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A mosquito-infested and swampy plain lying north of the city walls, Rome's Campus Martius, or Field of Mars, was used for much of the period of the Republic as a military training ground and as a site for celebratory rituals and occasional political assemblies. Initially punctuated with temples vowed by victorious generals, during the imperial era it became filled with extraordinary baths, theaters, porticoes, aqueducts, and other structures - many of which were architectural firsts for the capitol. This book explores the myriad factors that contributed to the transformation of the Campus Martius from an occasionally visited space to a crowded center of daily activity. It presents a case study of the repurposing of urban landscape in the Roman world and explores how existing topographical features that fit well with the Republic's needs ultimately attracted architecture that forever transformed those features but still resonated with the area's original military and ceremonial traditions.
Conlin questions the long-held assumption that the friezes' sculptors were anonymous Greek masters, directly influenced by the reliefs carved on the Parthenon. Through close analysis of the sculptures, Conlin demonstrates that the carvers of the large processional friezes were actually Italian-trained sculptors influenced by both native and Hellenic stonecarving practices. Her conclusions rest on a systematic examination of the evidence left on the marble by the sculptors themselves - the traces of tool marks, the carving of specific details, and the compositional formulas of the friezes.
"This is a stimulating book and should be compulsory reading for all students of Roman art." ---Classical Review "For all the authors, attention to the ensemble, a sense of the relation between the formal and the iconographic, and the desire to historicize their material contribute to making this anthology unusual in its rigorous and creative attention to the way that art and architecture participate in the construction of the image of the Roman elite." ---Art Bulletin Roman Art in the Private Sphere presents an impressive case for the social and art historical importance of the paintings, mosaics, and sculptures that filled the private houses of the Roman elite. The six essays in this volum...
In this book, Paul Jacobs traces the history of a neighborhood situated in the heart of Rome over twenty-five centuries. Here, he considers how topography and location influenced its long urban development. During antiquity, the forty-plus acre, flood-prone site on the Tiber's edge was transformed from a meadow near a crossroads into the imperial Circus Flaminius, with its temples, colonnades, and a massive theater. Later, it evolved into a bustling medieval and early modern residential and commercial district known as the Sant'Angelo rione. Subsequently, the neighborhood enclosed Rome's Ghetto. Today, it features an archaeological park and tourist venues, and it is still the heart of Rome's Jewish community. Jacobs' study explores the impact of physical alterations on the memory of lost topographical features. He also posits how earlier development may be imprinted upon the landscape, or preserved to influence future changes.
The Villa dei Papiri at Herculaneum-buried during the eruption of Mt. Vesuvius in A.D. 79, then rediscovered in 1750-contained a large collection of bronze and marble statuary and busts. Before they were published or exhibited, the sculptures were restored so as to appear whole: it is thus that they helped to shape early modern tastes in classical sculpture. The book describes the nature of the ancient sculptures and their impact on the modern public. Their chance discovery affected the interpretation of the statues-their styles and subjects-over the course of the next 250 years. The ancient sculptures were copied extensively in reproductions of various sizes and patinas. The author traces t...
Combines material and literary cultural approaches to the study of the reception of Augustus and his age during the reign of the emperor Domitian
The women of Ancient Rome, were obliged to maintain the 'Mos maiorum', the established order of things. Romulus himself was believed to have devised the almost indissoluble marriage rite, the 'Confarreatio', which put a wife under the absolute power of her husband. She could not divorce him, but he could divorce her.
"Carradori's book of instructions is vital to understanding the art and craft of sculpting as they were practiced before the twentieth century, since little substantial material exists that demonstrates, in an informed, didactic manner, the various tools and techniques used by ancient sculptors. Carradori's work is the most comprehensive and instructive; it includes thirteen articles that explain how to restore marble sculpture, model clay, work with stucco and wax, cast and finish bronze, and how to carve and enlarge models into marble and stone, as well as seventeen tables that illustrate the arrangement, methods, and tools used in each of these processes. The book also includes the complete Italian text."--Jacket.
Takes one of the world's longest continuously occupied urban neighborhoods and explores the trace of early development on the future space.
Rome was the largest city in the ancient world. As the capital of the Roman Empire, it was clearly an exceptional city in terms of size, diversity and complexity. While the Colosseum, imperial palaces and Pantheon are among its most famous features, this volume explores Rome primarily as a city in which many thousands of men and women were born, lived and died. The thirty-one chapters by leading historians, classicists and archaeologists discuss issues ranging from the monuments and the games to the food and water supply, from policing and riots to domestic housing, from death and disease to pagan cults and the impact of Christianity. Richly illustrated, the volume introduces groundbreaking new research against the background of current debates and is designed as a readable survey accessible in particular to undergraduates and non-specialists.