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Johan David Åkerblad (1763–1819) contributed to the decipherment of Egyptian hieroglyphs and Demotic and is known as a predecessor of Jean-François Champollion. This intellectual biography offers a new and less heroic interpretation of the first reading of the Egyptian scripts. Åkerblad, an exceptional linguist, was a diplomat and orientalist who spent several decades living in the Ottoman Empire, France and Italy. Of humble birth, he was a supporter of the French Revolution – something that stymied his career. His life cannot be understood in a purely Swedish national framework, and this study firmly situates him as an international scholar. The book discusses European expansion in the Eastern Mediterranean during the tumultuous decades around the year 1800, and traces Åkerblad’s momentous life in relation to the debates on ‘orientalism,’ the tradition of classical studies and the history of science.
This volume recounts the story of one the most remarkable and enduring love triangle in history between the Duke and Duchess of Devonshire (William and Georgiana Cavendish) and Lady Elizabeth Foster, nick-named Bess. The Duchess introduced the Duke to her best friend, the Lady Elizabeth (who later married the Duke), and lived in a triad with them for the next 25 years. Lady Elizabeth had two illegitimate children by the Duke, a son and a daughter.
First multi-year cumulation covers six years: 1965-70.
Exploring the variety of forms taken by collections of sculpture, this volume presents new research by twelve internationally recognized scholars. The essays delve into the motivations of different collectors, the modes of display, and the aesthetics of viewing sculpture, bringing to light much new archival material. The book underscores the ambiguous nature of sculpture collections, variously understood as decorative components of interiors or gardens, as objects of desire in cabinets of curiosity, or as autonomous works of art in private and public collections. Emphasizing the collections and the ways in which these were viewed and described, this book addresses a significant but neglected aspect of art collecting and contributes to the literature on this branch of art and cultural history. This book evolved from a symposium "Sculpture Collecting and Display, 1600-2000," organized by the Center for the History of Collecting, that was held at The Frick Collection on May 19 and 20, 2017. Both the book and the symposium were made possible through the generous support of the Robert H. Smith Family Foundation. The book is published in association with The Frick Collection.
" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.
Novel in the form of the "rediscovered" long-lost memoirs of Byron (the actual memoirs were burned shortly after his death).