women's Art Association of Canada, these two created an organization that revived popular interest in traditional handwork done by women, Canadiens, Indigenous people, and new Canadians.
Policing the Roman Empire
Drawing on a wide variety of source material from art archaeology, administrative documents, Egyptian papyri, laws Jewish and Christian religious texts and ancient narratives this book provides a comprehensive overview of Roman imperial policing practices.
The Chicago River
Calling upon his considerable novelistic skills, Loren D. Estleman exposes the black heart of a seemingly stable, well-run city suddenly pitched into violence and chaos. A delicate balance of forces-greed and corruption, ambition and desire-run out of control in the wake of a serial killer's grisly rampage.A power struggle-between a police chief who has looked the other way for too long, a Mafia boss who holds the city's vices in his powerful grasp, and media reporters looking for a big story-turns what has been a minor dispute into a desperate struggle for survival.Setting this drama in a blue-collar metropolis dominated by an oil company, Estleman, with an unerring eye for telling detail and an ear for dialogue that reveals the secret desires of his characters, crafts a fascinating, deadly tapestry of love, ambition, revenge, and redemption, a stunning portrait of the human condition.
National Soul
Examining their social, political, and economic contexts, McKay shows how the murals of this period glorified Canada as a modern nation state, extolled the virtues of commerce and industry, inculcated conventions of gender and race, and shared the intensity of nationalistic sentiment that led to the work of the more renowned painters of Toronto's Group of Seven. Bringing together for the first time a body of Canadian work - civic, commercial, religious, and private - that has been largely ignored by art historians, A National Soul challenges previous histories of Canadian painting. This generously illustrated book reproduces seldom-seen works from across the country, many of which have been moved or destroyed, and includes a comprehensive listing of all works from the period, their original and present locations, and their state of preservation.
