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Desmond Paul Henry
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Idealization XI: Historical Studies on Abstraction and Idealization
Discussions about abstraction are so important and so profound that this topic can hardly be neglected. It has inevitably cropped up again in various periods of philosophical enquiry. Despite these ancient roots and after the great debate that characterised the empirical and rationalistic tradition, interest in the problem has unfortunately been absent in large measure from the mainstream of mathematical logic and analytic philosophy. It seems that there is a gap between the epistemological theorization, in which it is difficult to find new insights on the problem of abstraction, and the historical studies concerning the development of philosophical thought. Such studies, however, present a ...
Digital Art, Aesthetic Creation
Is art created with computers really art? This book answers ‘yes.’ Computers can generate visual art with unique aesthetic effects based on innovations in computer technology and a Postmodern naturalization of technology wherein technology becomes something we live in as well as use. The present study establishes these claims by looking at digital art’s historical emergence from the 1960s to the start of the present century. Paul Crowther, using a philosophical approach to art history, considers the first steps towards digital graphics, their development in terms of three-dimensional abstraction and figuration, and then the complexities of their interactive formats.
The Logic of Saint Anselm
Saint Anselm, the 11th-century Archbishop of Canterbury, is well-known for his ontological argument for the existence of God. This book places his argument in the context of modal logic derived from Boethius, and also shows how linguistic analysis was developed extensively through Anselm's work.
Speculative Grammar, Universal Grammar, and Philosophical Analysis of Language
This volume brings together papers originally presented at a seminar series on Speculative Grammar, Universal Grammar, and Philosophical Analysis, held at the University of Bologna in 1984. The seminars aimed at considering various aspects of the interplay between linguistic theories on the one hand, and theories of meaning and logic on the other. The point of view was mainly historical, but a theoretical approach was also considered relevant. Theories of grammar and related topics were taken as a focal point of interest; their interaction with philosophical reflections on languages was examined in presentations dealing with different authors and periods, ranging from the Middle Ages to the present day.
The British Surrealists
Fêted for their idiosyncratic and imaginative works, the surrealists marked a pivotal moment in the history of modern art in Britain. Many banded together to form the British Surrealist Group, while others carved their own, independent paths. Here, bestselling author and surrealist artist Desmond Morris - one of the last surviving members of this important art movement - draws on his personal memories and experiences to present the intriguing life stories and complex love lives of this wild and curious set of artists. From the unpredictability of Francis Bacon to the rebelliousness of Leonora Carrington, from the beguiling Eileen Agar to the brilliant Ceri Richards, Morris brings his subjects foibles and frailties to the fore. His vivid account is laced with his inimitable wit, and profusely illustrated by images of the artists and their artworks. Featuring thirty-four surrealists - some famous, some forgotten - Morriss intimate book takes us back in time to a generation that allowed its creative unconscious to drive their passions in both art and life. With 105 illustrations
British Design from 1948
Catalog of the exhibition "British design 1948-2012: Innovation in the Modern Age" at the Victoria and Albert Museum, London, Mar. 31-Aug. 12, 2012.
Cameraless Photography
This volume is a remarkable historical survey of photographic images created without a camera. Cameraless Photography presents a concise historical overview of photographic images created independently of a camera. It surveys the corresponding techniques—including photograms, chemigrams, luminograms, dye destruction prints, and more—used to create those images. The book features one hundred key images from more than one hundred and seventy years of history, ranging from the earliest experiments in chemical photography, such as those by Anna Atkins in the nineteenth century, through seminal avant-garde photograms of modernists such as Man Ray in the 1920s and 1930s to the latest digital processes by Susan Derges. Visually compelling, Cameraless Photography is an outstanding introduction to the significant cameraless processes used throughout the history of photography and the cameraless work of some of photography’s greatest names.
Depicting the Word
This study investigates the sources of Byzantine iconophile thought as exemplified in the writings of John of Damascus, Theodore the Studite and the Patriarch Nikephoros. It provides an extensive analysis of the major themes addressed by these apologists of Christian images.
