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Increasingly dyslexia is becoming a whole-school issue. The responsibility for addressing the needs of dyslexic students no longer rests with one individual but is the responsibility of all school staff - subject specialists and school management. This timely book addresses this need by providing specific guidance to secondary school staff on how to support dyslexic students within different subject areas and within the principles and practices of inclusion.
The "Gentleman's magazine" section is a digest of selections from the weekly press; the "(Trader's) monthly intelligencer" section consists of news (foreign and domestic), vital statistics, a register of the month's new publications, and a calendar of forthcoming trade fairs.
It is now recognised that dyslexia affects people’s lives in all sorts of different ways. This book shows how some dyslexics can be highly gifted musicians. It is important, however, that they should not be put off from studying music just because - at least in the early stages - many of them find it difficult to read and remember the symbols of musical notation. The foreword is by Baroness Mary Warnock. 10 of the 21 contributors to the book are themselves dyslexic. Each relates their personal experiences (whether as amateurs or professionals) and in most cases their eventual success. The other contributors are teachers or researchers who have wide experiences of dyslexic musicians of all ages. The book’s message is one of optimism. Dyslexic musicians can succeed provided only that they are given sufficient encouragement and understanding.
Music and dyslexia is of particular interest for two reasons. Firstly, research suggests that music education can benefit young dyslexics as it helps them focus on auditory and motor timing skills and highlights the rhythms of language. Secondly, dyslexic musicians at a more advanced level face particular challenges such as sight-reading, written requirements of music examinations and extreme performance nerves. This is a sequel to the highly successful Music and Dyslexia: Opening New Doors, published in 2001. The field of dyslexia has developed rapidly, particularly in the area of neuropsychology. Therefore this book focuses on these research advances, and draws out the aspects of music education that benefit young dyslexics. The contributors also discuss the problems that dyslexic musicians face, and several chapters are devoted to sight-reading and specific strategies that dyslexics can use to help them sight-read. The book offers practical techniques and strategies, to teachers and parents to help them work with young dyslexics and dyslexic musicians.
This book is an essential resource for those who wish to fully understand the infinite variety of words in the English Language. Taking the reader on an historical journey to the origin of the language, the book tells how conquests of our island, both military and cultural, have shaped the words that we use today. Teachers will benefit from the colourful examples of the various distinctive characteristics of each language group described. A photocopiable appendix gives a useful list of prefixes and roots used in scientific words, which will be enlightening for students of all abilities. Those working with dyslexic pupils will find this part of the book particularly helpful. The book concludes by discussing the benefits and drawbacks brought about by our rich legacy of vocabulary.
Questo libro dimostra che alcuni dislessici possono essere musicisti molto dotati. È importante, tuttavia, che non venga loro impedito di studiare la musica solo perchè - almeno nei primi tempi - molti di loro trovano difficile leggerla e ricordare i simboli della notazione musicale. Fra i 21 autori dei saggi qui proposti, dieci sono dislessici e raccontano le proprie esperienze personali e in molti casi parlano di notevoli successi raggiunti. Il libro ci invia un messaggio di ottimismo. I musicisti dislessici possono arrivare al successo perchè ricevano sufficiente incoraggiamento e comprensione. Edizione italiana a cura di Matilde Bufano.
C.S. Lewis wrote many great words, but not everything you see with his name on it is from the famed author of the Narnia books. Seventy-five quotations are presented that have an association in one way or another with a host of names, including: Ryan Seacrest, Anthony Hopkins, Max Lucado, Rick Warren, and Tim Allen! Learn the three most common ways Lewis is misrepresented: 1.Falsely Attributed Quotes: Expressions that are NOT by him. 2.Paraphrased: Words that are ALMOST what he said. 3.Out of Context: Material he wrote, but are NOT QUITE what he believed. This book doesn't stop there. Also discover what Lewis actually said that is related to the presented misquotes. Those new to Lewis and the more serious reader of his works will grow in their appreciation of a writer that is not only quotable, but obviously misquotable!
Reflects both the classic building blocks of Reformation history, and also the new historiography which has emerged in recent years.