Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Diane Severin Nguyen
An exhibition catalog centering on a film by artist Diane Severin Nguyen. This catalog, published on the occasion of the exhibition If Revolution is a Sickness, presents the first monographic book on work by artist Diane Severin Nguyen, which considers how songs and shared histories are woven together across different times and places. The book centers on a new film by Nguyen that is set in Warsaw, Poland, and it loosely follows the character of an orphaned Vietnamese child who grows up to join a South Korean pop-inspired dance group. Popular within a subculture of Polish youth, the genre of K-pop is used by Nguyen as a vernacular structure as she traces a relationship between Eastern Europe...
Osmos Magazine:
Writings on, and work by, Mariah Garnett, Diane Severin Nguyen and Margarete Jakschik plus an essay on the many uses of the word "pictures" Founder and editor of Osmos Magazine Cay Sophie Rabinowitz (formerly of Parkett and Fantom) describes the publication as "an art magazine about the use and abuse of photography," explains . The magazine is divided into thematic sections--some traditional, and others more idiosyncratic. This 20th issue looks backward and forward. Kelly Sidley's essay surveys the wide-ranging use of the term "pictures" in 1977, from Mapplethorpe's simultaneous shows entitled "Pictures"--one of "portraits" at Holly Solomon and the other of "erotic pictures" at the Kitchen--to Douglas Crimp's renowned Pictures Generation exhibition at Artists Space. The "Still Moving Still" section focuses on Los Angeles-based Mariah Garnett; a portfolio on the work of Diane Severin Nguyen; and a selection of images by Margarete Jakschik, who was the cover artist for the previous issue. Alongside longtime contributing editors Tom McDonough and Drew Sawyer, new contributors such as River Bullock make their debut.
Made in L.A. 2020
Made in L.A. 2020: a version brings together an intergenerational and interdisciplinary mix of artists, each of whom is contributing to L.A.'s vibrant art scene. Since its inception in 2012, the Hammer Museum's Made in L.A. biennial has brought together local artists from a wide range of discipline. Under the direction of co-curators Myriam Ben Salah and Lauren Mackler, the 2020 iteration will be no exception. The Hammer's Ikechukwu Onyewuenyi, who has previously served with Performa and The Kitchen in New York, will assist in the organization of the 2020 biennial in the role of assistant curator for performance. Drawing inspiration from historical artist magazines, this book is not documentation of the artists' work, but rather serves as an additional venue for the exhibition. It includes images of the artists' studios, art made specifically for the pages of the book, as well as essays and conversations between artists and curators that weave together the conceptual through-lines of the show. This book is published in two different covers. Published with the Hammer Museum
Art in the Age of Anxiety
Artists and writers examine the bombardment of information, misinformation, emotion, deception, and secrecy in online and offline life in the post-digital age. Every day we are bombarded by information, misinformation, emotion, deception, and secrecy in our online and offline lives. How does the never-ending flow of data affect our powers of perception and decision making? This richly illustrated and boldly designed collection of essays and artworks investigates visual culture in the post-digital age. The essays, by such leading cultural thinkers as Douglas Coupland and W. J. T. Mitchell, consider topics that range from the future of money to the role of art in a post-COVID-19 world; from me...
Photo-Fiction, a Non-Standard Aesthetics
Twenty years after cultivating a new orientation for aesthetics via the concept of non-photography, François Laruelle returns, having further developed his notion of a non-standard aesthetics. Published for the first time in a bilingual edition, Photo-Fiction, a Non-Standard Aesthetics expounds on Laruelle’s current explorations into a photographic thinking as an alternative to the worn-out notions of aesthetics based on an assumed domination of philosophy over art. He proposes a new philosophical photo-fictional apparatus, or philo-fiction, that strives for a discursive mimesis of the photographic apparatus and the flash of the Real entailed in its process of image making. “A bit like ...
Blues for Smoke
This book, which accompanies a large-scale thematic exhibition, considers the experimental impulse in ideas and forms of the blues - and how it is manifested in a variety of works by contemporary visual artists. Covering nearly half a century and including the works of some 50 artists in a wide variety of media, this book looks beyond ideas of musical category to identify the blues as a visual and cultural idiom that has informed multiple generations of artists -- from Romare Bearden and William Eggleston to David Hammons and David Simon, creator of the television series The Wire. Generously illustrated with paintings, drawings, photographs, sculpture, installation, and video stills, and con...
Nari Ward: We the People
A critical examination of the work of one of the most significant and original sculptors and installation artists living today Jamaican-born Nari Ward is best known for his large-scale sculptures and installations, many of which are created from unexpected materials collected around his urban neighborhood. His incisive works frequently comment on issues surrounding race, poverty, consumerism, and diasporic identity in American culture. This book accompanies a major retrospective at the New Museum, highlighting his work from the early 1990s – including Amazing Grace (1993).
Soft Water Hard Stone
The official catalogue for the 2021 New Museum Triennial, a global survey of today's up-and-coming artists. The New Museum's Triennial, curated by Jamilla James and Margot Norton, is a signature survey of emerging artists from around the world. In this moment of profound change, where structures once thought to be stable have been revealed to be precarious, the 2021 Triennial showcases 40 artists and collectives reimagining traditional models, materials, and techniques beyond established institutional paradigms. Their works explore states of transformation, calling attention to the malleability of structures and the fluid and adaptable potential of both technological and organic media.00Exhibition: New Museum, New York, USA (10.07.2021 - 01.23.2022).
The Last Cruze
As the General Motors plant in Lordstown, Ohio halted production and faced possible closure, displacing its workers, artist LaToya Ruby Frazier joined with these workers, their families, and their local union leaders to tell the story of the plant in its final days. After more than fifty years of automobile production and a commitment to manufacture the Chevrolet Cruze until 2021, the facility was recently "unallocated" by GM, as the company shifts its focus toward overseas manufacturing and the production of electric and autonomous vehicles. For many, this meant uprooting their families and giving up the support of a close-knit community. Those who turned down transfers to GM plants in othe...
Illiberal Arts
None
